Are the Videofreex truly an independent media?

Are the Videofreex truly an independent media?

Videofreex – Courtesy of The Longshot Factory

Discuss how you think they revolutionized television, and how they started a media movement that you are now enjoying today with your smart phone videos and social media. And how have they influenced our study of social broadcasting?

 

When I first watch this documentary, I felt like I was taken back only 5 years but it was in fact decades back when this took place. If I were to encapsulate this, I would say that this is the revolution of what is now social broadcasting coupled with the advancement in technology afforded to the masses, not forgetting creativity, allowed for this to make history.

For many years, people have been constantly making our world smaller, closer. Transport, traditional media, telephone, you name it all. The World, did become smaller indeed. The Videofreex came in at a time when there was a plateau. They came in independent with character, passion and spontaneity. I believe this was what made them push through the tumultuous times.

I must say with a huge caution that, in my opinion (and very obvious indeed), that whatever that we do or use, is greatly influenced by companies constantly finding ways to monetise (content) for profit.

As such, when CBS knew about The Videofreex, I would say that although they were intrigued by the refreshing way they approached filming, they were largely driven by the possibility of make more money. Especially when they were playing the same content continuously. They had to give the viewers something different for them to stay on board the game train, amongst their competitors.

On to the ‘freex. I felt that they were pioneers in their own right, where they dared to be different and captured social issues that were relatable to them – in a “RAW”, #truejournalism style that was not seen in the industry at that point in time. In this aspect, they were revolutionary. Even after being approached by CBS, they pushed to stick to what they believed in and filmed (mostly) in how they usually would, like a #guerilla way which allowed for the truest form of human expression to be recorded.

Thefreex essentially ustilised two notions – mobility to the masses and freedom of expression through creativity. 

However, there was always this question about whether they were truly a free form of expression. The Fred Hampton saga proved otherwise and it was only after this period where The Videofreex became truly free. They were running back on their own again and this time, they had themselves their very own supporters with them. This, I think was more revolutionary than the notion of social broadcasting. It was significant of the beginning of SOCIAL BROADCASTING.

Above all else, what The Videofreex had them going was being able to the interaction between the consumers and the medium used. What ticked for them even more was that they covered a lot of social demonstrations/issues which were relatable, because it was presented as real, uncut, uncensored. In their own respect, they were able to capture the true emotions of the people on the ground when mainstream media couldn’t at that time.

And because the ‘freex kickstarted this way earlier than their time, it allowed for societies to advance deeper into the social media age seamlessly. I wouldn’t give them all the credit but I would say that they definitely propelled it. Do not forget, if not for the release of the Sony Portapak, this would have happened so early.

All of these allowed us to have something we can compare and contrast with when it comes to the digital age and the beginning of the social media age. But I must say, we haven’t really advanced from when the videofreex first started all these. Only technology did. Freedom of expression was pretty much of the same status as it was back then.

#Chuwylives

1.

#Chuwylives is a social experience that takes you on a virtual real-time monologue on Facebook. What this brings to you essentially is a space where you can be at 2 places or more at a given time, which we have not been able to do so in reality. So, this is the closest we get to time travel.

When we were first tasked to start the live video feed I was a little taken aback because I have never really done any sort of live feed on my social media platform before. There was also a concern on what I could say since my family members are my friends on Facebook aside from filtering what I should say since it is on social media.

When I pressed the button to go live, I kinda felt naked for the world to see. Not that I fear it, but you’d never know how others may react to it despite your actual intention of creating the media.

Nonetheless, it was fun to be involved in this activity because I think it helps one face the many possibilities that may occur as a result of what we post on our feed. I would agree that there was some form of indescribable aesthetic and abstract feel element to this whole “live feed” thing-a-ma jig that probably led on a refreshed experience after doing this live video.

I shall waste 15 minutes of your time

Posted by Isaac Chu on Thursday, 17 August 2017

2.

The second video on Alter Ego, was more spontaneous and personal. This however did lead to some controversy because I filmed this in office and unknowingly caused a little work-related trouble for one of the person in the video. (all taken care of now)

This was really fun I must say because now, you think a little more about what content to let out but there was also the mix of preparation and improvising done for this video. Some props had to be made and the rough sequence was planned. I would say that the entire intention of this video was both letting out my alter ego as well as entertainment, which I did manage to achieve.

Moving ahead, I think keeping the freedom to express ourselves and following a theme of some sort would be great!

I think that the rawness exhibited in a live feed video allows for authenticity and realism to be expressed and felt by both the video maker and person viewing it. This phenomenon is difficult to explain and grasp in a setting but what I can say is that, it’s somewhat an open portal in this mortal world, very much like a time-space portal, that allows for one or many persons to be able to experience the emotions and atmospheres of two locations but in reality, at their one fixed location. I think, this is what makes a live video unique and refreshing to watch.

[UPDATE]

[Reshoot]I aspire to be a racecar driverA series of live video projects for OSS NTU Group

Posted by Isaac Chu on Sunday, 27 August 2017

 

 

A lil bts shot of what I did:

Hope you had fun tuning in to #chuwylives! See you in the next one:)

P.S. Because of some sensitivity issue in my workplace, I had no choice but to take it down. I really liked that first video and it’s still the best in my opinion. It emcompasses all the emotions and great fun making the video. So, I’ve decided that i will private it and only those in OSS will be able to view it.

Here’s the link:
https://www.youtube.com/watch?v=mt5YyEK5jRE&feature=youtu.be

 

Semester Project:

This is a tough one.

Ideas:

  1. An interactive Screen that allows for the manipulation of the content, like how content aware works in Photoshop.

 

How?

Mostly software related. One way would be to use a “new” screen to present this idea.

Where?

HTML5

Goal:

Distort using mouse

 

Idea 2:

A windpipe that plays an music/tune that works automatically like a vocal sync cord that opens and closes according to the 4 base notes, G, C, D and A. So there will be 4 gates that will open and close according to a programmed timing for one short and simple song.

Image result for flute

3D printed – 4 gates built in to the flute

How:

4 motors that will control the gates within the flute at set intervals of one song.Image result for supercharger intake

humidity sensor to detect the blowing from mouth.