Hyperessay: Online Symposium

Held in Adobe Connect, the Symposium shifted performance into a new medium, the third space, where we rethink about the idea of a traditional “one-to-many” style of performances and embrace a new “many-to-many” style.


The performance on the first day is by Annie Abrahams, which she have different performers interact with the object on their webcam as seemingly random recorded phrases get played out. The webcams appear and disappear and everything appears messy. Annie then proceeds to lay silent on her chair and close her eyes, which the rest follows suit. This reminds me of DIWO where a group of people come together to do something collaboratively which they have a responsibility to perform and keep the performance alive. The overall unscripted-ness of this performance, together with the number of performers involved, creates quite a mess that I would call “glitchy”, where the unintended randomness is embraced during the performance that have made it glitched.

The first part of Annie Abraham’s performance, where we can see the usage of objects that is messily arranged on the screen

On day three, there was the performance by igaies. The performance started with the XXXTRAPRINCESS’ where they take on personas by using snapchat filters to simulate the characters in another frame. As mentioned in my Research Critique II, what makes a Third Space work is in participation where the parties involved must act according to their third space persona. By acting according to the persona and script, they have acted in the Third Space, where their third bodies have detached from the physical reality through the snapchat filters and the persona they play.

XXXTRAPRINCESS’ and their third space persona

The performance was then followed by Roberto Sifuentes, where he have glitched his body by allowing audiences to place leeches onto his body, which he then performs a series of ritualistic actions, before laying down on the ground to get the leeches removed by a woman. This performance caught many attention, including my own, and it had me thinking about the relationship between the audience and the performers in the Symposium, and I will talk more about it below.



The Symposium brings audiences together within a shared online space, only providing fixed perspectives for audiences to make sense of the performance as we piece them together to form an idea of the whole thing.

The few frames that we look into to decipher the performance offers an interesting perspective to the performance itself

We are merely audiences, only able to make comments and discuss the work, but not directly intervene the performance. By eliminating the possibilities for the audiences to interact with the performance, what purpose do we serve as online viewers, that is no different from that of physical viewers? This is where I find that we are able to openly discuss the performance critically and emotionally without affecting the performance, which would have been unacceptable in a conventional performance in a physical space.

Credits to Brendan. Real time comments on the performance by XXXTRAPRINCESS’ as it gets conducted, and we can see multiple comments and people agreeing to one another.

This open discussion is further enhanced as we all take on our online persona, our Third Body, which we express our thoughts, comments, and ideas differently from our real persona. Also, because of the lack of interaction with the performance and the ability to instantly make comments, our reaction to different sections of the performances can be expressed without hesitation, and this allow our reaction to be less controlled and more raw.


On day 3 of the Symposium, the bizarre performance by Roberto Sifuentes churned many comments on the chatroom.

Interesting discussion about the performance by Roberto
Audiences placing leeches on Roberto.
Roberto’s strenuous ritualistic actions with a metal rod

Roberto lies down to be have the leeches removed from his body.

In Roberto’s bizarre performance, he have added noise to his body by bleeding and sweating. He have thus cleansed his inner body of said noise, but at the same time glitched his outer body as he gets drenched in bodily fluids we dislike having on our skin. I find this relationship of glitch and purification interesting. Glitching is usually associated with impurity and ruination, but in this unexpected case, glitching and purification goes hand in hand.

As the performance goes on, the chatroom goes crazy as the audiences input their raw interpretations and comments. Some have made references to issues like gender and power, while others have made nonsensical, yet funny one-liners. This have led me to an idea: The different kinds of inputs of the audiences due to different interpretation and opinions have created a mess in the chatroom, adding noise and glitching it.



A compilation of the different kinds of comments that adds up to the noise



The chatroom seems meaningless to look at at first due to its messiness, but when we see the comments individually, we find them as the audiences’ method of release. We see the audiences’ reactions coinciding with the meaning I drew from Roberto’s performance where glitch and cleansing goes together. In this sense, the messiness, or glitch in the chatroom is a result of us clearing our mind, and reading it is a way of getting our mind cleared.

By allowing us to comment freely in the chatroom without affecting the performance, and by drawing this relationship between the performance and the chatroom, I feel that we the audience have now unintentionally participated in the glitch performance. We are now not just audiences in a chatroom, but are part of the performance on another frame, and are thus have turned the glitch performance into a DIWO.

We can now see the Symposium as having 4 frames instead of 3, since the chatroom is also another frame of the glitch performance

I find that this parallel relationship between the audience and the performance something that only the Symposium can pull off, which cannot be present in any other performance spaces. The Symposium have thus turned communication into the performance itself. Despite the audience’s limitations that this Symposium have set, this many-to-many relationship have still brought performances to a deeper level. With this, I believe that there are still many great potential in performances that the Symposium can bring that we have yet to have a taste of, and I would like to take part in another, given the chance.

Final Project – Split Chef (Discussion)

that little icon at the top right ruined this picture

We have transcended through time and space to meet up in the third space — Skype. Joel happen to me unable to meet us, so we decided to conduct a skype meeting.

During our skype meeting, we discussed on the things that we have to iron out so we can move on to the final work.

  • We finalised the player roles and what kind of players we want

  • We decided on the kitchen location to be either Hannah’s (our friend) hall, or one of the hall that we are staying in. The backup plan is to actually use someone’s house.
  • Next, we asked if we should have audiences to watch our show, and allow them to comment to help the chef. I think it will be fun and engaging to both the audience, the players, and facilitators.
  • Next, we finalised on the recipe so we are sure of the ingredients to buy and the steps we have to take
  • We also planned out what kind of materials we exactly need to bring and tasked each of us to bring certain items
  • We also ironed out some of the other stuffs that may affect the game

So what’s what we have discussed over this week. We wanted to go straight to playing the game for real, but was unable to find a good time to conduct it since everyone is busy.

I’d say, we are ready for this!!! This weekend, we will bring and make the things we need and prepare for the game on the following Monday! Excited!!!