Calendar : Creative Direction

After reading up Fabric of the Cosmos by Brian Greene, I’ve gained some additional insights to time and relativity. We often regard time, the very moment that is in play right now the absolute “now” which is illuminated by a projector. The perceived “now” expires, becomes a dormant image and is labelled the “past” and the “future” gets illuminated and becomes “now” and the cycle repeats. Thus we perceive the world to operate in a one-way temporal arrow. While we always assume that this to be true because travelling backwards has not happened yet, physics indicate that it is not impossible. A cracked egg can potentially be un-cracked and spilt milk can be unspilt.

 

In this diagram we can clearly see the entirety of space and time which encompasses you and I sitting in our rooms typing our blog posts on OSS, the first Pyramid getting built (cliche) and the eventual heat death of the universe. IMG_1051

What does all these have to do with a calendar?

All that talk about linearity and time makes us think of how spacetime can be quantified within a certain framework, given how human beings always like to manage and solve things we can’t understand. We always manage to place ourselves as a bystander, an universal observer or a keeper that gets gratification from keeping everything under our control and having some sort of pre-empt to the vast forces of the cosmos. In a way, we want to be entities that are all-seeing and all-governing, the true masters of our existence through understanding.

While scientists are able to quantify and account for space and time in an orderly manner through relativity which accounts for the speed and distances between two subjects, the layman perceives time in a more psychologically driven way. This is partly due to our differences in terms of psyche and past experiences.

Time is one of the perceptions listed in our senses which is not based on sensory organs. Neuroscientists and psychologists studies indicate that human brains do actually have a system governing the perception of time which in particular is the suprachiasmatic nucleus that is responsible for the circadian (or daily) rhythm, while other cell clusters appear to be capable of shorter-range (ultradian) timekeeping.

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In Singapore’s context, the lack of seasons can be both a blessing and a curse. The monotony that comes with the year-round heatwaves and occasion downpours can really put a ding in our ability to indulge ourselves in the atmosphere created by events throughout the year. The average person in Singapore would only hope for the monsoon to mark the end of a year.

So I mapped out once again some key points to the significance and meanings of passing a year here in Singapore. One of the ways that the majority of the working Singaporeans would choose to pass their time and making it meaningful is through work. Every day is a cycle and that cycle goes on to form an even bigger cycle. I wanted to focus on the mental manifestations of the ways people mark a year in Singapore.

CONCEPT KEYWORDS

At this point , there are various keywords that I’ve drawn out that I feel are important and crucial to my project.

-The Wet and Dry-ness of Singapore’s climate in a year.

-The dominance of digital information in Singapore.

-The Mundaneness of work culture.

-The perception of future based on past extrapolated data. 

-Our perception that with less significant events unfolding throughout the years,  each of the years feel shorter as we grow older.

 

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An initial (silly? Idk) idea with the intent of creating a simple calendar that makes you work hard to use it. 

CONCEPT AND EXECUTION

I used the Runic Calendar as a reference due to its format. It has this overview that’s quite similar to the conventional commercial calendar yet has this systematic approach that lets you lay out the entire year and see recurrences, patterns and allows you to draw relations between them.

I aim to create a calendar that merges rainfall datas from previous years/(months? Unsure and looking at the viability now) into a certain visual form that is comprehensive through a generative process. The calendar will be annotated with visual icons indicating important religious and national holidays. Through the visual datas, the user of the calendar will be able to extrapolate and determine the rainfall level on each day through a series of overlapping visual patterns. At face value these datas might not even be enough to predict weather without taking humidity, sea levels etc into account.  But is a way of instantly granting us the ability to account for something through a more analogous approach by looking into the past to determine the future. A rather old school approach that relies on your intuition rather than current digital technology like a fortune telling graph. 

As of now, I’m hoping to incorporate a textural component that improves the interactivity and in a way making it a traditional weather teller. 

 

MOODBOARD

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Alexandra Roozen – Few

I couldn’t find any explanation for the intentions of the works yet but I am intrigued by the rows of paired squares that in a way correlate with each other to create a certain depth of the overall piece. I was wondering if there was some corresponding datas being input into creating this work. The placement of the squares seemed methodical yet random at the same time, as though there’s some relationships in play.

W- Typeflight - Sergi Delgado

W- Sergi Delgado

Similar to Alexandra Roozen’s work, I am intrigued by the generative look and feel of this typographic work which also does a number on your senses as well. The parallel curves are very much graph like and I’m contemplating ways that I can make use of this aesthetic.

Ancient Runic Calendar

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Ancient Lunar Runic Calendar from Sāmsala (the island of the Sami or the isle of Ösel).

It is of 13 four-week months, consisting of 28 days each. The days read from right to left, like the Hebrew, and in every case the week commences with Monday and ends with Sunday.

Øsel is the name of the island when it was under Danish rule in the Medieval period, and the Swedish with the name Ösel. The ancient Greek – Phonicians and culture of the pre-christian Roman Empire likely influenced the Baltic and Nordic Runic scripts. People came to the Nordic and Estonian – Baltic areas with the Iron Age Indo-European people connected to the Early Roman Empire. This period is archaeologically named: The Roman Nordic Iron-Age. The people were likely the ancient Nordic Goths – a people that from early on merged with the indigenous people and that later were displaced from the areas they inhabiated in the Nordic by the Dacian people that came from Eastern Europe to the northwestern and the Nordic areas during the Medieval period.

 

from http://chaosophia218.tumblr.com/