(Source taken from: https://en.wikipedia.org/wiki/Cadillac_Ranch#/media/File:Cadillac_Ranch.jpg)
Title: Cadillac Ranch
Artist: Chip Lord
Year created: 1974/1994
Cadillac Ranch is an installation of 10 Cadillac’s buried nose deep in a line, in the dirt along route 66 west of Amarillo.
Its almost as if they were droven off a cliff and plunged head first into the ground. Now useless, the owners wander off looking for help and Read more →
Ant Farm started in San Francisco in 1968 Chip Lord and Doug Michels. In the interview with Lord Chip, they sported ‘hippy’ culture along with their media van. An art work ‘A hundred TV sets’ is something similar to Media Burn(1975), where the TV sets were built in an Read more →
DIWO (do-it-with-others) refers to the practice of having a joint project, where like minded people collaborate together. In the case of Furtherfield, they aim to connects people to new ideas, critical thinking and imaginative possibilities for art, technology and the world around us. Through DIWO, we have striped art making from the contrails of time, space and even drastically Read more →
|| The Eternal Frame (1975) is a videotaped reenactment of the assassinated of John F. Kennedy’s assassination by Antfarm which seeks to draw attention to the power of the mediated image.
Antfarm is a collective of radical artists founded in San Francisco in 1968 by Chip Lord and Doug Michels (1943-2003) that sought to rebel against the conformative style of art Read more →
Eternal Frame sought to explore the power of the media to immortalise such a historical moment and ingrain it into the minds of people by converting a real-life event into a processed memory via the media.I think even Ant Farm has difficulty explaining the meaning of the work. But this statement speaks to the idea of how the event lives on through the mediated image, just like 9/11. These kind of iconic images are burned into our consciousness, thus memorialized, never to be forgotten. The Zapruder Film, which the Enternal Frame was based on, did exactly that, such that the artwork made critique of that phenomenon through its re-enactment. I thought your essay captured that idea very nicely. My only critique of your essay is that it may have strengthened it by adding more detail about the event itself, how it was staged, the fact that it was done in Dealey Plaza, the site of the assassination, and interestingly the reaction of the bystanders in Dallas, many of whom were there when it really happened. How haunting is that!
Media Burn was an art performance piece organised by a group of artists and architects called Ant Farm. In the piece, a customized 1959 Cadillac renamed the Phantom Dream Car was driven into a bank of television monitors as seen in the image above, causing an explosive collision thus the term, Media Burn. It was driven by two men (artist Read more →
Ant Farm Artists: Chip Lord, Doug Michels, Curtis Schrier, Uncle Buddie
Based as an architecture and design group by Doug Michels and Chip Lord, in 1968, it looks into the conceptual activity of the late 60s/70s. It breaks through the walls of traditional architecture into the new media. Ant Farm involves themselves in the youth’s culture embrace of communal Read more →
About Ant Farm:
Ant Farm is a collective of radical architects who were also video, performance, and installation artists but, above all, visionaries and cultural commentators. They are called ‘Ant Farm’ because it was the perfect metaphor to describe them – they were an active underground architecture group and collectivity was a way of life for them.
Media Burn (1975):
Media Burn (1975) Read more →
(Video of Media Burn, the Project)
On the third space once again, the audience from all parts of the world coincides with the Adobe Connect platform to watch the live conference hosted by Mr Randall Packer and Chip Lord. Founded in 1968 by Chip Lord and Doug Michels, Ant Farm explores Read more →
Experimental Interaction – A Summary, awaiting a Sequel
DIWO, otherwise known as, Do It With Others, is a concept created by Marc Garrett, the founder of Furtherfield. A new perspective brought forward to encourage collaboration, this has shifted creative production from being top-down to being collaborated. In the first half of the semester, Experimental Interaction class has emphasized on the idea Read more →
DIWO and Artware
“As an artist-led group, Furtherfield has become progressively more interested in the cultural value of collaboratively developed visions as opposed to the supremacy of the vision of the individual artistic genius.”
During the lecture, Garrett makes an indirect reference to this quote when he brings up how maker culture pushes creatives out of their comfort zone. Painters need not Read more →