Project Hyperessay 2: Concept & Teaser


The title of my final OSS project will be entitled glitches.remixes.edits.filters.

As an artist, my work revolves around picking up the trash and debris that is feelings, and rework them into something that’s worthwhile. A presentable melancholy, an accessible darkness. Melancholia and it’s friends are like glitches. Remixes, edits and filters rework these glitches and help assimilate them into normality, and giving them new life. It is a way to re-represent old information.

As a large part of my work derives from my participation in the virtual, digital space, I’m also looking at glitch art, and digital manipulation as ways of presenting my content. A glitch is defined as a “a short-lived fault in a system and often used to describe a transient fault that corrects itself, and is therefore difficult to troubleshoot.”. I’m treating this definition in a metaphorical manner in relation to the process of blogging and writing in journals. These accounts are my way of dealing with negativity and issues, and eventually they exist as evidence that indeed, “this too shall past”.

Hence, I’d like to think of the issues I’ve blogged about as glitches, as transcient matters.



Digital manipulation had been a constant method of my art-making. In these series of collages, I’m combining real collages scanned from my physical journals, and reworking them digitally to create more layers of symbols and meanings. The addition of  the planets, for example, is an allusion to early Internet art, part lo-fi, part ephemera, a reference to my own participation in the virtual space. In the last image, I’ve included some palace chat avatars, “dollz”, which were really popular ten years ago. It goes back to my hyperessay #1 in which I talk about the timeline of social media and popular websites. These dollz and other “relics” – the now defunct MSN messenger, MS Paint – constitutes this sense of nostalgia in the third space.

I’ve also distorted certain parts of the images and increased the colour information drastically, creating highly saturated areas of colours. This produces a “glitched” effect and is also symbolic of the intensity and saturated nature of my journals and blog.

In the first micro-project where we made one minute videos, I’ve briefly talked about the idea of the “double”. I want to go back to this theme as it is quite apparent in my practice.

The ‘double’ refers to writing and illustrating, two halves that make up my main practice as an artist. Writing and illustrating have always existed as separate processes for me and not processes that complement each other. The outcome for this final OSS project will include both writing and visual arts.

dictionary mindmap



Here’s all my keywords arranged in the main ideas that I want to explore in my dictionary project and my FYP. I’ve given a title to summarise this whole mind-map and concept which I call “The Double”.

the double

The ‘double’ refers to writing and illustrating, two halves that make up my main practice as an artist. Writing and illustrating have always existed as separate processes for me and not processes that complement each other. I would like to combine both processes in my body of work for FYP and the dictionary project as I’ve never done it before.

This idea of the double also refers to duality and opposites, which is the sub-concept in my project. The process of writing and illustrating yields different ideas. In the mindmap above, I’ve categorised the keywords that come to mind when describing my illustrations and my writing. As you can see, they are very different. My illustrations are all part of a world that I create, often fantastical in nature. They are colourful and elaborate and I would like my illustrations to be appreciated for their aesthetics and techniques.

As an illustrator, I’m keen on exploring femininity. Most of my works are female-centric, they focus on the female figure and the emotional aspect of what it is like being a girl. There is a lot to explore about the female figure. She is an embodiment of a concept, a persona, and she is a form to be studied and admired. They are also colourful, full of patterns, and they are generally more fun.

I like to think that my words exist in black and white: topics and issues that I talk about in my writing come through more literally. I write constantly, and about the things that I think about and my responses to situations around me. Hence, these things aren’t made up, they are all real and much unlike my drawings. My writing is all part of an endless personal narrative that documents my experiences and an examination to how all of these contributes to my being, both as a person and as an artist.


‘Outcome’ is the list of keywords I would associate with the final outcome of my work, be it for the dictionary project or the FYP. It encompass all that is between “everything” and “nothing”. In my earlier entries on this OSS site, I’ve referenced a quote Paul Arden quite a few times:

The problem with hoarding is you end up living off your reserves. Eventually you’ll become stale. If you give away everything you have, you are left with nothing. To replenish, to give away, the more you give away, the more comes back to you.”

Most, if not all, of the content that makes up this body of work is from my personal archive of words and pictures, from when I was a child, through my adolescent years, and finally now. The outputs from this archive is a form of purging for me. To challenge myself to let go of old ideals, and recreate again.

The keywords in this column are the expected goals I want to achieve with the outcomes of this entire project.


This column is a pairing of keywords which are not necessarily opposite in nature, but describes my own alternative responses to some of the issues that are apparent in my work.

absence > presence
resolve > repress
longing > certainty
excess > reduction
resentment > reconcile
belief > non-belief
embrace > eradicate

macro > micro

The events listed in the micro column would make up the events listed in the macro column, and in turn will form the ideas listed in the methods column.