2D | mark-making V | research

I did some researching on Tate, on artists that did mark-making and I found 2, Ernest Wilhelm Nay and Mark Rothko. Below are the artworks produced by them!

Ernst Wilhelm Nay
White Spring

1963, Oil paint on canvas

Nay was the leading figure in the generation of German painters who reinvented expressionism in the climate of post-war abstraction. White Springshows his ability to maintain an immensely subtle and individual use of colour in the midst of apparent speed and concentrated energy. It is one of the last in his Disks series (1955-63), which are predominantly composed of circles which loosen, grow and fragment under the control of linear elements. For Nay, the disks possessed a fundamental and universal significance, free of personal connotations, in spite of the clear presence of the mark-making of the artist.

Mark Rothko
Black on Maroon

Oil paint, Acrylic paint, glue tempera and pigment on canvas

Black on Maroon is a large unframed oil painting on a horizontally orientated rectangular canvas. The base colour of the painting is a deep maroon. As is suggested by the work’s title, this is overlaid with a large black rectangle, which in turn encloses two slimmer, vertical maroon rectangles, suggesting a window-like structure. The black paint forms a solid block of colour but the edges are feathered, blurring into the areas of maroon. Different pigments have been used within the maroon, blending the colour from a deep wine to a muted mauve with accents of red. This changing tone gives a sense of depth in an otherwise abstract composition.

Till then, xoxo,
jamz

2D | mark-making I | process

Before coming into ADM, I went around researching on the projects and assignments we might have to do throughout the years in the course.
I chanced upon many seniors’ mark making assignments and felt that they were really interesting!

Judging from that, I knew that there will be an assignment relating to mark-making and I was really hyped up for it! However, when the project actually begun, I was at a lost.

Coming from a non-fine arts background, the art/designs that I do are usually digital works, very seldom with paint, pen or paper. Thus, I was pretty afraid that I will not have inspirations, especially for abstract art.

To start out my mark-making exploration, I used the Principles of Designs to sketch out some designs using mostly lines and dots.

I did several little grids, playing with thick and thin lines. Horizontal, vertical and even disconnect implied lines was explored. Each type of line gives out a different emotion. For example, thin lines relates to fragility, while thick lines gives strength.

After some exploration with pen and paper, I headed on next to execute my mark-making exploration with newsprint, paint and ink!

Stay tuned to my next post to see how the exploration went!

Till then, xoxo,
jamz