4D II Project 1 – Alter Ego

  1. This is an epilogue of the story of friendship between Scrawny Boy and Overweight Boy told by a narrator, though it is more about Scrawny Boy now. It is a sort of down-to-earth “ever after” for Scrawny Boy who realises that since the first best friend he had made, he has never kept his friends for long. The scrawny boy is the narrator and he contemplates his decisions and accepts that this is how it is for him and even though it will ultimately make him irrelevant, unknown and lonely, he would choose this over taking up the weight of other people. What we see in the visuals as the story is being told is not Scrawny Boy’s face, he does not wish for lasting impression on himself. Instead, he films the locations where he had memories with friends as he contemplates. Are they just locations now? Do they even have meaning to other people?

    (155 words)

  2. I started out coming up what character in Sabina that I wanted to focus on. Since this project is not about identifying who the alter ego is, for me, I made this a challenge to make something more serious.It is debatable whether process is art. Maybe not to others, but to the artist, myself specifically, it is just as important as the outcome. I filmed at locations where I had spent time with friends who are now mostly strangers to me. I had some prior references of artists including Werner Herzog, Richard Linklater’s Before Sunrise and Win Wenders’ Paris, Texas. I wanted to create an effective monologue like in Paris, Texas while having the visuals of Linklater’s Before Sunrise where there are wide shots of locations, significant to the characters, in the epilogue. I have also been trying to condition myself to work without a storyboard, just like Herzog, especially for individual work to train myself to find beauty and opportunity in the process.

    Naturally, there are challenges in trying to achieve these things but we have to be creative or make compromises and that is the fun in filmmaking. While filming, it rained. Some locations had changed over time. I had no tripod, so I filmed without one. I wanted it to look like Scrawny Boy was going filming it anyway. I just tried to use all of these things to my advantage and if I couldn’t, I made do. I had many shots to work with as a result. Because of that, I had a lot of shots to go through. I don’t enjoy having to hear my voice and if I had a choice I wouldn’t do it, but it made sense for me to do it, so I did it.

    (295 words)

  3. There is no storyboard, but I did have a list of locations I wanted to go to.
    Playground/basketball court near the primary schoolOld House Blk 222
    The basketball court near Ojas’ house
    The LAN shop at Elias mall
    The bus ride to Yishun (?) KIV
    The benches in Singapore Poly
    The ADM basement
    Swing at the park
    Bridge near the canal
    Path from VivoCity to Sentosa
    Marina Bay Sands/ArtScience Museum area
    Something with my family/ah kong
  4. Password: sabina

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Life's short, paddle hard.

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