4D (II) Exhibition Review 2 – Elysium Artists for the Arctic

When I was just a child, my favourite season was winter. The idea of ice-cold snow falling and covering the earth in white was a dreamy concept for me, having grown up in a tropical city. I’d imagine making friends with polar bears, going fishing in my fur coat and boots, and coming home to my comfy igloo.

While the fascination has worn off a little, I am still amazed by the Arctic, and would really like to visit it at least once in my lifetime. However, with global warming, my dream is threatened to stay what is is – a dream. I found out about “Elysium Artists for the Arctic” that is being exhibited at ION Art through an online promotion. It seemed to address my worries about my dream:

Elysium Artists for the Arctic began as an epic expedition to the high Arctic in August 2015. An explorer team of the worlds’ most renowned and respected photographers, cinematographers, explorers, artists and scientists, spent three weeks travelling through Norway, Svalbard, Greenland and Iceland, in an effort to both qualify and quantify human-induced climate change in the Arctic. Regarded by climatologists as one of the most enchanting and critically important ecosystem on our planet, the Arctic is not only fragile, but under severe threat from the warming of the world’s climate. 90% of earth’s most respected scientists agree that human activities are the principle driving force behind our current climate crisis.

– ION Orchard Webpage

Since I was going to be in the area anyways, I decided that I might as well visit the exhibition. After going to pick up my new phone (this is why I have my own pictures for this exhibition!!) from an aunt who helped to bring it to Singapore, I made my way to ION and headed for the gallery.

Greeted by a series of panels explaining the exhibition in short, I was excited for the films or documentaries that were said to be included in the list of works.

There were paw prints on the floor, so I followed them in. 

These two sets of photographs were on the corridor on the way into the main space.

This is what the entirety of the space looked like (there’s more on the right side of this picture) The paw prints led me in a circular path along the walls where the photos were hung, with quotes printed under them in varying sizes. 

Here were some that stood out to me:
I feel so scared for the little polar bear, clearly forced out of its elements just to hunt for its survival!


I love the pictures of the icebergs, they are beautifully captured, illuminating the deep sea.


Some evoke empathy in viewers.


I like the placement of the photographs that illustrate a story about the polar bears.

There were also two videos playing in different sections.  

Since the gallery was closing, I couldn’t stay to watch the entirety of the videos, but the idea I get is that they were showing some footage of their exhibition, with polar bears roaming around sparse snowy mounds and audio of different people explaining the Arctic’s demise. 


Overall, there were some photographs that stood out and made me wonder about the fate of the Arctic and our world in general, should we continue to be negligent about changing our destructive ways.

However, I do think that the exhibition was lacking in a number of ways that undermined its potential to stir up a more concrete response from the audience.

First of all, I felt that the usage of space could have been much better. Instead of just going around the walls, maybe they could have partitioned the space into areas that showcase different parts of the Arctic, such as icebergs, glaciers, polar bears, and seals separately. This arrangement would feel less random and would make use of the empty space in the middle better.

I also felt that if they maybe dimmed the lighting and use spotlights on the photos and quotes, it would create a darker and more serious mood, in accordance with their message.

The videos could have been much more engaging too, I feel, as they were presenting the facts in a monotonous manner. They could have played more with the use of music and not just spew out facts. I also think that the videos simply being played on the standing TVs, with no specific area dedicated to them, weakened their impact.

It would have garnered more attention if they were played with projectors on the walls.

All in all, I like the message they are trying to bring through, but I feel that the exhibition did not do their expedition justice. I understand that there may be limitations not known to the audience, and this is what they could come up with. The paw prints did bring a small element of interactivity, though.

It is hard to believe that the Arctic truly is melting and that there is a possibility that future generations may only know of it through history books.


After going for this small exhibition, I learnt quite a number of things about art presentation and how this could affect audience’s perceiving of our work. I really think that although the space was small, the exhibition could have so much more impact than it has now, if the presentation was enhanced!

4D (II) Exhibition Review 1 – Lock Route

I visited Gillman Barracks a couple of weeks ago, and just a heads up, the pictures here are taken from the internet and from the artists themselves, because I lost my phone and therefore couldn’t take any pictures myself cry.


◊ LOCK ROUTE ◊

There are quite a lot of exhibitions going on at Gillman Barracks and the one that stood out was the public LOCK ROUTE, which is accessible 24 hours a day. There were 16 works by 15 artists/collectives, and they were spread across the outdoor area of Gillman Barracks. 

Curated by Khairuddin Hori, LOCK ROUTE is inspired by the 24 km march taken by ‘graduating’ army recruits in Singapore. It also makes use of Gillman Barracks’ history of being of former military use. 

It is really interesting to see the outdoor works and I love the interactive qualities they have. Many families were also there and there were plenty of children running around and playing with the artworks or looking at them with wonder.

Spread over a large area, it is actually quite time consuming to visit every work, so for some of the works, I simply had a short look. I will write about some of my favourite ones (and include pictures of whatever I can find on the internet!)

Ok so first up here’s a random video I found on Youtube that shows all 16 works (although not very clearly)

I’ve always had a fascination for large-scale artworks, so “Land of Shadows” by Cleon Peterson really captured my attention. 

gillmanbarracks.com


luxuo.com

I love how minimalistic the style is, how the white building is being engulfed by the black figures, and how they were wrapping around the walls. It makes me think of possibilities of stories behind it, why do they look like they are fighting, what are they doing? Are they trying to protect the house? What is happening?

I also like the fact that it can conjure up such a response from me despite how simple it is. Moreover, the style is unique to the artist, just as Keith Haring’s human figures are iconic.

“Constellation of One” by Kirsten Berg also caught my eye.

both from ajugglingmom.com

Set against a natural backdrop, the mirror geometrical sculpture indeed looks out of place. It was fun to look at, as the many convex mirrors, along with flat ones, reflect an interesting view of the surrounding. The shape itself also makes me think of whether it is from outer space and induces a child-like wonder in me. (Especially with all the kids making funny faces around me)

“Kampung Singa” by Sheryo is a structure that allowed for people to go in, there was a small cosy space inside with plants hanging from a ceiling that allowed some light to pass through.

mommychuck.com

arthop.co

mummychuck.com

“Goyang Cukur” by indieguerillas also caught my eye. Apparently, during some sessions, real barbers would be there to give haircuts! I didn’t witness this, but I imagine it’d be a fun experience. I also like the colourful nature of the work and the cacophony of materials used in the sculpture/installation. I noticed that the human puppets are reminiscent of Indonesian wayang kulit puppets (shadow puppets), and it turns out that the artists that make up indieguerillas are from Indonesia!


Looking at everything, I’m not really sure if LOCK ROUTE had a specific theme or any reason why Khairuddin Hori chose to exhibit them together, but I had fun walking around to discover artworks that were around the corner, or going up small hills to look at the works in closer detail.

A particular takeaway from this exhibition is the interactivity. I’ve always liked interactivity in artworks because personally, it engages me more and makes it more memorable, and this was a memorable exhibition indeed. Interestingly, I think that I had more fun there because many kids were present. Them having fun around the artworks brought the mood up and made me enjoy the artworks more too.