Using the sound generation system I used in my generative sketch:

https://oss.adm.ntu.edu.sg/a170141/mediamob-heliostat-field/

RECAP for Generative Artwork:

Aiming to extract a sound from the visual textures of stone involves two aspects: 1. Subtracting three-dimensional forms of the material into visual data that can be converted into audio/ sounds 2. Designing a model that generates sounds that the audience would perceive/ associate the tactile qualities of the Read more →

Lines and Interpretations,

Final Project Idea:

The final project aims to create a digital abstract line drawing in a 3D space. Additionally, the audience is able to control their perspective and observe the illusion of different elements and nuances that were not seen in the previous viewpoint.

First Iteration

For the first iteration, I will be focusing on the basic mechanism of the system. Read more →

Generative Art Final Project Progress Update #2

Once Upon a Huh?

“In narrative, we take experience and configure it in a conventional and comprehensible form. This is what gives narrative its communicative power; it is what makes narrative a powerful tool of persuasion and, therefore, a potential transformative device for the disempowered.”

– Steven L. Winter

Concept Update:

I was doing Read more →

CONCEPT 

How do materials sound like? While sound is subjectively perceived, there is a collective or general sentiment on the descriptive qualities of a sound/ soundscape. We occasionally use tactile qualities (eg. rough, soft) to describe sounds, to assign textures to what we hear. In music, texture is the way the tempo, melodic and harmonic materials are combined in Read more →

Magnet Chimes

Project Update

To improve this project, I would like to experiment with electromagnets to perhaps enable the viewer to have a better control in manipulating the magnet chimes.

Creating an electromagnet using:

New Idea | Brain Storming Phase

For my final project, I will be creating a new sketch but using the lessons from my exploratory sketch. Before developing a sketch, I will look at what has already been created and understand their methodology and the process behind the art piece and not just the final outcome of the work. Next, I will Read more →

Following from the previous studies, I have decided to augment the game to suit the generative properties better.

The main difference: Instead of playing cards and removing them, players now play cards which stay on the board permanently.

New cards can be played over old cards, which card create generative patterns which suit the player’s needs in the point of the game, Read more →

Final Project: Once Upon A Huh?

Just to recap, I created a HTML-based storytelling project where the audience seem to have the autonomy to choose how they want the Fairy Tale to go, but in fact they are actually not in control of the scenarios that happen. In fact, no one can control how the story goes except for Read more →

Generative Study of of a deckbuilding card game

As a followup from the previous study,

Simplified Rules: Gameplay goes in rounds, and they repeat until either the player or the monster is defeated. In the course of a round, it is further split into 3 stages: Setup Phase, Main Phase, and Cleanup Phase

There are several zones, Your Hand, Your Deck, Your Field, Your Read more →

SOUND OF STONES

Generative Study: Real-time sound generation using depth data from kinect

Over Week 7, I experimented with SuperCollider, a platform for real-time audio synthesis and algorithmic composition, which supports live coding, visualisation, external connections to software/hardware, etc. On the real-time audio server, I wanted to experiment with unit generators (UGens) for sound analysis, synthesis and processing to study the components of Read more →