Perusing the Processing Plant


To submit control of your body to a robot is a very unsettling thought. Professor Louis-Philippe Demers probes into this area of thought, with works such as “Inferno” to explore the reactions and interactions of man and machine.


Budget control, to create such works with robotics must have been rather costly, how did you allocate your budget for project such as “Inferno”? Where does the money come from?

Planning and the work flow of these projects must have differed from project to project, what would you say are the constants that never change when creating such artworks?

Does working in a group differ very much from working alone in your opinion?