Where have the Pioneers gone?

The burning bin takes up space in spread on both sides. Only part of it is shown on the first spread and the reader is invited to guess what it might be. The moon and the cool colour tones used suggest that it is night. The font used is a handwriting font and is meant to set the tone as having a child-like mindset (i.e. a children’s book)
The grass bleeds into the concrete environment to on the left page to give a surreal feel to the spread. It also contrasts with the blocky, grey elements on the left. In that sense, there is a transition from greys to colours. The font on the left is larger and playful looking to suggest excitement; different but still consistent in style with the font on the right. On the right, the text is arranged in a way that reflects the pacing of the content. The font decreases in size at with each “thud” and only ends with a period on the last “thud” – suggesting the end of the bouncing back and forth.
On the left page, the text is done in a manner more rigid than any of the other pages. This creates a contrast and a sombre feeling as compared to the rest of the pages which tend to be more dynamic. The solid shadows enhance the loneliness of the red chair. The hut on the right page cuts into the left page just slightly to suggest that something is off; it’s not a fairy tale. The chess table is placed at the bottom-right mostly to create space and balanced asymmetry in the composition. Because of this, I am given enough space to create an effect in the text where it looks like each line is slowly breaking apart up to the point where the word “left” hits you. It then returns to normalcy, which prepares the reader for an epilogue/conclusion.
This was a simple spread, but was by far my most favourite. I like that the perspective was enough to suggest a burning bin, ashes, soot, grass and the burning candles and joss sticks. I added craters in the bin to help readers form the connection to the moon (it was what I thought of when I took pictures of the inside of these bins). When they turn over to the back cover, they will see the same candles, joss sticks, and handles and it will be clear what they were looking at in this spread. The font of this page is done larger to suggest something along the lines of wanting to hold on to fairy tale ideals. Perhaps it is better to live a beautiful lie.

That is all. If you have any queries, please don’t hesitate to ask.

Wew~

Time to get some sleep!

The pioneers too have gone to sleep.

2DII Zine: A Pioneer Story

Following presentation, I planned out a rough spread-by-spread design using the photos that I took.

I wasn’t able to think about a front cover but I worked on everything else. Arranging the photos on InDesign, I created my very first draft.

IFC & pg 2

Pg. 3 & 4

Pg 5 & IBC

Back Cover

I liked the use of some of the photos and how they fit into the composition.

Overall though, I felt like I should be doing illustrations instead if I intend to take a narrative “children’s’ story” approach. I was worried about the illustrations not being able to convey that what I saw was actually there, but it turns out that it was not a problem at all. That was nice.

Before proceeding, I went to find inspiration for zine designs. I made saw a couple that piqued my interest.

Chungking Express Sardines

I loved the variety of designs in each spread of this zine by ADM seniors.

Poems from Egghead: Or, you can’t live on ideas alone. 

I enjoyed the poems and the way it was paced. The illustrations were delightful as well.

Random Pinterest zines

Interesting photo layout
Thought about using the shadow effect, but this being a simple zine, I took inspiration from the mood of this piece
I like how this piece has a square-ish shape that crosses the page

With a rough composition out and zinespirations, I proceeded to work on the rough draft in illustration,

Front Cover
IFC & Page 2
Page 3 & 4
Page 5 & IBC
Back Cover
Front & Back Cover

I found the use of images blending into each other or crossing over to the other page to be very liberating. I quite liked the recurring motif of the butterfly to represent souls flying through though I suspect that I will have to work on the composition before locking down the idea of the butterfly.

Now I needed to watercolour the composition and then add in the words and lay them out.

Back Cover & Front Cover
IFC & Page 2
Page 3 & 4
Page 5 & IBC

Personally, it would have been better to do a wet-on-wet medium but I didn’t have the means then. Still, I think that it achieved the intended look for the most part.

I thought about handwriting everything but I heard from someone that it was necessary to make use of InDesign so I did. That’s why I painted them in spreads as opposed to the “print” order.  I also decided to use fonts because it forced me to think about different fonts to make use of. In the end, scanning and editing them on photoshop made it easier to lay it out. Composition-wise, I think that editing it in post-production helped.

Adjusting the colours to make the sky look more like night.
Playing around with colours to see how it affects the content
Playing around with text layout.
Tried funny things like putting the “left” on the left side of the spread
Playing around with different fonts and cutting across the spread too. In the end, I decided against it

After trying and failing a couple of times, I managed to settle on design that I liked. I don’t like the idea of having to put my name in the zine but it seemed like it fit stylistically so I put it in. So finally, here are the final spreads.

After finalising the zine, I went to the adm library to print it.
$4.28 per zine – I thought they were supposed to be cheap to make.

Butterfly says hi to Tisya Wong
Butterfly on the ball
Butterly flying straight towards the end of the right page to suggest that heart rate monitor flatlining.
Resting place

Overall though, I felt that the butterflies and the lines were distracting. Okay, it was just the lines but I didn’t want to include the butterfly without the lines. It then just becomes another element to think about. I didn’t want that.

Off to print again!

Total money spent: $8.56.

I was thankful that the binding wasn’t too much of a hassle. That said, I learnt valuable lessons about binding. Firstly, remember to score the centre of the zine first, then staple them together on a surface like an eraser (or blue foam). Other than having the bleed marks, it is important to know how to use the bleed marks properly. I made the mistake of cutting it all the way through from one side to the other. Because of this, either the horizontal or vertical bleed mark will be cut away and you will have no marks to work with on either the horizontal or vertical mark, depending on which you worked on first. What you should do is: use a penknife to cut it from the bleed mark and not from each end of the paper. cool stuff.

Alter Ego – Epilogue

Because there is a proper way of submitting the assignment, I will just stream of consciousness this process of sorts over here instead.

I had the joy of not having a friend to perform the role Sabina for me so I decided that I should be my own alter ego. The result was a blend between two of us. Coincidentally, this made the story I wrote from week one of class, relevant. Below is the entire story I had to read out in all its unedited glory.

“Once upon a time there was a short and scrawny boy studying in primary school. He had no friends, was not particularly good in his studies and was, overall, a forgettable person. One day, he received a letter from the school; an invitation to join the school choir. Now, while he was quiet and introverted, he also had very little going on in his life. He thought to himself, “why not?”

The choir practice room was filled with a sea of girls and one loud, overweight boy. Overweight Boy was comfortably talking to the other choir members when he saw Scrawny Boy sitting down in a corner of the music room. His eyes lit up in surprise, realising that the quiet kid from his class would consider joining the school choir, a form of performance art no less. Overweight Boy made his way across the room and with a smile, said, “Hi,” Caught off-guard by Overweight Boy’s approach, Scrawny Boy was at a loss for words. Scrawny Boy thought of many things. He thought of ways to escape this confrontation. He thought he might cry. He thought of how silly he looked to everyone else in the room. With great effort, he managed to mouth the words, “Hi.”

This might seem like an insignificant incident to most, but this is precisely how Scrawny Boy and Overweight Boy became best friends.”

(through the rest of primary school)

The starting point of my film sort of carries on from the end of this story; a sort of down-to-earth “ever after”.

The film is titled, “Epilogue” and will be in the official post.

Alter Ego – Editing

I had wide shots, medium shots, close-ups, flat shots, and angled shots.

I had the words. Now I needed the sentence. I made two rough cuts, all of which I dislike at this point.

In the first cut, it was intended to be done with a monologue by “Sabina” talking about choosing lightness and the loneliness and other things that come with it.

In the “frontal cut”, it would be more from the perspective of “Sabina” just coming to the realisation and understanding that this is, fundamentally, her. She will never change, but maybe she wonders what it would be like if she had chosen otherwise.

Some shots were not great. I like the first one better because the emotions come out better. I am hesitant to desaturate the colours to manipulate the emotions, making it more dramatic than it ought to be, which is actually meant to be more contemplative. Still, I will do it because aren’t we all here to try. Anyway, having colours could be distracting and conflicting to the story.

I wrote the lines while looking at the edit so that I could fit the words to compliment the visuals. I used Paris, Texas as a point of reference in terms of delivery of the lines. I did not want to give off the exact same emotions as the movie. This is, after all, an entirely different story.

paris-texas
An amazing piece of monologue from Paris, Texas

What came out was a deeply boring video that will put you off within the first few seconds. Still, this piece of work is for me, mostly.

I felt that the delivery of the lines were too lifeless, but I didn’t want to go too much in the opposite direction. What I needed was to go up by about 20%, or change the lines.

I gave in eventually and watched the film adaptation of book – 3 hours of my time. It did not really help me in coming up with lines but it did give me a small understanding of the feelings of Sabina.

Ultimately, I made it more of a mesh between the two of us. I felt that there were enough parallels in character that infusing her thoughts with mine would make sense.

Geez. I’m embarrassed to post these up. Most people have nice process visuals and all I have is failure. I must have re-recorded the lines at least 10 times. More tweaking to audio and lines needs to be done, but I think I am set on the visuals. I chose not to completely desaturate the footage because I think that black and white is almost stylistic already. What I want to achieve is the footage being dull but having interesting composition. Likewise, there is good and bad in choosing lightness or weight.

 

Alter Ego – The Purpose of Art

Having not actually filmed much and also adopting the Werner Herzog philosophy of having a broad idea of what I wanted to shoot and going to the locations to let the shots present themselves, in place of having a storyboard, I took quite a number of shots.

Coincidences always happen if you keep your mind open, while storyboards remain the instruments of cowards who do not trust in their own imagination and who are slaves of a matrix. If you get used to planning your shots based on aesthetics, you are never far from kitsch.

Werner Herzog

herzog

Coincidentally, Sabina is against kitsch too. (More on that in the previous post)

I used the movie “Before Sunrise” as a point of reference for this film; opting not to be influenced by the movie adaptation of The Unbearable Lightness of Being.

before-sunrise
The history/memories of characters throughout the film: Before Sunrise
These places have significance to the characters. Do they have any effect on anyone else without context?
These places have significance to the characters. Do they have any effect on anyone else without context?

Before Sunrise is one of those films that had a profound impact on me as a teen. I still go back to it to learn about filmmaking. One of the many moments that I remembered from the film was the ending where we see wide shots of places where the two protagonists had been throughout the night. Because we’ve been through the journey with them, there is a feeling of, perhaps, nostalgia. I can’t quite pinpoint the feeling with words. Maybe it is the feeling that these places have a magical hold on us. They are just places to everyone else, but these places are memories to us. Yes. That is what I am trying to achieve; or at least just a fraction of.

The difference is I am jumping straight to the epilogue and expecting the audience to fill in the blanks themselves. This will either show my confidence or failure as a storyteller.

After my research, I had to come with a story for what would be shown in the 1 minute of film. Keeping in line with the character not having friends, I went out on my own on Chinese New Year to film the places I used to hang out with friends. The story is an epilogue. Imagine a person having gone through so many relationships and now has no one. This person is reflecting on his decisions.

I made my way to Pasir Ris and started with the nearest place, Coral Secondary School.img_5600-1

And found that they had already slapped a new name on top of the body and essence that was my school.

screen-shot-2017-02-04-at-9-05-06-pm
This was where my CCA was held most of the time.
img_5607-1
Just a small part of it left

But I digress.

I walked the route from school that I normally took to get to the basketball court below a friend’s house.

img_5640-1
I would have liked to film in the canal where we would foolishly play but the water level made that impossible
screen-shot-2017-02-04-at-9-12-22-pm
The basketball court and house
screen-shot-2017-02-04-at-9-17-10-pm
Occasionally we’d go to the playground just up ahead

Next I went over to Loyang point and Street 21 where my primary school was, and still is, located.

screen-shot-2017-02-04-at-9-19-19-pm
This one basketball court in a church that we’d just casually walk in
My favourite mini mart, now a 7-11
My favourite mini mart, now a 7-11
Still mostly the same
Still mostly the same
screen-shot-2017-02-04-at-9-20-17-pm
Another one of those basketball courts and playgrounds.

After all that I walked back to the MRT station and ended off the day’s shoot with the area near my house.

An important swing
An important swing (of friendship)
"Hallucinations" playing, the construction workers, and the sky without a star
“Hallucinations” playing, the construction workers, and the sky without a star.

The next day, I went to more crowded places for variety before heading back to school.

Places we used to go to think about impossible things
Places we used to go to think about impossible things
Spaces that no longer belong to just us
Spaces that no longer belong to just us
Places that are just places now
Places that are just places now
A coffee table
A hawker centre table
screen-shot-2017-02-04-at-9-28-57-pm
The basement green table?

The feel I was going for was somber and I know that it will turn out coming off as some prick with a stick up his butt- BUT I wanted to try taking something seriously for once. I always talk about how philosophy seems pointless because there is no answer. That is because I can never bring myself to make a stand. I am trying to make a stand and because I am, I have to question myself endlessly.

With that in mind I ask myself, “Who do I make art for?”

A lot of times I don’t want to answer the question because an answer might define me and I am supposed to be “light”.

The next couple of shots are pick up shots that I hold no feelings or memories of, but I took them anyway because they evoked an emotion that I wanted to convey.

screen-shot-2017-02-04-at-9-29-10-pm  screen-shot-2017-02-04-at-9-29-26-pm

What is the purpose of my art?

To entertain? To express? To communicate?