Recent Posts
research critic on Jenny Holzer's Please Change Believes


Jenny Holzer’s please change believes, is a work base on the world wide web, where she invites the audiences to contribute and change the given truism. Her body of work focuses on the delivery of words and ideas in public spaces. These short truisms are very direct and are very obvious for us. However, by inviting the viewers to Read more →


Truisms over the years

Jenny Holzer’s ‘Please Change Beliefs’ (1995) is an interactive work that is available to the public via the internet. Jenny Holzer has a list of Truisms that she came up with and as the title suggests, the viewer is invited to modify a common truism that they choose.
The viewer first arrives on the homepage that include one of the many Read more →

Like, Favourite and Subscribe!


|| Hello World! (2008) by Christopher Baker is a audio-visual wall installation that comprises of over 5000 videos taken from social media websites like Youtube, Facebook and MySpace. Each of them are a personal video recording from an individual to an imaginary audience (vlogging = video + blogging). The collective motley of voices that results can either seem meditative or Read more →


The Telematic Embrace

This micro-project thrives on our ability to synthesise first and second space elements to construct by collaboration in a metaphysical third space. Through our desktop screens, we see a cohesive image of choreographed ideas. We are synchronising our actions in reality to interact with each other in the third space.
These scenes were screenshot during an interactive adobe connect session.
Our perception Read more →
A Collaborative New Media: The World's Longest Sentence

The World’s Longest Sentence is an interactive art piece that is enabled by the collaborative contributions of the audience through a website. The site instructs them to “continue the sentence” by submitting material of varying type – including text, image, video and sound.
The audience member is unaware of what precedes in the sentence. I contributed by submitting the phrase Read more →

E-Connect


I would like to give a name to this screenshot, e-connect. A lot of things in our daily life are going “e” (Electronic) because of technology. For example, e-mail, e-ticket, e-commerce and etc.. Technology improves the quality and efficiency of our lives. Today, we are able to connect with each other easily in the third space which the technology creates. Read more →

Telematic Embrace, or: a Touchless Touch

The keyword Randall Packer emphasised upon was “negotiation”: our adjacent positions on Adobe Connect made it important to collude with each other in order to achieve the various tasks assigned to us. It takes a while to reach that conclusion, especially where negotiation often connotes the act of “discussing” to reach a consensus, which did not quite happen (as opposed Read more →

A Telematic Embrace


SUMMARY
The third space. A space that combines our current space with another space. Yet, it is nearly impossible to coexist in two of the spaces simultaneously. However, this does not mean that we can not communicate with other who have stepped into the third space along side you. In a sense as we step into the third space, we are Read more →

Hello World!

Hello World! is a work by artist Christopher Baker where he compiles over 5000 videos of different individuals speaking to an imagined audience from their private spaces onto a single screen as an installation to talk about participative media and the human desire to be heard. He is inspired by the interconnectivity present in our world today, where we might Read more →

No Limit No Restriction: Online Collaborative Sentence


The World’s Longest Collaborative Sentence (1994) by Douglas Davis.
Born in Washington DC 1933, Douglas Davis was an artist, critic, professor and author. He played an active role in the field of contemporary art since 1960. One of his first few artwork, he set up a live satellite performance through the use of interactive technology as a medium for art Read more →
