Required Readings

Open Source Thinking

• Vaidhyanathan, Sida “Open Source as Culture-Culture as Open Source,” (2005) The Social Media Reader. New York: New York University Press, 2012
• Packer, Randall, Open Source Studio, IEEE Spectrum, 2015

Network Culture

• Chatzichristodoulou, Maria.  “Cyberformance? Digital or Networked Performance? Cybertheaters? Virtual Theatres?… Or All of the Above?” Cyposium the Book, 2012
• Engelbart, Douglas “Augmenting Human Intellect: A Conceptual Framework,” Introduction A Section ONLY, Bootstrap Institute, 1962

DIY / DIWO / Maker / Glitch

• Garrett, Marc (2006) “DIWO (Do it With Others) Artistic Co-Creation as a Decentralized Method of Peer Empowerment in Today’s Multitude”
• Menkman, Rosa, “Glitch Studies Manifesto” 2009
• Randall Packer, “Conversation with Jon Cates” Hyperallergic 2014

Interdisciplinary Forms

• Higgins Dick “Intermedia,” Something Else Newsletter, Vol 1. No 1., 1966
• Constance Lewallen: Ant Farm (1968-1978), Michael Sorkin, Sex, Drugs, Rock and Roll, Cars, Dolphins, and Architecture, Berkeley: UC Press, 2004

Social Networks

• Bourriaud, Nicholas “Artwork as Social Interstice,” pg 14-17, Relational Aesthetics. Dijon: Les presses du reel, 2002
• Wittkower, D. E. “Facebook and Philosophy: What’s on your Mind? A Reply to Facebook Critics,” Popular Culture & Philosophy, 2010
• Maria Chatzichristodoulou, et al, “How to Kidnap your Audiences An Interview with Matt Adams from Blast Theory” Interfaces of Performance. Farnham: Ashgate, 2009