Maria Chatzichristodoulou on telematic
Maria Chatzichristodoulou also known as Maria X broadly defines telematic as a use of a telecommunication network to establish links between two different places at the same time.
Maria then began highlighting key art movement the Fluxes during 1960 to the 1970s. Some of the key work she highlighted was Hole in Read more →
The third space network is a live video broadcast, which focus on broadcasting creative dialogue all over the world.
At the start, what becomes prominent in the broadcast is the various technical issues that appear in the broadcast. Glitches with the sound system, where the poor keynote speaker could not hear everyone else. Glitches in film, where the video would pause Read more →
Networked practice is indisputably one of the most revolutionary media in art to date. The engagement of social media has assimilated into the daily, who is to say how far it has burgeoned as a lifestyle, let alone an artistic media. What seems important to me is that we understand the blurred lines between the art, the philosophy, the Read more →
My favourite part of Kidnap is probably its ability to transfer the creative courage and power from the artist to the performer to the audience. It is this salience that creates an unstageable act of artistic research, a candid experience not just for those who participate in it, but also for those who watch it.This transfer of power was precisely what Steve Dixon had discussed in his essay on cybernetics and existentialism, which I wrote about in one of my blog posts. Putting the viewer into the position of captivity forces them to question the very nature of existence, freedom, aloneness, etc. What would have been very interesting is to tie this transfer of power to the overall objective of the Symposium. As you could see, the audience was very active in the chat space, where they were free to comment and express their opinion at any point in time. This is essentially the idea of social broadcasting, transferring power from the hierarchical nature of traditional broadcasting (the monologue) to the collaborative, social forms that flatten the hierarchy and turn control over to the viewer. I wanted to mention that because tying your excellent commentary to the broader themes of the symposium would have been a nice addition to your essay. One thing I want to point out is the design work you did with your illustrations. Very nice!
“The third space network is an internet broadcast channel for live media arts and creative dialogues, in terms of broadcasting and bringing a global audience to creative dialogue, performance and other forms of activities.” – Randall Packer on the third space network.
Communication is a vital aspect of current society, especially with the Read more →
The notion of leeches, the internet and the online users draws inexplicable connection as they subsist on one another. Also, one additional reference drawn could be: is there a possibility of wordplay when they make use of leeches as part of the performance? Could it altogether be a true reflection of the impact of technology and social media? The conception that we are over-reliant on mechanization as it leeches our time away on mindless scrolling.I had not thought about the relationship between the leeches and our parasitic relationship to the Internet, but I think this was an incredible point, even if it wasn't the intention of the artist. We are reliant on communications, each and every day, and this reliance creates a dependency that can in fact cause "bleeding," at least in a metaphorical sense. Perhaps this may have been an opportunity to offset this observation with the concept of social broadcasting, which in effect, when used for critical and artistic purposes sheds light on our Internet condition. I thought your analysis of Annie Abrahams' work beautifully described how the artist might attempt to resolve this condition: by creating a space where the entanglements can become an aesthetic experience, a thing of beauty. This perhaps describes the unique differences between the two performances: igaies was, as described by the performers, a dystopic view of the Internet condition, whereas Abrahams was a more utopic rendering, at least in my opinion, in that she attempted to create a harmonious space despite the technological and geographical separation. This is a very fine essay indeed!
In this hyperessay, I will be highlighting the segments of the symposium that stood out the most to me, namely Annie Abraham’s performance ‘Online Ensemble – Entanglement Training’ and two of Blast Theory’s works, ‘Kidnapped’ and ‘My One Demand’. All the works that will be mentioned have one thing in common – they encompassed the concept of DIWO Read more →
So we were asked to make a video for our alter ego. Mine is kind of a wizard of some sort, the detail are ‘hush hush’ so we are not allowed to talk about it. So this video is about my alter ego travelling home every few minutes because it is that easy to do what ever it is Read more →
Video Selfie: Using your iPhone or computer with photo booth (or similar Webcam video software), create a one minute video of yourself that constructs your selfie as an “artistic alter ego:” the artist or designer you want/choose/aspire to be!
To go about doing this, I had to understand what an alter ego was.
For my video selfie, I chose to record my self taking off my “disguise” and showing my real self. This is because when I was asked to make a video that would capture my “artistic alter-ego”, I thought what kind of artist do I want to be. The answer was simple, an artist who was confident, brave, and strong. But Read more →
This video plays around the idea of the inner child in me. People use to get excited over chocolates and all things happy, but now, as an adult, they tend to find joy in drinking and such. The joy they experience is reminiscent of the happiness they received over small things, as a child.
This video shows the process of me writing all sorts of qualities I wish I possess in the eyes of others on a mask, to eventually wearing the mask and framing the camera at an angle as if taking a selfie. The action of wearing the mask shows how my alter ego may not be completely representational of who I Read more →