International and New wave design

Though the years, changes/ movement in design has been evolving, In the year 1950s, the International design was created. It is what we known of typography today. Following a proportionate grid system and creating hierarchy in posters or other forms of communication in design. At the same time, the Grid system is very organised and metathetical constructed. it helps our eyes too focused on the information. In my typography 1 class, we learn to use just only letterform to create a hierarchy in our designs, therefore I felt that international design is very relatable to what we are learning. It was a very interesting and fun experience to be able to create different varieties of design and have a deeper understanding of design through typography. 

After the international design movement, New typography was created. The design focus on the visibility of information even if it is not as organised as using a grid system. It gives the artwork a purpose. It helps us to understand better and not easily by-pass it.

After the final lecture, I felt that the most interesting and unique artwork is from the La cantatrice chauve by Robert Massin, 1964 and the artwork by Wili Kunz, Posters for Columbia architecture, planning & preservation lectures. 

La cantatrice chauve by Robert Massin, 1964

He is a very experimental artist and expressive in his typographic composition. He uses visual representation in his design. His artwork is simple but different graphic/element to his design, for example, he incorporated faces at the left-hand corner of each sentence. I felt that the artist link the choice of typeface and the meaning of the text together which tells a story out of his artwork. Adding an emotion or a mood in his design. He did not design something abstract but something people could understand. Every character in the artwork is represented by a face. At the side, It will tell the reader that it is like a speech from each character feature at the side.

Posters for Columbia architecture, planning & preservation lectures by Wili Kunz

The introduction of new wave typography came and this artwork was created. Interestingly, the information is kept organised similar to using grids system but the truth is, it does not follow the grid. The information is spread all around. However, you could see that information is categorised in different weights and size of words, I could see the hierarchy of the artwork. Not only that, the colour used is simple and clean. Overall. I felt that he develop very independent thinking and creating his amazing design with so many information in one poster but at the same time being attractive too.

 

History of Design: From Suprematism to De Stijl

I am interested in the transformation of the different art movement. From the movement Suprematism, Constructivism to De Stijl. 

Suprematism 

The year 1915 to 1925 

The movement plays with the geometric style as well as playing with spaces to form an abstract art painting which was inspired by cubism and futurism. The artist did not use photos for all his design as he believes that it does not represent what he wanted to create. He wanted purely abstract art. His artwork has the social and political ideology of the state using form and colours.

Kasimir Malevich

Kasimir Malevich, Suprematism, 1915 (oil on canvas)

Kasimir Malevich, Black Square, 1915

Constructivism 

The year 1913 to 1930

The art movement was inspired by the geometric shape inspired by the suprematism. However, the idea of Socialist realism was to remove and a different new art was produced. The art movement reflects the modern and industrial world. It tells the story of science than artistic expression. It influences architecture, design, fashion and mass production objects. 

In the past, the design was flat. The artist invented positive and negative space and play with depth and texture.

El Lissitzky 

The Red Wedge, 1919 (lithograph)

Uses red and white that represent different groups of the army.

For the voice by Mayakovsky, 1923

Proun, 1919

De Stijl 

The year 1917 to 1931

Later on, the De Stijl art movement took over, it was a dutch style of pure abstraction which uses geometric shape but mostly rectangles. The artist wanted to create a universal visual language that frees the nationalism that led to war. The art movement uses grid lines and primary colours. There are meanings behind vertical and horizontal lines. He uses this element to represent meaning.

Piet Mondrian 

Composition ll in Red, blue, and yellow, 1930

Composition with White and Yellow, 1942 (oil on canvas)

De Stijl edited by Theo van Does burg, 1930

The different movement of art still inspiring us today.