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4D Final Project: Rojark (Yuli,Tisya and Gerald)

How did we arrive to the topic of Identity?

The three of us decided to look back to our past projects and we all agreed that the alter ego one was the most meaningful one. So for Tisya’s case, she did the identity of Dory and the idea of getting lost in life and finding one’s self. As for Gerald, he did on the concept of duality in personalities and space relation to the human psyche and characteristics. As for myself Amelia, I did on Margo and the idea of being okay to get lost to discover oneself ultimately.

In conclusion, the similarity in all our projects dealt with the sense of an identity being lost. However that was still very widespread, so we decided to focus on on a smaller issue, and that being the local Singapore identity gradually being lost as modernisation comes into place.


Rojark revolves around the identity of Singapore – objects, people and places which are slowly vanishing or have vanished in our journey through development and modernization. It suggests this identity as something that is visibly tangible, but yet intangible, and is a representation of this part of our Singapore as something that future generations might not be able to identify with. This installation is a demonstration of a haphazard and futile attempt at the preservation of this identity, upon the realisation that it might be too late.


_ hopes to evoke a sense of nostalgia and provoke a thought of our responsibility in the preservation of the Singapore identity through objects, people and places. We take for granted the uniquely Singapore factors that still exist around us now, which we might never get to see again as the country moves forward with the world. As our country develops, we have to make way for the future and abandon what no longer seems to fit in our context. A cultural heritage that is conserved and preserved is the country’s reflection on itself will guide the future generations in recognising our roots. This installation is much more than just preserving the physical aspect, but it also serves as an important reminder that we have to retain the inherent spirit and original ambience of these factors that make up our Singapore identity.


Jars will be used to emulate the preservation method similar to specimen collection or Traditional Chinese Medicine (TCM) style of preserving herbs or medicine. This gives both morbid and scientific enquiry sense of approach, on top of the emotive aspect, when viewing the installation.

INITIAL: We wanted to put actual objects into the preservation jars and experiment with liquid of different translucency and viscosity to give it a more faded facade. However we would face issues of finding the objects because of its rarity and size.

REVISED METHOD: Instead of actual objects, we will use a video projection against a frosted glass surface while trying to retain the liquid idea. It translates the idea of the object existing in an intangible form, like that of a memory, and reinforces the ominous foreshadowing of preservation of culture. It emphasizes on the idea of the object existing only as a memory once it disappears.

First Round Of Testing

So from our first round of testing, we borrowed a projector and tried playing around with trying to project a video on a jar since that was one aspect of our concept. We also experimented with whether trying to project it from the front or from the back would be better and eventually settled for the front.

Second Round Of Testing

Efficient way of sanding jars!

So from our second round of testing, we experimented with many different various ways and mediums. On top of that, since the TCM style of preservation had liquid inside, we also tried to play around to include it in. After few testings it was decided that water would make the image less clear so we decided to do without it. As you can see from the video, when water is added, it makes the projection inside less visible.

Almost there! Coming close with the final placement of the jars

We also experimented with various jars we collected. We decided to collate jars instead of buying them all in a single specific style as we figured it would fit to our haphazard concept better. We tried to keep the style of the jars as cohesive as possible and tried to project both still images and videos and they both seem to turn out fine. We found out that the best way was actually to sand the glass jars on the inside without water.  We then settled on placing them in the cupboard in two rows, stacking on top one another.

We also tried rotoscoping (one new skill acquired!) So from the rotoscoping it became evident that sizing mattered so we tried to do various sizes to see which fits better.

Final Round Of Testing

Much teamwork needed

So for our final round of testing, we curated all our different objects, people and places and started piecing them together in after effects. We modified the number of projections in the end with it being 10 instead. How we did it was that one person was in charge of taking note of the projection mistakes and telling where and how much to shift the projection, while the other person was doing it on aftereffects. We also played around with the arrangement of the jars making sure it wasn’t visually heavy and was well balanced. Instead of placing all the jars in portrait format, we played around and decided to leave one or two tilted or landscape. We also placed broken shards of glass around the sides as a concept of some objects can no longer be contained and has vanished forever.


We also completely forgot about the soundscape but decided in the end it would be better if we added in sound of snippets of iconic speeches and songs that brings about the identity of Singapore better.  We also curated it in a very haphazard and static kind of nostalgic feeling.

Final Projection

Project brief in a jar
Final projection on the jars

And here is one with reaction from our classmates!

Overall the audience felt very pitiful and sad upon watching our installation as they felt like it was such a waste that some of these items are no longer here in Singapore and that our generation was sort of lucky enough to embrace and experience all these objects, people and places.

Despite such feelings, there were those that felt that there was a sense of happiness in it too, after being reminded about the memories they have attached with these objects, people and places. There were a lot of happy reactions when snippets of their favourite tv show songs played. There was also a feedback how this entire experience felt like a community of people watching tv together on a small screen.

An interesting feedback was how these jars were very curated to a certain generation in Singapore. Given another generation if we were to say our parents or grandparents, it would in a sense be a whole new set of jars. Overall the new skills that we learnt such as rotoscoping, projection mapping and also even the conceptualising of our project were very benefitting and such a fun project to do!

Thank you for viewing!

Progress and Prototypes on our installation! (Amelia, Yit Ling and Natasya)

So here is the breakdown on some of the progress we made with regards to our installation on the sense of our starfish-nemo-anemone!


For the scent portion of our installation, we decided that we would be hanging a contraption that once pulled it would release a powdered scent. We initially wanted to be more like a trip-over-a-string thingy and suddenly poof the scent comes out but we figured it that method could only be done once. Instead this way, it would allow to be done repeatedly.

As you can see here, it is basically a slightly cut balloon taped to an open end of a cup. Inside the cup for this case was baby powder that was sweet smelling. Tugging and releasing the end of the balloon slightly would release the powder in mid air and allow the scent to be released!


The sight portion of the installation ties in with the scent portion as little as there was an added idea whereby the cups would be painted with luminescent colours, and would hang in mid air. Upon seeing these blobs of light from afar, the user would move towards it, and try to reach for them. There would also be stationary white balloons lighted up by LEDs dimly all around. We also tried out and see different aesthetics of ballon to see what would fit out theme, but we settled with normal plain white ones!


As for the touch, we were inspired by this video of how a balloon contraption moves on the internet. A piece of balloon simply stuck on a CD and due to the pressure, it moves in a very anemone-ish kind of way!

We experimented and tried with different way but we figured that it wasn’t the most reliable method for the movement. We realised that the surface of the floor and also how heavy and wide the base was played an important part. So this is the more mechanical method we found that we would try out!

So the idea would be that these little things would be attached with balloons and feathers and would be wiggling about on the floor dancing as touching and tickling the legs of the user as they walk through the space. This would also be the surprise anemone essence of the installation.

Also upon reaching for luminescent cups as mentioned above, the users would be tingled by a small metal ball/fuzzy object at the tugging portion, before pulling it.

Overall our installation would be in a dark room, with the kind of white playful aesthetic feel to it with a tinge/speck of colours in the room.


4D II Project 3: Research on art installation of the late 20th and 21st century

Moving on into our final project, we were told that we could make reference to either one of our previous projects that we felt we liked and to me, it was the alter ego. I realised that I’m more into towards the sense of discovery of one’s self and decided I would focus my research for the next project a bit more into that genre.

Everyware –

Cloud Pink is an interactive installation by Everyware. Everyware is a creative computing group by Hyunwoo Bang and Yunsil Heo. The duo mainly do works that appeal to the human action, user interface and speech. Their works always consist of something that appears merely normal on the surface such as a projection or sand, however invites the user to come into contact with it without providing any specific details. Upon interacting with the installation it gives them a sense of discovery of what is possible.

I feel like their installation always taps into your inner child like behaviour towards nostalgic and dreams, such as cloud pink. The feeling of stretching out as the child and wanting to reach into another world that is represented by the clouds. These of fabric as opposed to just a flat wall to interact with also puts into place everything nicely. Their installations may be simple with only a purpose but it always has that sense of play and discovery about one’s self.

Honey Leong & Prue Stent

Moulding is a performance art piece by the duo Honey Leong and Prue Stent. Throughout this series, they deal with how the fluidity of materials interact with one’s body in the landscape. Generated spontaneously the wrapped bodies play with the idea of classical human forms and statues, making them dynamic, transient and ambiguous. The use of shrouds generates a sense of playfulness and freedom that comes with anonymity and acts as an expansive and weightless extension of the body. However embedded within their otherworldly beauty is also a sense of suffocation, restriction and alienation.

Majority of their works play with the discovery of the human body against various landscapes and material and though it may be a bit too gritty for some users due to the rawness of the human body, as for me, I feel that using the body as a medium to explore the perverse curiosity to interact with the allure of materials and objects. Their results are often unexpected and playful. It makes me question in what other ways can the human body be discovered within a constricted space, time and body.

Peter Campus –

Three Transitions is a video art created by the famous Peter Campus. The video consists of three short exercises or “transitions” in which he employs different visual and spatial effects. Throughout the video, he himself displaces and superimposes takes of his own body, which he makes interact with each other using chromo-key techniques. He deals with a lot of self-transformation and the body identity in his works while using a lot of studio camera work and video technology.

I like the idea of how he uses his own body as a paradoxical space and as a medium of self discovery though different reflections or mediums. I think it would be interesting to see how one’s self can be displaced in various ways  in different spaces and the effect it will take on for the user interacting with it.