Suggested Net Artists & Net Artworks
- Lisa Jevbratt, 1:1, every IP, 1999
- Fakeshop
- F.P.U. Floating Point Unit
- Josh On, They Rule, 2001
- Casey Reas, Signal to Noise, 2013
- Jenny Holzer, Please Change Beliefs, (1997)
- R. Luke Dubois, Clouds, 2009
- Lev Manovich, Selfie City (2014)
- Paolo Cirio and Alessandro Ludovico, Face to Facebook (2011)
- Cory Archangel, Working on my Novel (2012)
- Ian Aleksander Adams, Friendster Friday (2013)
- Luther Blisset, The Luther Blisset Project, 1994
- Mark Amerika, Grammatron, 1997
- Jason Spingarn-Koff, Life 2.0, (2010)
- Jennifer Ringley, Jennicam, (1997)
- Alexei Shulgin, Desktop Is, 1997
- Eva and Franco Mattes, Life Sharing, (2000)
- Hasan Elahi, Tracking Transience 2.0 (2003)
- Jodi.org, Jodi.org, (1995)
- Mark Napier, The Shredder (1997)
- Jon Cates, GL1TCH.US, (ongoing)
- Rosa Menkman, Sunshine in my Throat, (ongoing)
- Sherry Rabinowitz & Kit Galloway, Hole in Space, 1980
- Paul Sermon, Telematic Dreaming, 1993
- Annie Abrahams, The Big Kiss, 2007
- Annie Abrahams, One the Puppet of the Other, 2007
- Douglas Davis, The World’s Longest Collaborative Sentence, (1994)
- Ken Goldberg, Telegarden, 1995
- Nicholas Maigret, Pirate Cinema, (2012)
- Nathaniel Stern, Wikipedia Art (2009)
- Frank Warren, PostSecret (2004)
- Chaos Computer Club, Blinkenlights (2001)
- Golan Levin, Telesymphony (2001)
- Tamiko Thiel, Bushwick Augmented Reality Intervention (2010)
- Janet Cardiff, Her Long Black Hair (2004)
- Paul Sermon, Telematic Vision (1993)
- Eva and Franco Mattes, Reenactment of Marina Abromavic Imponderabilia (2007)
- Annie Abrahams, Shared Still Life (2010)
- Annie Abrahams, Mutant (2010)
- Mark Amerika, Museum of Glitch Aesthetics (2012)
- Mark Napier, Riot (2000)
- Jason Freeman, itunes Signature Maker (2005)
- Mark Hansen and Ben Rubin, Listening Post (2003)
- Christopher Baker, Hello World (2011)
- Vuk Cosik, ASCII History of Moving Images (1997)
- Amy Alexander, The Bot (2000)
- John Simon, Every Icon (1997)
- Matthew Fuller, Webstalker I/O/D (1997)
- Heath Bunting, Read Me, own, be owned… (1998)
- Wolfgang Staehle, Empire 24/7 (1999)
- Masaki Fujihata, Light on the Net (1996)
- Adriene Jenik and Lisa Brenneis, Desktop Theater (1997) (Palace)
- John Klima, Glasbead (1999)
- Eduardo Kac, Teleporting an Unknown State (1994)
- Second Front, Grand Theft Avatar (2008)
- Robert Whitman, Local Report 2012 (2012)
- James Buckhouse, Tap (2002)
- Marina Kurkow, PDPal (2002)
- Blast Theory, Can You See Me Now (2005)
- Field Broadcast (2012)
- Lynn Hershman, Tillie the Telerobotic Doll / Cyberoberta (1995)
- Eva and Franco Mattes / 0100101110101101.org, No Fun (2010)
- Julia Scher, Security Bed (2000)
- Steve Mann, Wireless Wearable Webcam (1980)
- Tina LaPorta, Re:mote_corp@realities (2001)
- Carlo Zanni, My Portrait with Dog (2008)
- Helen Varley Jamieson, Avatar Body Collision
- Rafael Lozano-Hemmer, Vectorial Elevation (1999)
- Knowbotic Research, 10_dencies (1997)
- Burak Arikan, Networked Map of Artists and Political Inclinations (2012)
- Graham Harwood, et al, MediaShed (2006)
- Ai Weiwei, WeiweiCam (2012)
Suggested Readings
- Sida Vaidhyanathan (2012). “Open Source as Culture/Culture as Open Source” in Mandiberg, M. (Ed.). The Social Media Reader. New York: New York University Press.
- Davis, D. (1991-95) “The Work of Art in the Age of Digital Reproduction“, Whitney Museum of Art
- Jevbratt, L. (2003) “Coding the Infome: Writing Abstract Reality“, Dichtung Digital
- Rabinowitz, S., Galloway, K. (1992). “Welcome to ‘Electronic Café Interntional'” in Packer, R., & Jordan, K. (Eds.). Multimedia : from Wagner to Virtual Reality ([Expanded ed.). New York: Norton.
- Packer, R. & Cates J. (2014) “Glitch Expectations: Interview with Jon Cates,” Hyperallergic
- Niedzviecki, H. (2009) “Peep Diaries: How We’re Learning to Love Watching Ourselves & Our Neighbors” City Light Books
- Packer, R. (1999) “Net Art as Theater of the Senses,” Walker Art Center
- Wittkower, D. E. (2010). Facebook and Philosophy: What’s on your Mind? A Reply to Facebook Critics, Popular Culture & Philosophy
- Manovich, L. (2013) “Zooming into an Instagram City: Reading Through the Local Media”, First Monday
- Turkle, S. (2011) “Growing up tethered,” Alone Together: why we expect more from technology and less from each other. New York: Basic Books
- Baumgartel, T. (1999) “Copies are More Important than their Original“, Interview with Eva & Franco Mattes
- Bookchin, N. & Shulgin, A. (1999) “Introduction to net.art“
- Dreher, T. (ongoing) “History of Computer Art“
- Porter, D. (1996) “Internet Culture”, Routledge
- Greene, R. (2004) “Internet Art”, Thames & Hudson
- Lovink, G. (2011) “Networks Without a Cause”, Polity Press
- Baumgartel, T. (2001) “net.art 2.0”, Verlag für moderne Kunst Nürnberg
- Bosma, J. (2011) “Nettitudes: Let’s Talk Net Art”, Institute of Networked Cultures
- Garrett, M. (2006) “DIWO (Do it With Others) Artistic Co-Creation as a Decentralized Method of Peer Empowerment in Today’s Multitude”, Furtherfieldorg
- Menkman, R. (2009) “Glitch Studies Manifesto“
- Ascott, R. (2002). “Is There Love in the Telematic Embrace” in Packer, R., & Jordan, K. (Eds.). Multimedia : from Wagner to Virtual Reality ([Expanded ed.). New York: Norton.
- Abrahams, A. (2002) “I am an Artwork? Yes, no, maybe, why?“
New Media Arts Organizations:
- Rhizome.org, resource for new media, Museum of Contemporary Art, NY
- Furtherfield, resource for new media in London
- Eyebeam, media center in New York City
- Steim, studio for electro-acoustic music in Amsterdam
- ZKM, Center for Art & Media in Karlsruhe, Germany
- Arts Electronica, media arts museum and festival in Linz, Austria
- International Society for the Electronic Arts, annual media arts festival and conference
- V2_Institute for Unstable Media, interdisciplinary center for art and media in Rotterdam, Netherlands
- CRUMB, curating new media listserv
- Australian Network for Art & Technology (ANAT), supports artists and creative practitioners engaging with science and technology, within Australia and beyond.
- Digicult, is an “open publishing” project and a Network of authors fully open and directed towards the nationally and internationally promotion and dissemination of digital culture and electronic art.
Web 2.0, Tele-communications and Social Media Resources:
- Vimeo, video repository and social media site
- Facebook, social media platform for billions of people
- Instagram, feeds for photography and visual media
- Soundcloud, audio repository and social media site
- WordPress, dynamic authoring system
- Twitter, social media site
- Periscope, live streaming integration with Twitter
- Adobe Connect, multi-user telecommunications software
- YouTube, video repository and social media site
- Flickr, image repository and social media site
- New Livestream, real-time, live Internet broadcasting
- Pinterest, bulletin board style social media
