I am Peranakan
Upon interpreting this brief, I saw it as a chance to explore my roots and it seemed only natural to touch on my heritage. In my household, the Peranakan culture is very much celebrated and practiced throughout each year. I still remember the first time I ate my mum’s ayam buah keluak when I was a kid, and it was in that moment when I truly started to show an interest and embraced this culture of mine.
Adding coffee grounds added another detail to the stained paper; spontaneous shapes were formed each time.
Experimentation with various serif and san-serif fonts; separated them in different ways to get different results.
Nyonya and Baba portraits
General idea for these pieces are silhouette portraits of a woman and man (much like the victorian ones) formed by letters of my name.
Creating the portraits digitally was more convenient that simply sketching with pencil/pen. It allowed me the flexibility and freedom to edit without consuming a lot of time.
These sketches will later be drawn onto paper and inked. I’m also considering combining other elements with these portraitures for elevation; maybe combining other significant elements of the culture?
Playing around with fonts and silhouettes.
Taking inspiration from Peranakan tiles, I combined various letters and used repetition to give it a sense of rhythm. Each individual emblems created has a story/secret bounded within their lines – it’s up to the audience to interpret what they are!
While the fonts themselves form the intricate pattern work, I’m also thinking about how I can play around with the geometric shapes formed by the negative space created.
With the digital sketches done and a clearer idea in mind, I began to draw the patterns out on the tone paper by hand. After some experimentation, I realised that watercolour reacted differently with the coffee-stained paper; though the paper did absorb the paint, it did not allow it to spread or blend and I could hardly get clean lines.
For this reason, I decided to use transparent glue to mark out all the negative spaces (the outlined typography work) in hopes that it would stop the paint from from appearing to look too blotted.
Alternatively, perhaps I might print the graphic sketches out first before dying them with coffee to get a more crisp and geometric effect as intended.
Beautiful Process..well planned and very methodical from free associations to a nice connection between disparate concepts. Your patterns are now having a fresh perspective and new meaning and are switching from typography to ornament–maybe we can carry on these methods into your zines?
You could liberate even more ideas by “ghost” like coffee textured patterns? Please remind me in class to give you links to patterns resources..
it would be nice to use for the featured image experiments with coffee grounds, cold/hot water to tone paper- they are so unusual and unique and will make our class main feed page more colorful!