“Empathy For Designer”
So after trying for many many many times, I decided that sticking to colors that are near match to the pills would be the best choice. My Concept is telling the audience to have a empathy on designer, to tell you the fact about designer. What stereotypes thoughts you have to the professional VS the actual facts of the people in this profession.Inside the pills (medicine designer eat) shows the truth of a designer life.
Assume we designer for free.
“It’s a simple job, make it nice, so do it at a low price or in fact for free.”
Assume we designer can fixed everything, light bulb, laptop, spectacles or even
“where to buy markers? Freaking popular lah!”
Assume we designer wear designer cloths and in fashion trend everyday, actual fact – Flip Flops.
“Come on! we work hours in front of our computers, let me be comfortable!”
Assume we designer have colored hair,
“I don’t even have time to cut my hair!”
Assume we designer have an easy job,
“Just come closer… Look at my dark eyes circle…!”
I look into some color concept that I could follow or have a guide because as I roughly created a background using the reference from my mood board I realized that the color are too down, it is too boring and gives a sad, moody feeling and I don’t want that as a magazine cover. Also it might not match my user persona, and having empathy for designer should have a color scheme that draws attention to convey the message but also a balance color that is not too cheerful nor too moody looking.
However, the color scheme that I chose does not match my design and artist reference that I choose, the color are too pop art and unrealistic looking, and the rest are too “normal” looking.
What I then decided to do since I could not foresee my composition would be to craft out the composition and then plan my color base on it. As there would be a lot of elements and items on the composition planning color ahead might not be the best solution to see the overall balance of the tones.
Drawing the Items
Before Selecting colors I thought about designer working until morning, so I went over to colourlovers and search “morning” and I’ve selected two sets of colors
Unfortunately, this two sets of color is way too bright and too pop looking that it is not relevant to my theme and also it makes the whole composition slightly heavy and messy looking.
What I decided to do since I am not really good with colors is that I went to simple search color palette and would be colors set that are group nicely together for me and i tried by placing it beside my composition and edit little at a time to find the fight balance and match
I came out with three “colors” that I am not fully convinced of so I am still trying to find the right color that balance the background as well as the items on the composition so that it does not attract the attention away.
Next Post (Illustration For Designer: Editorial (Final))
This is my Thumbnail Sketch on post-it for my composition:)
1-3, 5-7: I want to bring out the two side of of perspective in this composition, one side is the designer thoughts and another side is the stereotype thoughts people have towards designer.
4, This is one of my weakest composition i feel, personally I wanted to try out the style of my moodboard by putting random items on a desk but each items actually have a meaning to one stereotypes
8-9: So I have this idea of making a PHD cert with small illustration to represent each stereotypes designer receives.
10-11, 13-14: This four composition is more of having a stereotypes as a whole composition, for example a designer on how he/she dress, But in the middle it have a Polaroid, x-ray or a magnifying glass to zoom in the and within the Polaroids, x-ray and magnifying glass are illustration of what the truth facts about designer.
12: This is a style that combines the idea of composition 4 and with a different meaning to the items place on. For example the medicine symbolizes the empathy for designer and each medicine pill represent the different stereotypes receives
15: This composition is using the point of view of the designer working as the whole layout, on the desk it would have items and truth about what a designer life is about and the things the could be seen (the actual fact) not stereotypes things like Starbucks, sunglasses etc.
16: This is idea of the dollar twist ball game where each individual ball contains illustration that would represent the idea. But for this I felt that it would be a little weak and the twist ball might not be a good representative to show my concept.
Next Post (Illustration For Designer: Editorial (Research – 4) Finalizing Composition)
The first composition that caught my eyes were actually these little matt looking color pencil style like composition, but looking back at my theme there are alot of individual items and “stereotypes” that I wanted to in cooperate into the composition, this style to me seems more like creating a scenario/ situation so I thought that it might be hard to convey various elements into one composition.
Then I thought that why not looking into similar design but in a more simplistic and more tone down version of it. But I still find it looking like a scenario.
Since I’m a big fan of the use of simple and big shapes to bring out the composition. I look into vector and how people make use of simple line and solid colors to bring out the composition. And I realized quite a number of freelance Japanese artist love to use simple line work and shape and color to bring out the 3D effect in their composition and depth.
As I research I saw other artist who make use of the similar vector (Simple line and big shape) to craft out their composition. Also rather than crafting out a scenario, some of the composition actually means something more than just a situation:) For example the top second from the right, it is actually a cover that talk about surgery or plastic surgery. Using simple line but different tone to complete the composition.
After consulting, I decided to use Coen Pohl as my artist reference. He bring out the object easily and also using lines and tone he showed how the object are places. Most importantly how he work with colour and have the background one similar tone but the objects in vibrant colour so it doesn’t loose its focus and identity in the composition.
The initial layout composition I have would be this series of work by Christopher Reath but after consulting with Ms Lisa. We both agree that by referencing these style as layout, we might not be able to add in the vibrant colour from our artist reference, as it make uses of heavy shadow and minimal colour (more as highlight) to bring out the composition. So stuck as how I want the composition to be, I would be trying out the post it method Ms Lisa taught in class, Bring out brain back to blank (zero) and draw how we could craft our composition for out theme, than to search for reference layout options:)
Next Post (Illustration For Designer: Editorial (Research – 3) Composition Sketches)
I started this project by simply creating a blank page and write down the three topics: Obsessions, Empathy and Style. Following, I wrote down events, situations that happen around me that are inspired by these three words. E.g, What people are obsess about (traditions, cheese, neatness),
Then I realized as i write, the is one common situation that occur on me personally and with the designer friends I have. Such situation seems to happen to us at least once, which is “Designer Stereotypes” .
“Designer Stereotypes” are situations or stereotypes designer receive that and being determine by others.
So i went and did a mini survey by asking my classmates and friends who are working in the current design field what are some stereotypes the receive:) Those highlighted one are the more common ones. So I decided to go with the concept “Having Empathy on us Designer”
Anti (People who might not be interested by the cover)
Reader (People who are interested by the cover)
Reader (People who are interested by the cover)
Next Post (Illustration For Designer: Editorial (Research – 2) Inspiration & Moodboard:)