Recent Posts

Angry Women and their Entanglement

Su Xian

Thursday, Mar 22, 2018 - 12:26:31 am

@ Shu

Annie Abraham’s Angry Women is a piece hosted on webcam. The webcam acts as a facilitator for the women’s anger. The purpose of this artwork is to make a stand on female anger through angry discussions on the internet. Five performances were carried out with a full womans panel. Another had only men and the other two mixed with female. Read more →

Categories: Research
Very good observation of how work such as Annie Abrahams can allow us to think about our own entanglements, disruptions, frustrations and even anger on the Internet. What do you think of Angry Women? Is it a piece you would want to participate in? Do you think it has value as a way for women to vent their frustration? These are important questions the piece is exploring.

Research on the Scienartist’s Scienart Experiment

Bella Dai

Wednesday, Mar 21, 2018 - 11:12:13 pm

@ belladaiyunlang

Abstract

This is a research on the Scienartist Annie Abrahams and one example of her scienartistic experiment called Angry Women. Scienartist (probably created by me) here refers to people who work with science and art. The experiment was set in the ‘third space’ and conducted with a group of female participates. I concluded my research with open questions. 

Research

We, human rely on Read more →

Categories: Research
Good questions! You might considering trying to answer them, particularly the one about how this form of expression is not typical of our social media interactions. You remember we discussed how we filter ourselves on social media. Do you think Angry Women is unfiltered and so perhaps there is a greater range of expressivity? You asked great questions, which is very important, but I would like to know what you think about these questions.

Everyone's got a Dark Side.

Daphne Ngatimin

Wednesday, Mar 21, 2018 - 10:18:35 pm

@ Daphne Ngatimin

Annie Abrahams was born in the Netherlands and has been based in France since 1985. She holds a PhD in Biology from the University of Utrecht and is a graduate in fine arts from the Academie voor Beeldende Kunsten, Arnhem. Annie Abrahams’s work reflects on the idea of networking technologies as well as installations and performances in physical space. Read more →

Categories: Research
Excellent Daphne! You perfectly captured the intent of Annie Abrahams' work and in particular Angry Women. I was really glad to see you make the comparison to our study of Facebook identity management, and how essentially Abrahams is trying to break free of that kind of clean control, as you point out, to explore the messier side of human behavior on the Internet. Great job.

Social Broadcasting // Social Art

ROS FARZANA

Tuesday, Mar 20, 2018 - 10:15:08 pm

@ Farz

Annie Abrahams is a Dutch performance artist specialising in video installations and internet based performances. As seen in Angry Women, her works are usually collective interaction. In her research article Trapped to Reveal, she thinks that ‘performances also reveal ordinary, vulnerable and messy aspects of human communication’. I feel that her work Angry Women really resonates with that statement, and I Read more →

Categories: Research
While I was glad to see you emphasize the idea of social broadcasting in your research critique, I think it would be helpful for you to define what is meant by social broadcasting, otherwise we are not quite sure how you are applying this term to the work of Annie Abrahams. Very good observation though on Abrahams work, particularly how she reveals the messiness in our online interactions. How would you feel about being part of such an experiment?!

an angry woman is vindictive beyond measure, and hesitates at nothing in her bitterness.

Jocelyn

Tuesday, Mar 20, 2018 - 08:22:25 pm

@ hello

An angry woman is vindictive beyond measure, and hesitates at nothing in her bitterness. -Jean Antoine Petit-Senn

This quote seems relevant to the work we analyse this week. Annie Abrabrams’s Angry Woman (2013) is a work done over the third space, where she invited 22 other women of different nationalities to be on an online platform where they all Read more →

Categories: Research
You raise some interesting issues about Angry Women, in terms of how the work allows them to full express a broad range of emotion. However, how is this different from our Facebook and social interactions, which we have discussed as being more managed and controlled? This is a question you might want to consider. Also note that "Entanglements" is the new work she is preparing for the Symposium, and while it uses similar techniques as Angry Women, it is important to note it is a different piece. Many good observations here and glad to see you bring in some independent research.

Hell Hath No Fury Like a Woman Scorned

Tan Yue Ling

Tuesday, Mar 20, 2018 - 03:06:24 pm

@ MoonlingGraphics

[ On S O C I A L  B R O A D C A S T I N G ]

|| In Angry Women (2013) by Annie Abrahams, female participants had their webcam screens lined up in a 4×3 grid and vocalised their anger in front of the camera. This entire project involved 24 participants, and none of them knew Read more →

Categories: Research
You are absolutely right, the work of Annie Abrahams points to a way of using social media in an entirely different manner, as you point out, to forge online relationships that might be more genuine. I would like to know what would would our interactions look like if they were more genuine and why is it that this is so difficult to achieve? You are right, it is not glamorous, it is not the side we want to show, but you are indicating it is important... why is it important? We should discuss this question further in class. Good job, you raise lots of good questions!

Internet rage

Elizabeth Quek

Monday, Mar 19, 2018 - 10:01:06 pm

@ A blog for Liz

The Artwork

Title: Angry Woman

Artist: Annie Abrahams

There is a total of 5 videos in the series Angry Woman made by Annie Abraham. In the first two videos 24 women of different nationalities would express their anger on camera at home, in their own language. The next two videos feature the women expressing their anger on camera in a single language, number Read more →

Categories: Research
Very detailed and careful work on the study of Angry Women. This is the kind of research I like to see, revealing the specifics of the work and then discussing them. Glad to see you attempt a definition of social broadcasting, but as posted on this week's syllabus, there is a more expanded meaning which we will discuss further in class tonight.

Are We Social?

Nadiah Raman

Saturday, Mar 17, 2018 - 02:38:49 am

@ ♡♡♡♡♡

Social broadcasting is the future of traditional medias such as the television and newspaper.

The broadcasting of video, text and pictures directly to an intended audience through social media channels such as Facebook, Youtube, Instagram and other channels as opposed to traditional channels such as radio, TV and print.

Above is the exact definition of social broadcasting. Most social media platforms are Read more →

Categories: Research
Nadiah, you might want to take a look at my description of social broadcasting on this week's syllabus page, where the definition is more expanded and specific to multiple participants in the broadcast space. This is why, as you point out, that Angry Women is a good example of social broadcasting, because it takes place in a shared, networked broadcast space, or the third space as we have called it. While you have a very good overall description of Angry Women, it would be helpful to point out some of the detail of the work, the way in which the women are using the medium to vent their anger, and how this is vastly different from the way we normally use social media, in which as we have discussed, is often controlled, filtered, and highly managed.

Face to Facebook, Former Day Catfish

Daphne Tan

Thursday, Mar 15, 2018 - 01:46:47 pm

@ WILDFLOWER

Face to Facebook,

Face to Facebook is an online installation piece put together by stealing 1 million Facebook profiles and compiling them all in a unofficial and custom-made dating page. Thereafter, many reacted to the dating website.

The creators of Face to Facebook collected profiles through a special custom software. They then studied and then customized a face recognition algorithm which is Read more →

Categories: Research
Excellent Daphne! You are absolutely correct: we fill our time and activities with often meaningless interactions via social media, but of course we are lured into this engagement through such fears as FOMO, in which we feel as though we need to belong. Thanks so much for sharing the additional examples, very interesting!

Face to FaceBook

Tan Xiang Rei

Thursday, Mar 15, 2018 - 10:44:32 am

@ REI

Face to Facebook is an installation piece created by Paolo Cirio as a third piece to his series, The Hacking Monopolism Trilogy. In this work he address the lack of privacy in the age of face book. Collecting 250,000 images from different account, they then run a facial recognition algorithm to categories their facial features. He then uploads these Read more →

Categories: Research
Rei, at the end of your essay you have made some very interesting points about how Facebook doesn't hold much meaning for you, and I wonder if this could be tied more closely to Wittkower's comments about the meaningless of social media. Now he is referring to the open nature of how meaning can be interpreted, which can be a good thing, however, for you, this meaningless has redirected your interest to Instagram, where I imagine you find more pleasure in telling pictorial stories. It might be a good idea to discuss why Instagram holds your interest. In regards to Face to Facebook, the issue here, as you point out, is how the meaning of our interactions on Facebook can be stolen and recontextualized. Perhaps it might have strengthened the essay to apply your very astute thinking about social media to support your critique of the artwork in question. Overall you have many interesting observations on social media that I look forward to discussing further.