Wk9 Islamic Art

2015-10-13 12.22.50

From the exhibition, I can tell that Islamic art could never not be treated separately  from their religion.

I think Islamic artists are also trying to ask question about the history and tradition of Islamic world, at the same time trying to raise awareness of the world and find a new way for Islamic art.

The most direct aesthetic values I learned from Islamic art is the beauty of symmetry and the power of representational symbols.  Islamic art style could be easily identified because they always keep the elements of symmetrical geometry patterns. These patterns often contains the idea of the heaven and gods, and sometimes calligraphy are also blended in. Now I think instead only using art as a form of worship. Artist are also trying to use mixed media to express their feeling towards their religion and represents their inside interaction with their god and religion.


Also, gender issue are also being questioned in this exhibition. There are two videos from one project that reflecting the issue of Islamic women covering their hair with kershief. This is really an international controversy. I guess outsider dont really have a say about this. because i feel any objections from any outsiders may be seen as hostility towards the religion. So to solve this issue, it probably need someone inside the islamic society to initiate.

Wk8 ACM trip

What was your favorite object from today’s visit to the Asian Civilizations Museum?

Below was two objects I picked up from the trip photos. I always enjoy go to museum and listen to the introductions by the museum guid. The lady who led this tour is really knowledgeable and humorous. Thanks her for such an interesting and informational tour. 

Museum is amazing. I always like to image the life that the piece of artifact may represents. 

The necklace and textile from one hundred years ago is amazing, not only because its level of aesthetics demonstrated, but also because its level of imagination. Nowadays, many brands and designs like to emphasis on abstract qualities, and japanese minimalistic aesthetics are also being highly valued. I’m not saying that is wrong, I also enjoy the sense of joy brought by “blank”  However, I think we should not abandon the beauty from the complicated and decorative design that bears all the good wishes and hope from that culture. 

2015-10-06 10.36.27  Seurapi (necklace) with nine pendats Ca.1900, Aceh, North Sumatra

Acehnese Jewellery

Aceh is one of the few areas, aside from the northeastern Malay states, in which the faceted granulation technique was used. Old Acehnese gold jewellery resembles ornaments from Kelantan, across the Melaka Straits, in its use of red staining and minute detailing. The innovative feature of gold from Aceh lies in its use of enamel on gold, as in the mesh bracelet on display. This technique was probably acquired through Aceh’s sustained contact with the wider Islamic world of Mughal india and Ottoman Turkey.

2015-10-06 10.49.37

Ceremonial hanging depicting a scene from the Ramayana

India, coromandel Coast, late 18th century Cotton (stencilled, mordant-dyed, and painted)

This is a typical representation of the battle between Rama, crown prince of Ayodhya, and Ravana, demon king of Lanka. The main characters are in the centre and surrounded by battle scenes. This textile was made in India for export to Southeast Asia. Such textiles were often treasured as heirlooms in Indonesia, and brought out during ceremonies

Wk7 Bedroom style

If you could have a room of your own, how would you set about decorating it? Chinoiserie? Japonaiserie? 

Actually both Chinoiserie and Japonaiserie are western styles that evolved since 17th century due to the trade between Western word and Eastern world.  I guess in westerners’ eyes that all the chinoiserie  and Japonaiserie interiors including wallpapers and furnitures are reflecting the mysterious oriental world. However, as a true chinese,  I actually perceive a strong sense of western aesthetics from  both style.

First of all, wallpaper  is really a western thing. Traditional Chinese or Japanese interiors do not use wallpaper to decorate their house.  But nowadays, the fashion of using wallpaper has been spread to the eastern world.  I think I would like to have a room that is decorated with Chinoiserie wallpaper.  Instead of using normal illustrative and pure floral pattern, wallpapers that have figures and stories to tell would be more interesting.


However, I still have to say,  use ceramic  vause as the base of a lamp is not very professional.   It is beautiful and creative, but it simply not following the initial attention of the creator of chinese blue and white ceramics.


Chinoiserie style is like a half-blood child of the western world and eastern world. It shows exciting and exotic feel at everywhere. But in the end, in a chinese’s eye, it is still a bit childish to a small extent.


Wk6 journal-family portrait

What is a family portrait? What are some famous family portraits? How would you take a family portrait now?

I think family portrait reflects the society.

People would generally put on clothes that they think are formal enough to show their wealth and taste and yet at the same time show their affections towards  their family members.



Taking the famous royal family as an example, instead of keeping distance and maintain the mysterious feel of the royalties, they start to use new media, especially internet, to portrait themselves as  more affectionate towards their people. Therefore, except the formal portrait that they used present to the public, they would also try to show family portrait that represents more relaxed and down to earth life. I guess that is why they include the dog. Also, unlike the second picture, whereas all ladies are wearing a hat and all men are in suits, the first family portrait make you image a normal family life instead of political influence of that family.


Another aspect of family portrait is that it shows the society structures.  All the advertisement that use family portrait as a selling point are very aware of that.

As you can see, family portrait in Singapore normally contains parents and at least two children. However, if this advertisement was from China, it would only contain one child.


Singapore family


China family

Those are simply because Singapore government advocate families to have more children, while China government carried out the famous One-Child Policies since beginning of the 90s.




yuwei-final project-Chinoiserie-wallpaper and reversed glass painting

The Chinese Bedroom at Saltram, one of the mid C18th Chinese mirror paintings with a Rococo style.
The Chinese Bedroom at Saltram, one of the mid C18th Chinese mirror paintings with a Rococo style.
A close-up of a mid 18th century Chinese mirror painting of a woman in a blue silk robe with a child in a pink robe beneath trees. It hangs in a contemporary English rococo giltwood frame.
A close-up of a mid 18th century Chinese mirror painting of a woman in a blue silk robe with a child in a pink robe beneath trees. It hangs in a contemporary English rococo giltwood frame.



As Chinese wallpaper was very expensive – and, as catalogue co-author Andrew Bush has noted, you couldn’t just nip around the corner for an extra roll – this ‘cutting and pasting’ must have required considerable skill and nerves of steel.


Wk5 journal

How have artists made us think about labor? This past weekend, I saw this wonderful intervention by a dance company in Singapore in making us think about the migrant laborers in Singapore. They foregrounded the laborers by placing them on stage, by responding to their poems, and by inviting them to watch this celebration of their lives. Share with the class an image or a article that brings up this issue of labor.


I am always touched by those art forms that depicts the insignificant life but great contribution of those labors who are the foundations of all of our urban development. However, I also feel a bit ironic about all those art works. Because i can always feel that those artist are doing these art with a commiserative heart, as if they are superior human beings who did not forget about their miserable friends. But I think they dont need sympathy. They need law, rules and justice that both control them and protect them.

Urbanisation from very beginning brought a lot opportunity and problems. Since first industrial revolution, the pace of urbanisation just become faster and faster. More people rush to the city to look for a living and the city keeps expanding. Almost every developed city had been through this process, and despite all the modern looks of these metro-cities, there are many labour who are there, but yet not being seen.

For examples, foreign workers who did all the heavy and dirty works are totally not treated with fair and equal terms. and they are also not being respected by Singaporeans. Whenever I heard about this topic, I just feel all Singaporeans are just being hypocrite for this issue.



This is just a very very rude and shallow video.

well, though I dont think all singaporeans think this way. But obviously many young people nowadays dont know how to respect people.


Wk4 journal

How does Allan Sekula’s engagement with the sea, help us to think about trade in the 16th century? Link images or articles that you see relevant to this question or your reflections


Allan Sekula (January 15, 1951 – August 10, 2013) was an American photographer, writer, filmmaker, theorist and critic. From 1985 until his death in 2013, he taught at California Institute of the Arts. His work frequently focused on large economic systems, or “the imaginary and material geographies of the advanced capitalist world.” (wikipedia)

ship of fools 1

7 copy



working_40x59 copy_0

For the second instalment of Stills’ Social Documents programme Allan Sekula presents his most recent series of photographs Ship of Fools alongside his award-winning documentary film The Forgotten Space. Together, they examine the sea as a space of trade, work, exploitation, activism and the sublime.


Photographs is a contemporary way of recording and reflecting the trade, and it is relatively realistic and less manipulated. However, when we start the 16th century trade, the paintings we studied could be true or fantasies created by artists who are patroned by merchant and royalties.

Trade always brings both economical and social results.  And then, we have to face a topic —trade and slavery.  Well, I think it still exist in some way, for example, the cheap labor in China, India, and etc. that works 20hrs a day to meet the demand from overseas big companies.


The transatlantic slave trade lay at the centre of a complex global commercial system. It was also the cause of an occasion for international rivalries and tensions on three continents. Europeans fought each other for a share of the trade to and from Africa. They clashed over possessions in the Americas that required slave labour. And they even disputed each other’s presence on the high seas. That slaves and the slave trade lay at the heart of such friction, over many centuries, is itself proof of the value Europeans attached to slavery itself.


From gold and spices to slaves

receiptEuropeans had initially encountered the peoples and commodities of sub-Saharan Africa via ancient overland routes across the Sahara and along the Nile. Direct contact took place when, in the 15th and 16th centuries, traders and adventurers cautiously sailed along the African coast, which gave them access to West Africa and thence to trading routes deep into the African interior.

Portuguese and Spanish seafarers shipped enslaved African people to Spain and Portugal and to their islands in the Atlantic, but slaves were only a small part of what interested these adventurous traders: gold, spices, dyes, and timbers, ivory – a host of African commodities – were far more attractive.

But all those were pushed aside, after 1600, by the lucrative development of plantations in the America. Henceforth, humans, not inanimate commodities, were the greatest commercial attraction for European traders along a vast stretch of African coastline, from Senegambia to Angola.

The African coast

mapafricaenovaThe Spaniards and Portuguese pioneered the slave trade. Like those who followed, they depended for supplies of enslaved people (along with other items) on trading contacts along the African coast. Sometimes they traded with powerful African kingdoms – for instance, Kongo – and sometimes with African middlemen who dominated trade routes into the interior. Although Europeans began to build ‘slave dungeons’ and forts along the slave coast – notably along the ‘ Gold Coast’, modern-day Ghana – they rarely had more than a tentative toe-hold on the African shore.

Slave trading varied greatly from place to place, much depending on local geography. Sometimes it was carried out from settled communities, sometimes from forts and established bases. Often Europeans traded from their ships riding offshore.

In 1493, the initial division of slave trading regions between Spain and Portugal had been made by Pope Alexander VI. In the Treaty of Tordesillas, Spain was given all of the Americas, while Portugal had Africa and India. Then, in a further treaty a year later, Portugal was given Brazil. However, the arrangements in Africa were eventually contested by the newly emergent European maritime powers – by, in turn, the Dutch, the English and the French.

The scramble to join the trade

Spain didn’t engage in the slave trade directly but was supplied with Africans by various countries via a series ofasientos (contracts). However, other maritime nations wanted their own slave trade. The English, for example, established a joint-stock enterprise, the Royal African Company, but this monopoly failed to provide planters with what they wanted and simply gave way under the growing colonial demand for more forced African labour. When a freer British slave trade was finally established – after protracted political and commercial argument – it ushered in an era of massive expansion. Enslaved Africans crossed the Atlantic in huge and increasing numbers. By the peak years of the 18th century, the British were shipping 40,000 people a year.

European traders scrambled to join in the slave trading business. Monarchs and princes, powerful merchants and landowners, even small craftsmen and modest property owners invested in slave ships. They all hoped it would yield the fabled wealth that quickly came to be attached to transatlantic slavery. In fact, the profits derived from slave voyages were often more modest than we imagine, but the prospects of great profit lured people of all sorts and conditions to invest in the trade in African humanity.

Goods to Africa

taste of the high lifeEuropeans soon came to view slavery as simply another form of oceanic trade. In return for the growing numbers of African captives loaded on to their slave ships, they had to offer tangible items to the African merchants. Each side – usually European and African, and traders gradually learned what they needed to supply to buy slaves or were given specific instructions.

Arms and metal goods, textiles and luxuries, metal bars – all were carefully placed in the holds of outbound ships in the hope of exchanging them for enslaved Africans. Of course, in the process, Europeans acquired more than the slaves, purchasing other African commodities, notably precious items – gold, ivory – and the exotic spices of the region.

Trading was often accompanied by violence, but the initial European snatching and grabbing of Africans – a form of piracy against them – quickly gave way to conventional barter and trade. Both sides knew what the other wanted, and both tried to trade to their own advantage.

A regulated business

78_162aThe slave trade became a highly regulated business, as each slaving nation sought to license and control its own part of it. The trade received formal state backing from monarchs and from legislatures, while attracting little criticism from religious bodies. And those states sought to enhance their own slaving strength not merely by force of arms, but by diplomacy and treaties. Like the Spanish and Portuguese, they agreed to trade in specific regions and signed treaties to provide Africans to other colonies, allowing their opponents to trade elsewhere.

The British slave trade was carefully regulated from its early days. Even the first efforts of privateers – notably Sir John Hawkins– were subject to royal approval. In the 18th century, royal backing (it was, after all, theRoyal African Company) gave way to full-blown parliamentary support. Indeed Parliament spent as much time discussing (and legislating for) the expansion and regulation of the slave trade as it was to spend on abolition a century later, passing dozens of Acts to fine-tune the trade.

Similarly, slavery in the colonies was regulated by colonial laws approved in London. What this means is that the trade in Africans and the use of colonial slavery were not merely haphazard offshoots of economic growth: they were the subject of considered political and legal attention in London, as well as in other European capitals.

In addition, the trade was made possible by the development of modern financial systems. Global trade on such a vast geographic scale involved enormous time lags. Slave ships were away from their home ports for 12–18 months at a time, and sugar and tobacco were sold in Europe many months after being harvested by slaves. As a result, ship owners and planters were always in need of credit – especially for the purchase of Africans – and so evolved a complex international system of flows of cash and commodities and bills of credit. This made possible the buying of African slaves and the produce they cultivated and harvested. Equally complex systems of insurance developed to cover the risks and dangers of oceanic trade.

Britain’s gains from the slave trade

We know of about 40,000 slave voyages over the history of the slave trade, and the image of the slave ships remains perhaps the best-remembered feature of the trade itself. Some 12 million Africans were loaded on to those vessels, which ranged from small craft weighing only a few tons to huge ships of 500 tons. The experience of the voyages traumatised the Africans who survived them, and memories of the crossing entered the folklore of slave communities across the Americas.

The ships operated from most of Europe’s major ports, though by the late 18th century, quite a few were based in the slave ports of the Americas, notably Newport, Rhode Island and Rio de Janeiro in Brazil. In Britain, the trade was, by turns, dominated by London, Bristol and Liverpool.

The physical and social development of the last two cities was clearly tied up with the slave trade and with the buoyant commerce needed to build, fit out and fill slave ships. The trade gave employment not only to huge numbers of sailors, but it spawned jobs in a host of local industries – in the port itself and also far into the hinterland.

Despite the prominence of Liverpool, Bristol and London, and many other British ports profited from some involvement in the slave trade – some, like Glasgow, through the importation of slave produce, others, like Whitehaven in Cumbria and Lancaster, from direct trafficking in human lives. Between them, these two ports accounted for more than 43,000 enslaved Africans being taken out of Africa.

Trade goods

Textiles from Yorkshire and Lancashire, salt from Cheshire, pottery from Staffordshire, metal goods (chains, fetters, manacles … and guns) from the Midlands – all were transported along the canals to Liverpool to be loaded on to the slave ships bound for Africa and the Americas. Ireland provided enormous amounts of food to feed crews and slaves and to be shipped to the American plantations. The slave ships were weighed down by materials and produce from all corners of the British Isles, and much of it was consumed by Africans or exchanged for Africans on the African coast.

While the slave ships provided the plantations with the African labour required for tropical toil, the colonists needed more than that and so were also dependent on the transatlantic shipping routes for their survival. They required a constant supply of imports in addition to enslaved Africans – equipment, seeds, plants, animals, metal goods, factory equipment, food and clothing for the slaves, timber for construction.

In return, extraordinary volumes of slave-grown produce were shipped eastwards: sugar and rum from the Caribbean and Brazil; tobacco from Virginia and, later, from Cuba; rice from the Carolinas; coffee from Jamaica and Brazil; and, in the 19th century, enormous quantities of cotton from the southern United States to feed the industries of Britain. After delivering their African cargoes, the slave ships transported some of this slave-grown produce back to Europe. However, many more non-slave ships were required to transport all that the plantations produced.

Although it is tempting to think of the slave trade as a ‘triangular’ system, it was much more complex than that label suggests. The term is Eurocentric in its view as it begins and ends with Europe. There were, for example, slave ships that traded exclusively between Africa and South or North America. Other ships sailed back and forth between Europe and Africa, and still others from Europe to the Americas and then back with produce. There was, in fact, a complex mesh of shipping routes in the Atlantic, ferrying people and goods back and forth between all the major points of the slaving compass.

European rivalry

Inevitably, however, the slave trade caused friction and conflict. European rivalries in the 17th and 18th centuries were played out in all the corners of globe. When at war, as they often were, slave trading nations did their best to grab their opponents’ ships and fought each other for access to, or control over, the slave trading sites, the transatlantic trading routes and the much-prized slave colonies. They did this not merely because of the prevailing belief in empire and colonisation, but because slavery yielded such material bounty to the winners, as exemplified by the castles (slave dungeons) on the Gold Coast, notably St Jorge’s at Elmina.

The slave trade changed markedly over time, reflecting the changes in political and military power among the nations involved in it. The initially dominant Portuguese were replaced by the Dutch in the late 16th century. They, in their turn were usurped by the British and French from the 17th century. These two struggled for supremacy in the 18th century, not merely in the Atlantic but all over the world, from India to North America and the Caribbean. Although Britain – and especially Liverpool – dominated the slave trade by mid-century, the ports of Nantes and Bordeaux and, above all, the expansive colony of St Domingue – what would become Haiti – threatened to push the British aside. That threat ended with the outbreak of the French Revolution in 1789, the Haitian slave revolution of 1791 and the subsequent collapse of French power in the enslaved Caribbean.

The ‘illicit’ slave trade

After the British abolished their slave trade in 1807, ‘illicit’ slave traders from Spain, Portugal and Brazil, working mainly in the south Atlantic, were harried and pursued by the British naval factions on both sides of the Atlantic. Nevertheless, there was a notably British involvement in the continuing slave trade. We now know that, despite the British and American anti-slavery patrols and British diplomatic pressure to prevent slave trading in the Atlantic, another 3 million Africans were transported across to the Americas (mainly to Cuba and Brazil) between 1807 and 1860. Increasingly, it was a trade in children, drawn mainly from central Africa. Thereafter the transatlantic trade died out.

After 1800 in the United States, slave trading was internal, not oceanic, with slaves being moved westwards from the old slave states to the new cotton frontier.

The consequences of slavery and the slave trade

Arguments continue about the profitability of the transatlantic slave trade, but what remain indisputable are the remarkable economic and social consequences generated by it. It was responsible for the enslavement of millions of Africans: the 12 million loaded on to the ships were only a percentage of those enslaved initially in Africa. It made possible the profitable cultivation of key areas of the Americas. It spawned expansive industry in Europe and the Americas, and it generated a complex financial system – borrowing, lending and insuring – which profited the major merchants, lending houses and banks of Europe and the Americas.

It also generated a remarkable transformation in Europeans’ way of life. They now consumed new crops – tobacco, sugar, rice – grown by Africans forcibly shipped across the Atlantic. They also mixed slave-grown sugar with tea imported from China or coffee from the Horn of Africa or Dutch Indonesia, drinking it from cups made in China. Here was a truly global trade made possible by the transatlantic slave trade.

Yet in all discussion about profitable commerce, we need to recognise that not only did the slave trade create desperate unhappiness and despair in millions of people, it also impoverished great swathes of Africa.

We know who benefited from the slave trade, not least because they left behind ample testimony to their successes: plantation great houses, merchant’s homes, major banks, rural retreats – all those and more provide testimony to the prosperity yielded by the slave trade. Less frequently noted, however, is the plight of underdeveloped African nations, and the millions of African descendants, scattered across the Americas by this slave system, who had little to show for their slave origins but their poverty.