Research Critique: The World’s Largest Collaborative Sentence

“The Sentence has no end. Sometimes I think it had no beginning. Now I salute its authors, which means all of us. You have made a wild, precious, awful, delicious, lovable, tragic, vulgar, fearsome, divine thing.”
—Douglas Davis, 2000

I really enjoy Douglas Davis’ The World’s Largest Collaborative Sentence. It really exemplifies what we can do on the Internet, as part of a collective whole, from our own computer, from each corner of the world.

These are some of my favourite parts of the work:

collabsentenc20 collabsentence03 collabsentence04“I’ve lost my stylesheet? Perhaps I never had style to begin with.” (That’s very funny, I will quote that in one of my works later on…)

The work is made by Douglas Davis in 1994, which makes it one of the very early forms of Internet art, and collaborative performance art via a network. Nearly twenty years on, the work is still ongoing and being improved. Imagine the amount of people who have contributed to the content of this massive virtual work.

That is what I enjoy about the work as well — the nature of the work and being able to keep it alive makes me think about what Deyan Sudjic has to say about the Internet:

“Our email and text trails will last as long as the server farms that have already conferred a kind of immortality”

An Internet artwork lives on a server, which allows it many possibilities for expansion, collaboration as well as preservation. This ‘immortality’ of the work gives it opportunity for it to carry on for many generations of people, so it will continue being the longest collaborative sentence. I think this is particularly interesting because the work could also give viewers a glimpse of Internet trends: bits from early Internet art at the time of the creation of the work, as well as things that are influenced by the Tumblr generation.

I enjoy this work a lot, and personally find that it will be useful as a reference work in my final year project too.

 

 

Research: B Is For Bauhaus

Just read a book ‘B Is For Bauhaus’ by Deyan Sudjic. It’s a book about understanding contemporary culture and design.

Here’s some interesting things I found in the book that will be relevant to my report.

On our relationships with our possessions,

The collecting impulse is universal, and it goes on to the roots of what is it to be human. It pre-dates mass production and design, but it reveals the essential nature of our relationship with our possessions, how they communicate with us, and the various ways in which we value them. understanding the nature of collecting tells us something about ourselves as well as the nature of things.

To collect any object, we have traded in the original meaning and are looking for something else from them.

The journal is a repository of memories and events. These are also considered possessions. When I look at my archive again, I find myself looking for something else from the words and drawings that I’ve made over the years. Many times I draw the comparison between the person I am then, and now. These are markings that indicate my growth as a person and a creative.

We collect possessions to comfort ourselves, from addiction and to measure out the passing of our lives. We collect because we are drawn to the subtler pleasure of nostalgia for the recent past, and the memory of far-distant history. We collect sometimes to signal our distress and console ourselves in our inability to deal with the world. These are the motivations that designers need to understand, and the qualities which they manipulate when they create objects, whatever their nominal function.

I’m particular drawn to the point he made about distress and consoling ourselves. This year I hardly made any drawings. My journals are filled instead with writing that I made in order to try to understand my own FYP concept better. I also find myself grappling with the struggle of being with a young adult. Time and finance are the resources that have to keep competing with each other, and it makes me feel frustrated. I find that I must divide my time and attention each week to work commitments, FYP, and spending time with friends and family. I look at my older journals and I find that I lost the luxury to make the drawings and writings that I used to. I rarely have the time to feel bored anymore, each moment is dedicated to keeping up with my to-do list. I guess it’s one of the reasons why I needed to deactivate myself from social media. In becoming a young adult, some of these juvenile struggles have definitely (and thankfully) faded away, but along with that, I also lose the need to make artwork about these things. But that’s not to say that I need to be some kind of angsty youth to fuel my creative process. Looking at my journal archive also makes me realise that I sometimes need to not give a damn, and occasionally make some impulsive artwork that makes no sense. To think like a child again.

Collecting is in one sense about remembering, but the digital world never lets us forget anything. Paradoxically, it has also undermined our ability to remember. Our email and text trails will last as long as the server farms that have already conferred a kind of immortality on anybody with a Twitter account.”

This point is definitely relevant to the virtual part of my work. My project is split between my virtual and physical archives. It documents the relationships made online and off.

We remember where we started from online, because the date is recorded when we first made friends on the virtual realm. Green buttons tell me that I know you from a measurable distance. Conversations are trivialized with the advent of animated and very expressive egg man oyster cat girl stickers. Grids of photos let me glimpse into your life and I could say yeah I guess I know you. How many backspaces will it take to bring me back to when there were no green buttons? When your status is set to Away on MSN? Remember the time I told you I was playing The Sims and you told me how you got rid of your Sims? And then you said you were going to build some furniture for your room over the break. And then the conversation ended and the next time I went online there were no traces of the conversation happening. Despite being given a chance to keep an archive of the chat, nobody really goes to the effort to do so. And now we can go back as far as we wish to and point out the beginning of everything. Everything is laid out and easily accessible, pictures and words and the little green circle next to your name. Archiving comes easier for all of us, collecting data is as easy as typing hello to you. The question is how much of this is worth remembering and archiving. You may not remember, but the Internet remembers for you.

Something about virtual reality

I was going to crawl to bed after my night shower, body loosen up by the heat of the water, phone in my hand, notifications pinging. Wanting to rest, but unable to. I decided to turn on my computer instead and be productive. I still like to work on a desktop. A desktop computer means business. You get too comfortable with the mobility of a laptop.

Two days ago, I decided to delete my Instagram application and say a virtual goodbye to an audience I don’t really know. But in my quest to deactivate myself from social media, I am still inevitably stuck with it because of work commitments. I now have a Facebook account just for class and work. Work accounts are okay, it filters out a lot of crap that are usually on personal news feed. I started to think about why I needed to deactivate myself, always, from social media, and what it means to do that, and how that would influence the virtual part of my project.

This evening we had a little chat about WordPress. The plan was to strongly encourage students to use it to share their work. I thought about WordPress and my long-term use of it for a while tonight, and what the Internet means to me in this project. It begins with blogging. I really enjoy using WordPress. I was a user of Blogger, until I bought my own domain and wanted to transfer my blog to my domain. Unlike WordPress, Blogger cannot be installed on a personal web server. But you could easily install WordPress on your cPanel and create wonderful themes around the script. Creating a blog theme (no matter what blogging website you use), is not as difficult as it sounds. I like to build what I call a skeleton theme, something that is very pared down to the basic elements of a blog: date posted, blog entry, user. Then depending on the purpose I had at the time, I’ll turn the skeleton blog layout into something else.

Through learning how to make my own blog layouts, I met many interesting online friends. There were other girls who made beautiful websites, (which were essentially some well-made themes) and we would comment on each other’s efforts. I got to know them better by reading their blog entries. We all discuss our daily lives, each one of us residing in a different corner of the world, and shared our experiences in making the blog themes. I think that’s why WordPress stayed with me for so long. I have very fond memories of those times. I also like that WordPress didn’t change to something else. It was quite the only bit of the Internet left that I cared about and use frequently. It was media without the social part. There were no heart symbols at the end of my entries inviting my invisible audience to like the post I’ve written. There is no reblogging link for them to share my post on their blog. When I make a theme later on this semester for the virtual part of my FYP, I’ll not be making one that fits people’s mobile phones or to include any of these social quirks. I don’t really care. I know mobile phones are really convenient to view web content quickly. But if you couldn’t spare the time to take a look at what I’ve made on a real computer then it’s quite a waste. I’d want to invite my audience to go to the trouble of creating a username and leaving an actual comment. I think that is akin to leaving someone a handwritten note, in this age.

So I would like to propose that the virtual part of my project is a celebration of these “analog” things before the crazy advent of likes and follows. I think many people of my age would resonate with that. Before followers are called followers, they were called ‘friends’ (i.e Livejournal user profiles) Before stalking someone’s Facebook profile, there was Friendster profiles. And way before that, there was also stalking someone’s user lookup on Neopets. I want to combine these things and my blog content, to create an artwork, as a response of sorts to the question “what did you do online when you were a teenager”?

I also want to be clear about not referencing to social media for this. I won’t be making a Facebook page about this. I don’t want social media to heavily influence the outcome of my work, or to even be a part of the conversation. Perhaps in my project report, I will discuss further about this aspect, but I don’t want to work to have any of these.

Instadiaries

 

 

 

 

My friend said this to me lately, “Beverley, when I look at your Instagram, you don’t seem to have photos of you and your friends. You make others think that you are better off living life by yourself, with your objects and whatever it is you are making.”

It was a timely thing to hear that from her, as I recently rediscover an old project that I made some time ago called Instadiaries. I made it when I started clearing my iPhone camera roll and found that there are many images I’ve captured which I had intended to share on my Instagram but I didn’t, because they didn’t fit in with the rest of the pictures I had already posted.

I would say this project makes me think about my participation on the virtual space and how that affects my way of documentation over recent years. When I write on my personal blog, I always feel that I am making conversation with a virtual abyss, and I never really feel that I had to censor myself or curate my words. If I were unhappy with myself, I could be very honest about what it is that made me unhappy and then I will read what I wrote again the following day and I could make a change about myself. I know there is not really anybody out there who is a constant reader of my blog. People are generally more interested in the pictures shared on Instagram or Facebook. But when I share a photo on my Instagram, I know that people do look at it and respond to it. And because I know it isn’t an entirely complete representation of who I am, sometimes I would rather not share at all.

Maybe some of us have experienced this phenomenon that seem to have taken over the users of Instagram at some point. We become quite particular about the way our pictures look on Instagram. Some users prefer to keep the original aspect ratios of their photos, square crops be damned. Some are really good at doing flat lays and enjoy arranging objects in a neat, stylish fashion to demonstrate their taste. The list goes on. There is nothing wrong with this, and some users have an attractive feed for their specific interests because of their careful curation. At one point, I was also very particular about how my pictures look together on Instagram, which made me wonder why I should. It is quite pretentious and honestly there were plenty of pictures that I would like to share online but I didn’t. I thought of how people enjoy the feed that I was sharing then, and something different might make them disinterested. More than that, I was ashamed to admit that I could allow social media to influence my decision in something so trivial such as sharing a photo I like a lot. So, as a result, I deleted my Instagram for a while, and made a project about it.

I collated some of my favourite photos taken in a month (the project unfortunately lasted for only about three months), and added some of the writing I made in the month as well.

Some pictures of the project:

 

 

Photo 16-8-15 11 34 01 am Photo 16-8-15 11 34 22 am

Each Instadiary is A4 size, printed on both sides on Ikea paper.Photo 16-8-15 11 34 38 am Photo 16-8-15 11 34 54 am

Some poor experimentation of layout.Photo 16-8-15 11 35 00 am Photo 16-8-15 11 35 16 am Photo 16-8-15 11 35 25 am Photo 16-8-15 11 35 30 amI think this could be something I can continue to look into. I’m not so much interested in the implications of social media or looking deep into how that affects our relationship with one another, but I am definitely keen on researching how that affects the way we look and present ourself. I also want to make comparisons between this manner of sharing with what I started wit: blogging and making friends on Internet forums.