No Sound Video Response
By using a combination of diegetic and non-diegetic sounds, I interpreted the following event as a wartime occurrence.
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No Sound Video Response
By using a combination of diegetic and non-diegetic sounds, I interpreted the following event as a wartime occurrence.
I wanted to manipulate experienced time by documenting the varied pace of occurrences within the same time period of 5 seconds.
The first 5 seconds clip shows a stopwatch going off and stopping at the 5 seconds mark. This is so as to give the audience a gauge of what a neutral and objective time of 5 seconds would feel like. The second clip shows a woman blinking so as to set the pace with a “slow” activity. The next clip shows Marc letting out a long breath of smoke to signal an increase in activity and pace. The third clip presents Jia Xi pacing slowly towards the camera. At this juncture, the pace of the video quickens with the next clip capturing the door meter beeping furiously. The last clip is a panning shot of a car wheezing by, thereby elevating the pace and activity to a heightened level.
The video can be accessed here; https://vimeo.com/user23065571/review/296388487/ab9f5e3c6d
Today, we did a short performance that allows us to dabble with different facets of sound, mainly noise, sound, silence and listening.
We interpreted noise as an auditory experience that you can’t tune out or escape from even if you wanted to. Sound as a sound wave that your eardrums picks up, but have yet to be interpreted. Silence as ambience noise since silence is impossible if one has hearing abilities. And lastly, listening as an act in which you interpret of your auditory experience.
In this class exercise, we arranged a series of clips that started out with static television noise, the imaginary sound of a balloon popping, the ambience of a rainy day and a visual of the same static. This is so as the ambient noise of the rain is similar to tv static so we decided to screen a visual of static so that our audience can draw parallels between the two sensory experiences and interpret the sound as static instead of rain.
During class, Serena introduced different genres of sounds and its respective applications in the specific field of film. We were later given some time to make our own diegetic sounds.
This activity was useful in arousing our awareness to the sounds around us, thereby preparing us for our upcoming assignment. Sounds that seem organic (i.e. crunch of the biscuit, footsteps and flipping of the book) are pleasing and soothing to the ear due to the low pitch and regular rhythm. That being said, the soundtrack of the water fountain sounded rather feverish due to the punctuation of high pitches and high timbre. Mechanic sounds like the door switch and the beeping of the door sound inorganic due to the constant intensity, rhythm and pitch.
Shaking a pouch of coins
Water Fountain
Vending Machine
Cutting up blue foams using wire cutter
Scrunching up of plastic wrapper
Opening a can
Lighting a lighter
Knocking a metal plank
Footsteps
Flipping through a book
Door switch
Door beeping
Crunching on a biscuit
Crackling of the cigarette
Piercings have always been a form of expression that documents our journey with self-affirmation or self-discovery. Piercings have also played an important role in religion. Therefore, it would be interesting to feature all of Siti’s piercings as an embodiment of her past and religious beliefs.
Extreme close-up of her ear, featuring her piercings
Close up of her part of her face and her ear
Long-shot taken from the bottom, featuring her fashion-forward dressing
Bird’s eye long-shot of her outfit
Location: Roundabout Driveway of ADM
Date taken: 20 August 2018
Model: Siti K