Recent Posts
[EI] Face to Facebook
‘Face to Facebook’ is a mixed media installation that critiques on the lack of privacy on Facebook. It focuses on how easily our digital identity can be stolen, as well as how big corporations exploit these stolen identities to make profit. For this project, one million Facebook profiles were stolen and filtered through a face-recognition software. These profiles were then Read more →
When will my online biography show who I am inside?
|| The term Digital Identity refers to the way that an individual chooses to present and depict themselves in online and digital communities (the Third Space). An individual’s digital identity is largely curated by themselves in order to portray themselves in a favourable manner.
In Eric Erikson’s fifth stage of psychosocial development individuals start to question their identity and personal values Read more →
Everything Is Not What It Seems.
Wittkower’s article, “A Reply to Facebook Critics,“ has made me reflect upon the living digital era and how users of Facebook has moulded their own individual digital identity. Facebook, an online social platform was created to allow the society to reach out, connect with others and voice our own opinions and views across the globe. However, we have turned Read more →
Have we lost our true selves while creating a digital identity in a reflection of who we want to be but not necessarily who we are.Your opening thesis on social media, self-surveillance, and how we shape our digital identity was extremely well expressed. Then you proceeded to discus how Hasan Elahi had used these same techniques in Tracking Transience as a response to his encounter with the FBI. I thought was an excellent way to frame the artwork. Then your conclusion nicely sums up how "creating a digital identity might not be what it reflects." This is precisely the question that Elahi asks in his work, that sheds so much light on our use of social media.
Do it with OTHERS
The DIWO culture is very apparent through all the works we have done throughout the past couple of weeks, not just in the third space but also in the first space. the third space makes collaborating even more possible because of the accessibility of the internet, though I believe that there are traditional ways of collaborating as well.
DIWO is a Read more →
The Eternal Frame by Ant Farm: How "Based on a True Story" is Indeed Powerful
Ant Farm, an extraordinary collective
Ant Farm is a group of radical practitioners, whose forte is in architecture, graphic arts and environment design founded by two architects, Chip Lord and Doug Michels, in San Francisco in 1968. Although they had dissolved in 1978, their works still continue to impact, teach and continue to inspire many today. The group that once saw Read more →
BURN BURN BURN
Ant Farm is a avant garde art group founded in San Francisco by Chip Lord and Doug Michels. As a group, Ant Farm did Media Burn (1975) which addressed the pervasive nature of the television in many people’s lives. It confronts people directly as the work was made to imitate a real life event that would have been televised for Read more →
313
Television, cars, spaceflights — from 1968 to 1978, Ant Farm proved themselves to be distinctively “American”, capitalising on these objects which, even then, were cultural symbols of the USA. The Eternal Frame (1975) is no exception, though it takes things to a further extent. Rather than referring to merely objects which have become symbols, it refers to something more human: an Read more →
Fresh produce at ANT Farm
https://youtu.be/U53-Sfnqwss
ANT Farm is the name of a group of artists and architects based in San Francisco. These artists produced experimental work between 1968 and 1978, by incorporating a variety of different media such as; architecture, performance, happenings, sculpture, installation, and graphic design. Many of the pieces were archived using camera. And the works often focused its attention on the latest Read more →
Cadillac Ranch: A Pop-Art Stonehenge
Ant Farm was birthed amidst the hippie culture and counter-movement. It was a socially transformative period where experimentation and the alternative lifestyle was embraced.
Chip Lord mentions in his interview with Randall Packer that Ant Farm was “founded on the idea of an underground architectural practice” (In San Francisco, at that time, underground films, radio, and newspapers were prevalent). Read more →
Media Burn and the Art of Destruction
Ant Farm, an avant garde video arts group founded in 1968 by Chip Lord and Doug Hall, is now a highly acknowledged collective of creatives that embrace the art of destruction (according to Patricia Mellencamp in her Journal of Film and Video).
One of the collective’s destructive artworks titled Media Burn (1975) is a performance that touches on the representative Read more →