Due to the difficulties I was facing, animating every single eyeball in the background for G(eye)chapon (and my own technical ineptitude in searching for a faster way to do this) I decided to embark on a different direction that would tie in more closely with my FYP.
The work is titled The Cutting Room Floor, looking to explore the murderess and novelist, Sada Abe, after she was left behind following the media frenzy that surrounded her crime and her life, and depicts a scene of transcendence from the mortal world to that of another liminal realm.
While updates with regard to process, drawing and painting will come later, enjoy, for now, the final animation.