Recent Posts

Camera Opera

Jaysee

Wednesday, Sep 02, 2015 - 10:12:24 pm

@ Art2Act

https://vimeo.com/32540446

The camera becomes the protagonist! Fantastic inversion in the role played between the camera and the broadcaster. Though the music could have been more dramatic, I think the overall performance was great. It is indeed a different way of looking at broadcast – an alternative theatre. But once again, when we reflect back onto our watching habits these days through Read more →

Categories: Research
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Inanimata

Jaysee

Wednesday, Sep 02, 2015 - 09:47:30 pm

@ Art2Act

https://vimeo.com/104840433

This is one impressive project that I came across. Basically, its communication with light sequences around you and giving them a meaning to it. So it actually it how people try to send messages and narrate stories within this social community using morse code. But the morse code is interpreted  by the the light sequences that you come across their Read more →

Categories: Research
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Research critique: BOLD3RRR… Realtime: Reflections and Render-times by Jon Cates (2012)

Angel

Wednesday, Sep 02, 2015 - 08:47:30 am

@ Real life

The purpose of this art piece was to show and explore what one can do by performing/streaming directly from the desktop. This work demonstrates the new possibilities of performances for the artists of the new media. The rise of the internet culture and technological advancements allowed for real-performances to happen.  It was also great that the work was unedited and raw.

In 2012, Read more →

Categories: Research
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Research Critique: The Pirate Cinema, Nicolas Maigret

Esmond

Wednesday, Sep 02, 2015 - 03:05:15 am

@ Esmond Heng

“In the context of omnipresent telecommunications surveillance, “The Pirate Cinema” makes the hidden activity and geography of Peer-to-Peer file sharing visible.” – The Pirate Cinema

This quote, taken from the abstract written on the website of the artwork, sums up pretty much exactly what we see in the work. It is truly an amazing piece of art, one which uncovers and Read more →

Categories: Research
Esmond, do you think the police might be using this website to catch those who are downloading illegally? and by showing people's IP address to the rest of the world, isn't that a invasion of privacy as well?
I like how evident your authorial voice is, in this work. Regarding your point about how torrent provides users with unfettered access but at the expense of the artists' intellectual (or creative) property, perhaps contemporary artists [like those of the Open Source Studio (you and I)] should therefore seek to "empower the spectator and deepen his or her experience" (Packer and Jordan, 2002, p. 96) as we learnt in the previous session, rather than seek to jealously guard it from potential torrent pirates amongst their passive, disengaged spectators. Ascott (cited in Packer and Jordan, 2002, p. 96) advocated the "spirit of cybernetics" to achieve a dialogue between artwork and audience. Artists who persist in adopting a "nineteenth-century structure of operations" (Ascott, 2002, p. 98), thus fail to include the viewers as active participants in the creative process, inadvertently encourage their "viewers" to pilfer their work, which they view a commodity that is to be transmitted by the artist and received or downloaded by the audience. Psst... hey, Es... your consummate work, will look even better if you embed the hyperlinks into the text, instead of pasting the entire URL after the quotes. Reference Ascott, R. (2002). Behaviourist Art and the Cybernetic Vision. In R. Packer & K. Jordan (Eds.), Multimedia : from Wagner to virtual reality (Expanded ed., pp. 333-344). New York: Norton.
Apparently, the process is complicated. As like with an email, the content is broken down into different parts and will go through so many different pathways. So the end destination becomes a problem to track. Instead, its easier and legally trackable to find out the source ( uploaders). The installation might be showing you uploaders who had downloaded it and are seeding. That's what I suspect but do correct if I am wrong.
Thanks for your reminder about the hyperlinks! That's a really good point about empowering the spectator, to avoid creating work they deem as a commodity. Thanks for pointing that out! I guess in a sense this work serves as a good example. Instead of simply sharing the video of the installation, the artist provided the online version which actively involves people due to its real-time format, thus empowering the spectator.
Yeah Kamarule I was actually thinking whether this data will help to catch people who are breaking the law. I guess it would be a simple, if not time-consuming, task to locate some or most of the bigger uploaders of torrents. However I'm not too sure of how the law works regarding these issues, maybe its difficult due to the cross-country nature of sharing files over the internet. Regarding the invasion of privacy issue, I noticed that the IP addresses were not complete; one of the numbers in the IP address is replaced with an 'x'. I should have mentioned this in my post but anyway, I suppose this avoids the issue of privacy.
Esmond, this is excellent work. Tonight in class, let's discuss how this form of collective narrative is different in the sense that the viewer-participant is probably not aware that they are even participating in a work. How is that different from a viewer action with real intent?
I found an interview where Nicolas says, "We saw it as a kind of game. Ever since the beginning of the project, we anticipated the operating modes of the system so that we could be presentable regardless of the different ongoing pieces of legislation. For example, an encrypted connection to Sweden (Ipredator / the Pirate Bay) is used to anonymize each machine used in the project. Fragments of the files are encoded and remain on our machine only temporarily."

Videofreex, The Pioneer.

Kamarule

Tuesday, Sep 01, 2015 - 12:18:07 pm

@ The Anatomy Of Life & Death

I took videos during my trip in Vancouver, edit it on my phone, uploaded on Instagram and now it’s on the net for everyone in the world to see. But back in the 70s, it was another different ball game.

Reading up on Videofreex’s history online, I realise their story is worth mentioning and actually worth doing a documentary about. Actually, Read more →

Categories: Research
I totally agree with you. More to say, with technology evolving and the introduction of gadgets like GoPro Cameras, people are finding reasons to record segments of their life and sharing it with the whole world. That I appreciate. But there's always two sides to the coin. As much as seeing people talking to themselves, technology has also given opportunities to record people making love. Believe it or not, sex tapes have become the trend and have actually created a new neighbourhood within pornography. I mean look at what happened to Kim Kardashian. She is star! So what do you think about this side of the coin? Is being open and freely broadcasting really an advantage these days?
Yes I agree with the idea of the sex tapes. It's like an express ticket to stardom! I believe there must be a line where we don't cross when we are broadcasting ourself. Even reality shows in America, they show their daily life however, I always believe there are certain things or topic they omit out from the final cut before showing it on Television, that's what editing are for. But what if we have nothing to hide in life, does that give our right for people to watch us 24/7?
Kamarul, I am really pleased to see you connected with the Freex. I thought you would! Now, your conclusion about broadcasting with google glass is a great idea for a project. Your eyes become our surrogate eyes. Now just imagine if you had done this at ISEA, we could have all "been there." You just reminded me of Steve Mann, who I should have included in this lecture. Google him and it will blow your mind. A true Videofreek! He has been doing for thirty years what you are talking about.

Research Critique 3: Good Morning Mr Orwell

Beverley

Monday, Aug 31, 2015 - 11:00:59 pm

@ beverley

https://www.youtube.com/watch?v=SIQLhyDIjtI

The NetArtizens Project is described as an initiative to investigate the role of live broadcasted media as a medium for artists in the context of the networked arts. The term live broadcasted media had expanded broadly ever since it was used to describe the television: what used to be the primary form of visual broadcast media. Similarly, ‘networked arts’ no longer Read more →

Categories: Research
Yes, the keyword here is the "artist as mediator," a term I have been using for many years to describe artist who engages media as a form of mediation, inserting themselves into situations to spark dialogue, to illuminate issues, to challenge the status quo. Let's talk about this idea of mediation further in the context of live artist-driven broadcasting.
You know I actually see this as the prototype for the modern youtube. Just that the technological medium is different. However, I do feel that its not as spontaneous as I expect it to be but rather staged. If it wasn't staged, then I think it already is at a whole new level of broadcasting.

Research Critique: A Hole in Space

Paige

Thursday, Aug 27, 2015 - 02:16:35 pm

@ Nichole

Kit Galloway and Sherrie Rabinowitz’s A Hole in Space is hailed as the mother of all video chats. They connected a live audience from Los Angeles to a live audience in New York through life sized screens which feed through to each other using satellites.

I found this fascinating as it shows how the virtual space allows users to transcend human Read more →

Categories: Research
I think this was awesome for its time - 1980s! But the best part of this is the emotions displayed from the participants. The flow of emotions and their reaction was amazing to watch. It truly gave hope for the future with this as the spark!

Research Critique: Ken Goldberg's TeleGarden

Jaysee

Thursday, Aug 27, 2015 - 10:53:56 am

@ Art2Act

“ This installation was developed at the University of Southern California in 1995 under the co-direction of Ken Goldberg and Joseph Santarromana. In 1996 the Telegarden was moved to the Ars Electronica Center in Linz, Austria, where it remained online until August of 2004 [12, 27]. The garden itself is a small plot encircling an industrial robotic arm. A web-based Read more →

Categories: Research
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Research Critique Assignments: Yoko Ono: Cut Piece

Kamarule

Thursday, Aug 27, 2015 - 02:54:27 am

@ The Anatomy Of Life & Death

Cut Piece by Yoko Ono

To go straight ahead into critique Cut Piece and how it fits into the Collective Narrative, I have taken the summarize explanation of Cut Piece from the book of Art & Feminism for you to read and understand what Cut Piece is all about.

“In this performance Ono sat on a stage and invited the audience to Read more →

Categories: Research
I totally agree with you that this avant-garde piece precedes with the respect as performed. She did another one but this time, instead of stripping, she kind of used wrapping and played with the idea of body and voice. https://vimeo.com/69693189

Research Critique: Mark Hansen and Ben Rubin's 'The Listening Post'

Jaysee

Wednesday, Aug 26, 2015 - 11:24:48 pm

@ Art2Act

https://vimeo.com/93514236

The Listening Post by Mark Hansen and Ben Rubin is basically a interactivity broadcasting installation that allows you to see a glimpse of the forums and discussions that occur ‘independently’ in the internet. A Short Summary is as followed:

“Listening Post is a ‘dynamic portrait’ of online communication, displaying uncensored fragments of text, sampled in real-time, from public internet chatrooms and Read more →

Categories: Research
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