Category: Research: Case Study 1 & 2

Case Study 2: Technical aspects and inspired artists

Concept/ idea #1 Technology: Processing
For my first idea, I thought of using processing to generate different paper cut patterns. When different Asian languages are detected using twitter api (detect language api), the paper cut images will be different where a myth or legend is slowly displayed.

Video example:

Reference Artists:

Qian XiaoGuang
A professor in Central Academy of Fine Arts in Beijing, Hebei, who teaches paper cutting. Professor Qian is interested in folk art and ancient Chinese art, especially the minority culture. For example, Miao where certain symbols and beliefs which creates different stories.

He wants to keep the Chinese tradition alive by using black paper to do his paper cutting which is inspired by ink painting tradition. He draws on tracing paper in actual size and duplicates them on black or/and white paper.

Installation view of Qiao Xiaoguang's 'City Windows' (2015). Image from jaunted.com.

Installation view of Qiao Xiaoguang’s ‘City Windows’ (2015). Image from jaunted.com.

30 Qiao Xiaoguang, City, paper-cut combination, 400 x 500 cm x 18 pieces, 2010. Credits http://en.cafa.com.cn/qiao-xiaoguang-with-chinese-paper-cuts-i-talk-about-the-story-of-the-world.html

A permanent panoramic paper cut installation “City Windows” (the two images above) was showcased in Chicago. This work comprises of iconic buildings from Chicago and Beijing where it symbolises the deep friendship and culture between the two countries.

Professor Qian engages history and the contemporary world with his artwork. He wants to use paper cutting platform as a way to do storytelling about the world. Not only that, he wants to let the world understand Chinese paper cut and the backstory of paper cutting. Cultural narrative is infused with paper cut, creating energy and artistic expression which is shown in Professor Qian’s artwork.

 

Concept/ idea #2 Technology: Unity & Kinect

For my second idea, I thought of using Kinect to make shadow puppets come alive when the user interacts with the media wall. I thought of incorporating unity where the myths or legends and the shadow puppets changes as the user moves around. This causes the users to be part of the Southeast Asian stories where they become the storytellers.

Video example:

Reference Artists:
Christine Marie – light artist
A visual artist and director who creates large scale cinematic shadow theatre, film and installation. She incorporates ancient art form and light in her work. Previously she studies Wayang Kulit, a Balinese traditional shadow puppetry.

4 TRAINS/ Signaling Arcana. Credits https://www.kickstarter.com/projects/117770525/4-trains-signaling-arcana

4 TRAINS/ Signaling Arcana. Credits https://www.kickstarter.com/projects/117770525/4-trains-signaling-arcana

“4 TRAINS/ Signaling Arcana” (the two images above), one of her works which is showcased in San Francisco, California where she incorporates both shadow puppetry with film. This work tells the story to bridge time and space which creates imagination too.

Christine Marie generates 3D shadows and uses motion tracking in her work. Multiple mediums are used with screens, coloured shadows, shadows, mirror and water which tells the story visually. 

 

Concept/ idea #3 Technology: Processing & Kinect

For my third idea, I thought of incorporating Processing with Kinect. As people twitters on a certain Southeast Asian language, processing will then get real time data from there which will create or generates part of the patterns. When people starts to move around the media wall, the patterns will start to interact with each other and create the myths or legends through the patterns generated via twitter api. 

Video example:

Reference Artists:

Hung Yi
A multidisciplinary Taiwanese artist who is inspired from his home country’s culture and how the people of Taiwan lead their day to day lives. Hung Yi expresses people’s daily lives through his artwork and uses traditional Taiwanese patterns in bright colours. He explores Western and Chinese art where he combines them together to create his own art creation.

A shot from “Fancy Animal Carnival” in the Garment District. Credits https://artrepreneur.com/hung-yi-public-art/

Hung Yi works with multiple artisans to bring his sculptures to life. Credits https://artrepreneur.com/hung-yi-public-art/

Hung Yi’s whimsical public art sculptures, “Fancy Animal Carnival” (the two images above) is showcased in Manhattan. He works with different artists to create different artworks. In his artworks, he uses mostly animals, plants and human form. They are placed in public spaces around the world such as Japan, America.

Case Study 1: Discovering Southeast Asia culture

Theme: Beyond the seas
When I first heard of the theme beyond the seas and having Asian/ Southeast Asian mythology or legends involved got me quite excited. I decided to explore the cultural aspects and patterns for the media art wall. Not only that, I wanted to explore the area of languages in these regions too and how I can fuse both together.

 

Concept/ idea #1: Paper art
Paper cutting is one of the traditional art styles in China. It was first discovered in tombs during the Nan Bei Dynasty in 420 BCE. In current times, funeral rites still use this art to create human and objects to be buried or burnt with the deceased. Paper cuttings are commonly done by the Miao people, an ethnic minority in southwest China. They use the paper cuttings of spirits and gods as a form of Shamanism. The motifs commonly seen in paper cuttings are human and animal figures where they richly decorated with details.

I have always been fascinated with the intricate designs of paper cuttings. I thought of experimenting with different kinds of paper art and making them transform from one colour to multiple colours when people starts to interact with the media wall. In this manner, I could incorporate this aspect of Chinese art with the different myths or legends to create my own interpretation of collage storytelling.

Image inspirations:

Auspicious wedding paper cuttings

Video Inspirations:

I was inspired by this video where the paper was cut out from a plain coloured paper and slowly revealing the colours of the actual piece. 

I was inspired by this video as paper cuttings are incorporated with the storytelling.

 

Concept/ idea #2: Shadow play
Shadow play or theatre is an ancient form of entertainment and storytelling of legends or myths of Southeast Asia. It uses puppets that are cut out in details which is reflected on the translucent paper when light shines. Shadow play is an ancient art and folk tradition common in Indonesia, Thailand, Cambodia and Malaysia where it incorporates religion or folk stories. This is usually used in sacred ceremonials, villages and entertainment for people with high status.

I was fascinated by the shadow play as I could explore light and shadow. I could also explore different styles in creating the puppets to merge different legends or myths of Southeast Asia. Since shadow plays are common in Southeast Asia, it would connect better with the stories of the past.

Research:
Traditional theatre where a Dalang, puppeteer controls the Wayang Kulit/ Shadow Play. Musical instruments such as wind, serunai and strings (rebab) are used hand in hand with Wayang Kulit/ Shadow Play. The stories are being passed down orally and generations.

Thailand, Cambodia, Thailand, Indonesia and Malaysia are countries that still tell stories via shadow puppets.

There are a few different kinds of shadow play.
1. Kelantanese
Hikayat Seri Rama (Ramayana epic) is being told using Kelantanese shadow play. Mixture of spells/ fixed/ classic invocations are seen in the story. In the story, kings and deities have one movable hand and static mouth.

2. Wayang Golek
Musical instruments and symbolic aspects are mostly seen here with the shadow puppets.

3. Wayang Melayu
Unlike Kelantanese shadow play, the puppets here have two movable arms.

4. Wayang Purwa
A classical Javanese theatre where the puppets are influence by elemental gods (sun, rain, wind, water, fire, earth, sea and sky), ghosts and spirits. Storytelling in Wayang Purwa incorporates folklorist medium.

In shadow play, the stage (Bangsal) is most important. It is made of wood from the palm trunks and bamboo, roof is made from sago/ palm leaves and the walls from bamboo weaving.

Each puppets have their own characteristics and individual character. It is made of cow/ buffalo/ goat hide where it is being mounted on sticks to move the joints of the puppets. This is so that the puppets are able to adapt to the storyline or performance that is being told. The designs are based on geographical and social culture. The main characters mouth are static and only the right hand moves while the comical characters both the hands and mouth are movable. In the past, simple engravings, and black and shadows were seen. Now intricate and impressive designs which incorporates colourful batik patterns. Different floral patterns, design and height symbolises the puppets status. 

Image Inspirations:

Wayang Kuilt

Wayang Kuilt

Wayang Kuilt

Video Inspirations:

This video caught my attention as China also uses shadow play as a means of telling a story of myths and legends.

I was extremely excited when I saw this video as there was some interaction involved. When a player or person moves his fingers/ hand, the device detects the movement causing the shadow puppets to move. This seems as if you are controlling the puppet just like the actual shadow play. I was thinking of incorporating the detection of movement causing the person to tell a story as the puppets move.

 

Concept/ idea #3: Patterns
Southeast Asia has a diverse of culture and history. Many different kinds of patterns are seen from fabric to decorative ornaments from animals motifs to plants motifs to human sculptures. As different parts of southeast Asia have different religion and traditions which could incorporated as patterns or stories so that they could be passed down to the next generations instead of oral traditions.

I wanted to explore the different kinds of patterns and incorporate into the myths and legends of Southeast Asia where I could use abstract images to create a story. I could experiment different materials when I create these patterns since they are not limited to just one material.

Image Inspirations:

Hmong tribe fabric

Chinese Knotting: Jewellery

SEA textile patterns

Chinese Motifs

Video Inspirations:

I was inspired by this video where textiles, lights, sounds and interactivity were fused together to create an artwork.

I was inspired by this video where different colours and patterns of fabrics were used. The piece slowly progress to a Chinese Ink effect which I enjoyed.