editorial illustration: process to final

kind of found this effect (above) by accident while playing around with the layer modes and it was something i was looking for, so that the floating face stands out more. so i tweaked the effects a little to get to the final piece.

also i found the face too much of flat white so i coloured her eyes

 

edit: okay SO after the critique session, i received feedback from Lisa and a few peers that the contrast between the black and white in the first outline-only composition works far better and conveys the message clearer as well.

so i shall edit the final piece and update this post later!

lesson learned: stop adding too many things :’)

 

editorial illustration: pencil compositions

concept: negative impacts of empathy


1

idea 1 is revolved around the idea of putting up a sunshine front (hence sunflowers) when empathising; but too much empathy hurts yourself in the process, thus the thorns at the back


2 (two versions)

the theme for idea 2 is “drowning in another’s emotions” when empathising with them

also not shown in the sketch, but i’m thinking of doing a constellation/galaxy texture for the ‘water’ to show vast space and endlessness of empathy


3

idea 3 is more of a dark humour. hugging a cactus pretty much defines empathy; you willingly put yourself in pain, just to comfort another (even a cactus…)

and to top it off, a haggard but still smiling face 🙂


 

i’m not so sure which direction to take right now…

i guess i’m leaning more towards the first idea since it fits my initial moodboard and artist reference (written on this oss post) but the other pieces might convey the message of negative impacts of empathy better

any feedback is appreciated!!

i shall also ask around to see which sketch conveys the concept best hahaha

editorial illustration: thumbnail sketches

concept: negative impacts of empathy

(disclaimer: a lot of these sketches are just me vomiting out what i have in my head so some are not as refined or well-thought, and i have no idea what they really mean lol)

 

1A  midst of thorns and vines

1B  going through thorns and vines

1C  a refined version of 1B???


2A  similar to 1B, more straightforward with the addition of another person i.e. the person one is empathising with

2B  a cracked face to represent the positive front we put when empathising; sunflowers to symbolise happiness, some are slightly wilted to show crumbling resolve

2C  sunflowers in the front, a person in the middle, and thorns at the back


3A  sucking the energy (colours) out of you

3B & 3C  sucking the life out of you (quite literally put)


4A  chained down; multiple chains to show empathy to multiple people at once

4B  a more straightforward version of 4A; drowning

4C  hugging a cactus


5A  combination of previous ideas; chained down; holding a wilting/messy bouquet of flowers

5B  dragged down and drowned by hands

5C  eyes crying out into a pool, where you are drowning in


6A  hands reaching out as support; vines grasping at the arms and thorns cutting the skin

6B  hands reaching out as support; vines and thorns coming out from someone else’s mouth injuring the arms instead


after consultation, i decided to develop further ideas 2C, 4C and 5C into more refined pencil compositions

editorial illustration: references and moodboard

references

John Holcroft
conceptual and editorial illustrator

i love how Holcroft illustrates controversial concepts in an interesting manner, letting the audience view his take on certain ideas. for this assignment on editorial illustration, i would like to illustrate key points of the theme in the same manner as Holcroft, using unique analogies that quickly and effectively relate the message.

 

Yuko Shimizu
editorial illustrator

Shimizu’s works are beautifully illustrated, carefully inked, and finished with muted yet eye-catching colours. i like how her style is a fusion between american pop illustrations and japanese manga styles. being heavily influenced with japan’s manga illustration styles myself (and finding it a little hard to break out of the habit of drawing in that style), i find Shimizu’s style inspiring as she did not shy away from her roots nor ignore the style she often sees in her environment, and instead incorporated them both into her illustrations to make her own unique style.

(also her use of dynamic brush strokes is similar to what i am used to, so i would like to use her ink art as reference)

 

Akiya Kageichi
illustrator

words cannot even describe how much i find Kageichi’s style stunning and mesmerising. from the composition and the amount of details put into each piece, to the minimal colours and textures used. though some of his works look a little chaotic, a good few are framed beautifully and lets the viewers’ eyes move across the illustration.

 

style-wise, i am still unsure which direction i want to take: either something minimal and effective like Holcroft’s illustrations, or detailed and impactful like Kageichi’s. (or perhaps even something in between like Shimizu’s artworks.) so i created two moodboards with different keywords, just to keep my options open.


moodboard 01

keywords: dark, delicate, layered, intricate, muted

 

moodboard 02

keywords: minimal, clean, modern, bold, whimsical

 

editorial illustration: user persona

basic demographic of Varoom consumers:

  • 18 – 30 years old
  • aspiring students and graduates, workers in the creative industry, has immense interest in the creative works
  • probably has money to spare
  • familiar with design, music, fashion, or one of the art fields
  • seeking for deeper insight of the creative industry, as well as know-hows from interviews of employees of the industry

[i made two user personas because i’m still contemplating whether i want to illustrate a sad-funny analogy of the theme, or in a serious style. the two personas help me gauge the spectrum of Varoom consumers and maybe decide which style i would like to use]

user persona 01: janine

Janine is a 26-year-old social media manager of a well-established magazine company. she enjoys aimlessly scrolling through Pinterest and sarcastic jokes.

likes both basic and quirky aesthetic // witty // creative // a little emotional // busy // always in it for the gram

 

user persona 02: Troy

Troy is a 28-year-old sound designer with an interest in illustrations and graphic design. He occasionally splurges on whimsical things that interest him at that moment in time.

spontaneous // playful // creative // open-minded // does not care much for social media // well-informed

 

anti-persona: Walter

Walter is a 37-year-old telemarketer who only cares about three things: his family, his lunch break, and pleasing his boss. He spends most of his free time watching mindless shows on the television.

efficient // detail-oriented // serious // dislikes changes // wishes to retire with valuable assets to be passed to his children

editorial illustration: research

Varoom

content includes comments and discussion on contemporary illustration from a global audience, as well as interviews with illustrators, image-makers, designers

[source: Association of Illustrators (AOI)]

 


editorial illustration

Across the spectrum of print and online publications, art directors rely on illustrators not only to create beautiful and attention-getting images, but also to help impart information and express complex ideas. Editorial illustrations bring stories to life and entice readers to engage with content.

— Jenny Carless (Adobe Create Magazine)

what is an editorial illustration?
an engaging visual representation of the accompanying article that clearly tells a story or convey a concept to the readers

 

two elements of editorial illustration:
concept and style

these two go hand in hand. a successful illustration can illuminate the essence of an idea effectively through the use of a fitting style to convey the mood; is it humourous? serious? thought-provoking?

 


empathy

 

definition

psychological identification with or vicarious experiencing of feelings, thoughts, or attitudes
[source: dictionary.com]

putting yourself in another’s shoes and/or experiencing from another’s point of view; not necessarily having experienced the feeling yourself
[source: self interpretation]

 

the three types of empathy

cognitive empathy “THINK IT”
understand what another is thinking or feeling

emotional empathy “FEEL IT”
put yourself in another’s shows and feel their emotion that may lead to pain and burnout

compassionate empathy “BE MOVED BY IT”
feel concern about another’s suffering, but from a distance and with the desire to help (positive feedback that relates to motivation and reward)

 

from personal experience

being quite an emotional sponge myself, i tend to absorb another’s emotions relatively easily – i would feel their suffering if they are in pain, their anger if someone irritates them, or even their excitement if they look forward to something. i do enjoy listening to their tales and rants. but sometimes… they get a little too overwhelming. most of the time? my positive energy gets sucked out and i end up feeling numb.

people say that empathy is an exceptional skill to have, not only personally, but also socially and career-wise. but for some (like myself) who do not know when to stop sharing the same thoughts and feelings as another, it can get very exhausting… especially when the other spouts nothing but negative remarks.

thus for this editorial illustration, i narrowed the theme down to

the trials and tribulations of having too much empathy

(to put it a little dramatically)

 

some negative impacts of empathy:

  1. feeling the pain and experiences of another; indirectly inflicting the pain and negativity on yourself
  2. always having to put up a positive front
  3. feeling burdened (especially when you don’t have anything substantial to make the other feel better); the idea of it weighing you down
  4. TIRING; burnout