Documentary: Kindred Artists

Edward Burtynsky

Water

While trying to accommodate the growing needs of an expanding, and very thirsty civilization, we are reshaping the Earth in colossal ways. In this new and powerful role over the planet, we are also capable of engineering our own demise. We have to learn to think more long-term about the consequences of what we are doing, while we are doing it. My hope is that these pictures will stimulate a process of thinking about something essential to our survival; something we often take for granted—until it’s gone.

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Lu Guang

Crying Lands

China’s rapid industrialization has provided great social and economic benefits at the cost of significant industrial pollution, which has severely impacted the environment and people’s daily lives. Heavy metals discharged without proper treatment has contaminated groundwater and farmlands threatening food safety & security and people’s health.

Rural environmental pollution & its impact on health have reached a critical stage and yet illegal industrial discharge into China’s waterways continues unchecked.

 

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Lasse Bak Mejlvang

Smokey Mountain

Everyday, lorries dump tons and tons of garbage here. The locals call this place “Smokey Mountain.” We are in Manila, the capital of the Philippines: a colossal city housing over 16 million people. Smokey Mountain, a landfill, is now home for more than 5000 families. These families have all, in a most entrepreneurial fashion, constructed their homes simply by using waste material from the landfill site. In order to make ends meet, people here sort and sell whatever scattered material they find at the landfill site. In spite of the seemingly destitute living conditions, the locals at Smokey Mountain soldier on.

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Documentary: Research

News on water pollution

Afroz Shah moved to Versova beach. Plastic was 5.5feet high. Trash was 1,684,500 pounds. Cleaned up 52 public toilets and planted 50 coconut trees.  8 to 13 million tons of plastic make it into the world’s oceans each year.

 

2017 was the hottest year for the oceans.

 

“The likelihood of disease increases from 4 percent to 89 percent when corals are in contact with plastic,” the researchers reported. The researchers estimated that more than 11 billion plastic items are currently littered in coral reefs in the Asia-Pacific region alone. If plastic consumption does not change, the total number could rise to 15.7 billion items by 2025.

 

Politicians from coastal states around the country continue to call for their states to be exempt from the Trump administration’s proposed expansion of offshore drilling following its politically-tinged decision last week to remove Florida from the plan.

 

A new study reveals increasing temperatures are turning green turtle populations almost completely female in the northern Great Barrier Reef (GBR). Increasing temperatures in Queensland’s north, linked to climate change, are being blamed because the incubation temperature of eggs determines the sex of turtles with a warmer nest resulting in more females.

 

High sea temperatures are one of the main causes of coral bleaching, which occurs when stressed corals expel the tiny algae living in their tissues—known as zooxanthellae—leaving behind a stark white skeleton. The algae provide the corals with energy through photosynthesis. Without them, the corals starve. It shows that bleaching events have become five times more frequent, with the average reef being affected once every 25 to 30 years in the 1980s and once every six years in 2016.

 

The researchers also found that the most recent mass bleaching event, from 2015 to 2016, was the most severe on record, affecting 75 percent of the reefs examined in the study.

 

Coastal zones, which provide jobs to 350 million people, are now home to at least 500 known dead zones (low oxygenated oceans, though that number could be much higher.  In coastal regions, algae blooms are the main culprits behind dead zones. Manure, sewage and fertilizers create these blooms. When the algae decomposes it sucks oxygen out of the water.

 

Many scientists have found evidence that climate change is amplifying the impacts of hurricanes. For example, several studies just published this month conclude that human-induced climate change made rainfall during Hurricane Harvey more intense. n a study we co-authored with our colleague Jon Martin, we showed that two converging natural climate processes created a “hot spot” from Cape Hatteras, North Carolina to Miami where sea levels rose six times faster than the global average between 2011 and 2015.

 

Security experts have warned for years that a drying climate in the Middle East, Sahel, and other mid-latitude regions will set up conditions of environmental stress for the countries least capable of managing the strain. At least 25 percent of the planet, including Jordan, will experience serious drought and desertification within three decades if attempts by the Paris agreement to curb global warming aren’t met, according to the journal Nature Climate Change.

 

When plastic was present, the likelihood of coral disease increased to 89 percent from 4 percent, according to the study, particularly those deadly tissue-eating diseases. The debris could stress the corals by depriving them of light and oxygen, it could damage or cut their tissue by tangling around them, or it could carry disease around because it’s easily colonized by bacteria. Previous research has shown that plastic debris is dominated by the bacterial genus Vibrio, which causes the disease white syndrome. Pieces of plastic also accumulate pollutants such as PCBs anywhere from 100,000 to 1,000,000 times the levels found in seawater.

 

“The presence of plastic was associated with a 20-fold increased risk of disease in general, particularly skeletal eroding band disease, white syndromes and black band disease,” the study said. Plastic can also shade coral so that it doesn’t get enough sun, and can block the flow of water across the reef.  Indonesia was found to be the worst offender, with the coral in Australia suffering the least.

 

Skeletal eroding band (SEB) is a disease of corals that appears as a black or dark gray band that slowly advances over corals, leaving a spotted region of dead coral in its wake.

 

White Syndrome (WS) is a collective term for coral disease lesions showing a sharp demarcation between apparently healthy coral tissue and the bare coral skeleton, where the tissues have been removed rather than becoming pale or ‘bleached’.

 

Black band disease is a coral disease in which corals develop a black band. It is characterized by complete tissue degradation due to a pathogenic microbial consortium.[1]

 

Potential solutions for water pollution

 

Von Wong reusing plastic bottles to create an image.

 

PLASPHALT

 

Ciel Bergman: motivated with the plastic polluted beaches, she created an art installation where she brought six dumpsters worth of plastics and littered the place.

 

Though plasphalt costs 10 percent more than the straight alternative, it lasts 25 percent longer. Plus, it diverts 27 percent of all waste from landfill to highway.  Treated Recycled Plastic Aggregate (TRPA) is a material composed of ground recycled thermoplastic, treated with a proprietary process to improve the bond strength between the plastic and asphalt binder.

 

REWALL

 

On an annual basis, The ReWall Company shreds approximately 2 million tons of post-consumer polyethylene-coated paper cartons in order to transform the reclaimed material into eco-friendly, water-resistant building panels that can be used for everything from floor, countertop and tile substrate to wall boards, roof sheathing and decorative panels.

 

CONCEPTOS PLASTICOS

Conceptos Plásticos puts an additive that makes the product fire-resistant, and since the blocks are made of plastic, they’ll also resist earthquakes. The company reports their “construction system is 30 percent cheaper” than systems traditionally utilized in rural areas. A standard home can be constructed for just $5,200.

The plastic building blocks will degrade around 500 years or more down the road, but for now they offer shelters for families who can’t afford other housing or are fleeing crises.

 

BIONIC YARN

Bionic Yarn is making a splash on the fashion scene.

The New York City-based startup turns used old plastic bottles, some of which were recovered from ocean shorelines, and turns them into yarns and fabrics for clothing.

The company, whose creative director is recording artist Pharrell Williams, has partnered with several different apparel brands ― including G-Star and O’Neill ― since its founding in 2009 to incorporate its yarn into a variety of products, from denim jeans to snowboarding jackets. After the bottles are collected, they’re refined into chips. Then, the chips are heated and pulled apart into fibers and spun into yarn.

 

The Ocean Cleanup Project‘s 2,000-foot-long system harnesses natural currents to catch trash in passive, strategically located arms, under which wildlife should be able to swim. While some have criticized the project for the potential environmental damage and cost, the group has committed to undergoing environmental impact studies at every stage in development and production.

 

SEABINS

 

A pair of surfers from Perth, Australia, has invented a ‘floating bin’ that automatically sucks rubbish floating on the water into it like a vacuum cleaner. It consists of a cylinder that floats upright with one end sitting on the water’s surface. A water pump on the shore then creates a flow of water into the bin, bringing rubbish with it.

The refuse is caught in a mesh ‘catch bag’, and the water is pumped back into the sea.

 

QUOC NGUYEN LINH VINH

 

SYED UMER HASAN

 

Camera Movement

Camera Movement

Hello! Above is the pdf version of my slides for camera movement. Here are some notes to go along with the links that are available in the pdf.

Pan: Moving the camera lens to one side or another.

Reason: To show the audience the entire room/set. Panning from one character to someone who walks through the door to elevate the tension that wouldn’t exist with a fast cut.

Zoom: It involves changing the focal length of the lens to make the subject appear closer or further away in the frame.

Reason: Mostly to either scrutinise or exert tension in the scene (if zoomed into a person’s face.)

Pedestal: Moving the camera up or down without changing its vertical or horizontal axis.

Reason: To maintain the camera to subject distance.

Dolly: This is a motion towards or motion from. The name comes from the old “dolly tracks” that used to be laid down for the heavy camera to move along — very much like railroad tracks — in the days before Steadicams got so popular.

Reason: In Hitchcock’s movie, he used it to show that his story is just one out of the many that exist in the world.

Dolly Zoom: The camera is pulled or dollied away from a subject while the lens zooms in, or vice versa.

Reason: Seeing a perspective change without a size change is a highly unsettling effect, often with strong emotional impact. In Hitchcock used it to replicate the visuals of a vertigo effect.

Truck: Trucking is like dollying, but it involves motion left or right.

Reason: You’d Truck if you want your camera to subject distance to stay the same.

Handheld Shooting: To get rid of the tripod and holding onto the camera such that it becomes more mobile and able to follow the action of a scene.

Reason: Mostly, it’s for aesthetic. Handheld shooting can be very bouncy, giving the viewer a sometimes subtle feeling that they’re watching news or a documentary.

Floating Cam or Stabilised Shot: The Steadicam was invented in 1971 by Philadelphia native Garrett Brown. Famously used in the jogging sequence in “Rocky” and extensively with exceptional effect in the Kubrick masterpiece, “The Shining.” It uses a series of counterweights — and gyroscopes on more-expensive models — to keep a handheld camera’s motion very smooth.

Reason:  A Steadicam or 3-axis gimbal gives you the freedom of shooting handheld while keeping your shot perfectly stable, eliminating the distracting shake that often occurs when your camera is unsupported.

Crane/Jib: A crane can be used to lift a camera (and operator, if it’s big enough) from low to high shooting positions. Less expensive jibs can support the weight of a camera and lift it several feet off of the ground. Sometimes a crane will be called a boom, but the boom term usually applies to the device that holds a microphone aloft. For an extreme version of this elevated angle, consider using a drone to capture an aerial perspective. These days, you can use a drone to get an aerial footage with ease.

Reason: You want to show things from a different angle.


I was tasked to watch Hitchcock’s Vertigo and he has managed to replicate the feeling of vertigo by using the dolly zoom camera movement to push for his narrative: Scottie paralyzed by his fear of height and thus cost him his love, twice.

Other than that, I personally did not like the film at the very slightest. Its narrative was choppy at best and quite absurd. I watched Scottie follow Madeleine for close to an hour without any true progress in the narration and the ending felt very abrupt as if it came from nowhere. We as the audience did not find out why Gavin did what he did, as to why Judy took up the job, why did Scottie leave the scene when him being a previous detective should know better than anyone that it was a bad move, did the officers conduct a test to see what happened to have them judge it as a suicidal (because if so, why would Scottie suddenly get roped in for a testimonial in court and not interrogated especially since there’s physical evidence of a murder) and etc. There’s a lot of loopholes that I have to fill in the blanks myself and it was just not that satisfying to watch. But to each his own! :))

Character Development (2)

Title: Mother?

Backstory: A woman ran away from her family with another man, desperately trying to find that idealistic marriage that she has always dreamt of having. She left her parents-in-law that were overwhelmingly uptight, her husband who couldn’t satisfy her needs and her daughter that had just started school. 10 months in, she received news that her daughter had caught an infection and she was not recovering despite being hospitalised for almost two weeks. She found the courage to go to the hospital that her daughter was in only to come face to face with her ex-husband.

 

Props: A set up with a wall and a door that has a number plate. A clipboard

 

Outfit: Casual colours with muted colours.

 

Rachel: Ridden with guilt, sensitive but has strong motherly instincts (ironically). Rather timid and soft spoken

 

Nathan: Very intimidating, holds a grudge against Rachel. Very sarcastic and slightly capricious.

Script: MOTHER

Character Development

My character is a woman who ran away her marriage, leaving her daughter with the father. There are a few reasons as to why she did what she did: her expectations of her married life were not meant and she wanted something more. Also, there’s also a rift between her and her parents-in-law. Thus, to seek respite, she seeks the comfort of another man.

A year later, she received news that her child is severely sick. The conflict arose when she returned to the area, tried to find her child in the hospital. Once she found the room, however, the father was the one who opened the door. Despite her cries, the father did not allow her to see the child and she gets berated and humiliated but she didn’t particularly go hard against the father because ultimately, she was rendered by guilt.

The scene ends with the father slamming the door on her face and she walked away, rejected.

Perspective

For this assignment, we had to take images of a subject but projected in different ways. This would mean different lens, different angles and such. I personally opt for different angles and different composition.

The subject that I decided to go for would be the gravel right outside of the school and as I’ve mentioned in my Lighting assignment, I found it rather hard to focus due to the organic texture. And perhaps, I did scan it properly for the colour is different among the images. I figured that I could edit it in post-editing however, it was really hard to colour coordinate among the photos, especially if it was already transferred as such. Thus, this was a learning point.

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Lighting

For this assignment, we were tasked to capture images with different lighting. For this assignment as well, we had to take up a medium format camera and having used a Mamiya during the eco park, that was my go to camera. However, having used it only once, there were still some things that I couldn’t get used to. Mainly the rangefinder aspect which was something that slipped out of mind, and also the light meter that was installed.

The first few photos were taken in the night and it was really hard trying to focus. Especially with those that had a lot of texture (the grass and tree) was quite iffy.

These photos, when scanned, were really bright and thus, I did some post-editing wherein I just played with the tone curves so as to bring more contrast.

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Eco Park Adventure

For one of our lesson, we ventured into eco park to test out our medium format cameras. There was a lot of uncertainty on my part because whilst the camera that I rented out looked like any ordinary SLR camera, there were a few mechanisms that had to be pushed/pulled for it to completely work. But overall, it worked out fine. Below are the photos I took.

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Being in eco park gave me only a few options: to either take photos of nature (that was vast and allowed plentiful of different takes on just one thing) or the very few human subjects around (ultimately, my friends). I personally felt that I should stop settling in my comfort zone and take pictures of non-humans, which was what I did. Surprisingly, I had a lot of fun in that one hour of taking photos where textures took precedence in the composition of the shot. Thankfully, the sun was being kind to us on that day and thus, the light was rather forgiving and kind.

After processing, regretfully, one of my exposures was eaten up by the film processing machine. Other than that, what I came to realise was also how bright and soft they tend to be, which is of course, the characteristic of a film image. I had to play with the curves to bring out more of the colours. The medium format also gave me a lot of space and allowed more details to be captured, which is something really pleasant.

All in all, I can’t wait to take more photos in medium format and see what I can come up with.

Dejavu

This assignment needs one to recreate a photo of the past, the elements repeated in the recent photo. Lighting, colour and the such are taken into consideration.

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The above was the photo that I have decided to recreate. In retrospect, the image had so many elements to it that were difficult to find and come together. However, as soon as I’ve realised this, it was too late. I was trying to find a photo that was different than the rest, one that was interesting but fondness and execution didn’t exactly meet eye to eye.

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Above is the image that I took. Again, there were many elements that were missing and I almost wished I had taken a photo that was much simpler to recreate. In terms of lighting, Rifdi had mentioned that a flash was probably used as there was a harsh shadow on the brick wall, in the first photo. This was something I didn’t realise.

Something that I realised was the different tone that I got after scanning the negatives. Perhaps it was due to me playing with the histogram, I’ve realised that some of the photos turned out warmer than the others. It was tricky to colour correct them into maintaining the same general warmth.

All in all, it was a rather interesting assignment that made me realise that there could be more to just simply taking a photo.