2D Foundation II – G2 – Page 2

Typographic Portrait- Process 2

Work-in-progress

A little something on another piece of work.

I realised that I am relatively out of touch with physics; it’s been a while since I’ve actually studied a topic in full detail. This is in comparison to the math, biology and chemistry that I have studied in much more detail. Thus, for the next work I have decided to merge math and physics into one. I will be attempting something called moiré patterns which involves as you can guess maths. An artist who has done this quite successfully is Andrea Minini.

You can check out more of her works here: https://www.behance.net/andreaminini

From my understanding, moiré patterns actually work by use of lines. Patterns of lines that are almost similar and are then overlapped to produce a pattern. I’ll admit I’ll not very good at explaining the science or how exactly this works (a little bit difficult to put it in words) so I found a video that illustrates this point:

If you take a look at Minini’s work you will find that it is made up entirely of lines and nothing else. I really like the simplicity of her works and moiré patterns. It is almost like an optical illusion because you will never see the full image unless every line is in its right place. There is a strong sense of depth from just the use of lines placed at varying proximities and angles. Every line is placed differently but in a rather subtle manner.

With moiré patterns, you can also create ‘moving’ images (much like an animation) depending on how you manipulate the lines as seen in the video here:

For lack of a better more formal term, I would say moiré patterns are just really cool. Moiré patterns can also be seen on television. I realised that I have actually been seeing these patterns on the T.V. and never knew they were moiré patterns. It occurs when actors wear for example stripped shirt. It is quite funny how while researching moiré patterns I found many websites that were teaching how to remove moiré patterns from things like photographs and there I was trying to create that very thing that people were trying to get rid off.

I decided to try my hand at this. I can admit it was rather challenging. The positions of each line are really important to the overall work. I started by making a ‘top’ layer of the work. This will be the piece that will be moved side to side to create the illusion of movement. This layer is done by creating a regular pattern of lines each equidistant. I experimented with lines of different weights and settled with one of a heavier weight (10pt instead of 5pt).

The next step was to create the image below which in this case will be my name. I first created my name, keeping the font fairly simple and straightforward (as they do in science papers and articles). I used Helvetica which isn’t what we use for research papers but I feel like it works best here as it is even more simple and clean than Times New Roman. I inverted the text and made the entire text into a brush and used it as an eraser in the next step.

Screen Shot 2016-02-17 at 10.20.37 am — What the eraser/brush does

The image above is what the brush looks like. The entire rectangle (A5 sized) will be the eraser. Only the portions filled in black will be erased.

This next step involves the appearance of the first layer (striped layer). I duplicated this layer first, keeping on untouched and worked on the other layer. The process now is fairly simple, taking the new brush that I made, I erased all of the lines, leaving just my name in stripes.

When I place back the unedited striped layer over my name layer, the name is no longer visible.

But as I move this striped layer to the right the name slowly becomes visible.

As the layer moves, the name will disappear again. The name will fade in and out as the top layer moves. For this to work, the striped layer has to be printed or drawn on a piece of transparency, while the name can just be on any piece of ordinary paper really. The transparency will then be placed over the name and can be slid around (side to side) to reveal my name. When pulled in one continuous motion, the name will appear to be flashing, fading in and out and regular intervals.

Moiré patterns work on a mathematical basis and can be applied to physics as well. But i would suppose it gravitates more towards maths. I didn’t want to make physics my main focus because I am really out of touch and it wouldn’t be fair to do something entirely on that based on my measly knowledge of physics. This piece is an interacting piece and it shows my inquisitive side, trying out new techniques and taking that risk to try something completely new.

The fading in and out of my name represents my relationship with science. Sometimes I really love, sometimes, not so much. A love-hate relationship. There are times when I want to learn so much and be involved, other times, I want to have nothing to do with it. Sciences aren’t easy to grasp all the time and there are occasions when it just frustrates and confuses me, and it’s times like those that make me withdraw (fade out) from it all. Then something about it will interest me and draw me back in (fade in).

Typographic portrait- Process

Work-in-progress

Mathematics- All about Geometry

In post, I’ll be focusing on just one of the pieces that I will be doing for the project. I have decided to use mathematics as my inspiration, more specifically geometry and maybe incorporating the attribute of logical.

I started off by identifying certain geometric shapes including triangles, squares and polygons.

Precision and uniformity was what I was going for so I created a 6×6 square grid and used that as my guide to form the letters to my name. Each letter would then be made of the squares and triangles of the exact measurements. I only added diagonal lines within the appropriate squares to create the triangles. The relevant shapes are then filled in and the grids removed (see images below).

I did like the outcome when I removed the grid, what was left were only the diagonal lines. Somehow, it became a minimalistic form of the letter, which I thought was quite interesting to note.

But of course, to just leave the letters as they are would be too mundane so I’m going to tessellate the letters as best as I can.

Should my calculations be correct, there are a total of 14 complete squares and 32 triangles (converts to 16 squares) to work with. In a 6×6 grid, there should be six squares remaining (left blank) if all 6 letters are arranged properly. Taking into account that the letters ‘e’ and ‘a’ already have a blank square incorporated into itself, there will then be four squares outside the tessellations.

For a matter of convenience, I decided to print out the letters to try and tessellate them. But of course, I am also considering working the pieces like a tangram.

Some possible arrangements:

In terms of execution, I will either be leaving it digital, I might also try my hand at linocut or paper cut (still keeping options open). And maybe a splash of colour should be added into the work, I think it would make the work more exciting and visually appealing. It would also show how I actually feel about maths as a subject, that I don’t think it’s boring in the least.

A new perspective

The plan for now…

After consultation and sharing on Monday, I have decided to leave the petri dish idea and put it on hold for another time. I was concerned that the idea was too three-dimensional for this assignment and it was deviating from the assignment brief a little more than I would have liked too. I did consider (and was told) that I could take photographs of the petri dishes instead to make more of a two-dimensional piece of work, however I felt that it would not be as impactful to have photos instead of the actual dish itself. It would have been more visually interesting to have the item there for others to view. Perhaps I might still give this idea a go for the sake of my curiosity, I am quite curious to if I would have any success with it.

I was told to look into how science is communicated to others. My understanding of this would include what the components are in say a laboratory report (what font is used, the layout, etc.). What makes science, science? I will talk more about this later on in this post.

Besides that I now want to look into the things that are associated with science. Why not put to good use what I’ve learnt in the last few years and incorporate that into my artworks. This was the same thought process I had when I decided with the petri dish idea, however, I have realized I have been unknowingly limiting and restricting myself to just biology, more specifically the study of bacteria. It somehow slipped my mind that science also includes other branches, chemistry, physics and even mathematics. So, why not use all of them? Even though I was a biology student for the most part, I have no prejudices against any of the others, I enjoy all of them the same and you can’t study one science and ignore the rest because they interlink, that’s just the beauty of it all. No one subject stands alone.

A new plan

As of now I have the plan of using one of the sciences for each piece of work, so four works in total, each inspired by one of the sciences to represent an attribute. I have also made the decision to pick a new set of attributes. Each attribute will be related to the science, it will most likely be an attribute that I have found to be useful and necessary to mastering that science.

My plan for now involves researching for components that are iconic and special to that particular science. For example, if I think biology, I associate it with DNA and its structure (e.g. the double helix, base-pairing) and enzymes. If it was mathematics, I think the Fibonacci sequence, geometry, vectors, ratios. In the next half of this post, I will be exploring what makes up the sciences.

Earlier on I wrote something about finding out what makes science the way it is or what makes it different from say art. For starters, from my experience, the information that is presented is detailed but always presented in a simple way (nothing fancy) because the main objective is to relay information accurately and in a way that makes sense to other parties. Ease of reading is crucial, a fancy, elaborate font would never be used because it just makes reading difficult and distracts the reader from what is really important-the content. To aid the reader, graphs and charts are also used for illustration purposes. I might actually do some exploring with respect to graphs and charts. To sum up how science is communicated, I would say that it is simplicity in presentation.

The image below includes some examples of graphs and what not, of the four graphs, three are actual graphs that were plotted as part of my lab sessions while I was still studying biology about a year ago. Graphs aren’t just limited to the common pie chart, others such as bar graphs, histograms, scatter plots and regression lines are also included. There is definitely quite a variety to choose from, each with its own unique look and presentation.

Artist Reference

Since I have decided to take a new approach and plan for this project, I figured it would be appropriate to present a new artist reference. While looking for interesting typography examples the other day, I came across something that really made a deep impression on me. It was called Hexagonetica typeface by KAIWA (see image below).

The entire post showed the breakdown and progression of how the typeface was created from one simple shape that was then given a sense of perspective through the addition of a few lines. A hexagon became a cube and then finally into a cube with squares cut out from it. A grid was obtained from the overlapping lines of the cube and the alphabet was derived from that. I really like this process, a step-by-step approach of creating the alphabet from the basic hexagon. I’d also like to talk about the use of colour. Only three colours were used for this typeface and yet a strong sense of depth is created for each letter. It is really nothing too elaborate or fancy but the outcome is more than impressive in my eyes. It brings me back to my point about simplicity, there is nothing in this typeface that I would consider excessive, everything is in the right amount and it delivers.

Link: https://www.behance.net/gallery/12400337/HEXAGONETICA-Typeface

MOving on

I thought it would be appropriate for me to list out some of the ideas that i have for now. I may not use some of them but I guess it will help me to see what options I have as of now. They might seem a little random but they were the first things that popped into my head.

List out attributes required for the sciences (general)

Methodical

Attention to detail

Curious

Logical

Clearheaded

Conscientious

Identifiable components

Biology: DNA, RNA, skeletons, organs, structure of vitamin, carbohydrates, fatty acids, proteins

Chemistry: transition metals, periodic table, organic chemistry (benzene, structural), atoms

Physics: Quantum physics (Schrödinger’s cat), gravity, three laws of motion, force

Mathematics: Geometry, graphs, Fibonacci (-golden ratio), binary, vectors

Typographic Portrait- Research & Ideas

Preliminary Ideas

In this post, I will be discussing some of the ideas that I had with regard to this project. They are by no means the final ideas that I will be working on but they will serve as a stepping stone to better ideas. The first few attributes that I thought of offhand were procrastinator, clumsy, narcissist and mysophobic.

The Procrastinator

For the attribute of ‘procrastinator’ I wanted to play with the idea of time and how often a procrastinator wastes time. There are twenty-four hours in day and I have to admit majority of that time is spent planning what to do for the rest of the day but never really getting to any of the work. Time passes quickly and no work is ever done.

My idea involves the use of diy clock mechanisms attached to a board. The clocks will be allowed to run as per usual and at a specific time, the hands of the clocks will the letters of my name.

The starting time for each clock would be different to represent the different things that I had planned to do. This will only occur once every twenty-four hours at a specific time when hands are at right position.

Clock typography 3 — Arrangement of clock mechanisms

If you ever want to know what it would be like to let time pass quickly and have nothing be accomplished, you can quite literally watch the clocks hands go through several rotations until they finally form the name. The fact that my name only appears once every day shows that procrastination lasts the whole day except for maybe a short period of time where I would actually get something done.

Using just clock hands to make up letters poses a problem because there are a limited number of them and the length as well as the point where they are pivoted is fixed (assuming no modification is done to them). Hence, the letters need to be simplified down to made of not more than three strokes. See image above. Additional: transforming work into a two-dimensional piece.

The Narcissist

Like every other self absorbed person, I like to look at my own reflection, more specifically in the mirror (after all it gives the clearest and sharpest reflection). If I do go ahead with this idea, I will most likely be working with broken shards of mirror to form my name. The mirror will be broken instead of complete pieces because I do not find it an entirely good attribute to have and I am trying to break and rid myself of it. With smaller pieces, less reflection can be seen (not a full image). Additional: Other reflective surfaces to emphasise the need and desire to see one’s reflection even in the most unusual places.

The Clumsy

The idiom ‘a bull in a china shop’ creates the best imagery for the attribute of clumsy. It has a tinge of humor in it which I really like. I would like to illustrate this idiom using my name. I did a brief analysis of Dan Fleming’s animal typography andI might use that very technique to create this work. I will modifiy the six letters of my name into a shape of a bull. This would most likely be done digitally. As for the ‘china shop’, the background of the work will carry it. Using watercolours to paint the designs commonly seen on Chinese ceramics and porcelain.

The Mysophobic

In my last post, I mentioned that I wanted to try using various unconventional mediums for this project. For ‘Mysophobic’, I may be working with indeed unconventional materials, petri dishes and bacteria. Working with bacteria colonies outside of a lab is admitedly a health harzard so precaution will be a prority for me. Mysophobia is he abnormal fear of dirt and germs. I have listed some details:

Name will be the negative space
Bacteria to be grown around the name itself
Inoculate dish. Streak petri dish with swab from somewhere(hands, handphone, etc)
Place paper (cut out letters) soaked in alcohol or antiseptic liquid onto dish. / use several small disks (punched holes) instead of full letters
Bacteria will not be able to form colony where the disks are. Thus creating a ‘free’ (almost germ free) and clean zone on the dish.
Petri dishes can be substituted with rectangular containers
Several small dishes (one for each letter) or one single dish for entire name

The beauty of working with bacteria is that one will never really know what the outcome will be. There will be different kinds of bacteria depending on the sources. The result would be petri dishes stained with various patterns and colours.

Bacteria (Petri dish) art

More examples : http://www.livescience.com/52547-microbiology-agar-art-photos.html

References: Zachary Copfer . ‘Bacteriography’

http://www.dailymail.co.uk/news/article-2204850/Portraits-famous-faces-created-petri-dishes-artist-using-bacteria.html

Cultivation of E.coli colonies on petri dishes to form portraits of people such as Charles Dawin.
Images in the positive

References: Natalie Nadeau

http://incubatorartlab.com/home/bioart-osc/natalie-nadeau-2/

Bacteria colonies grow and cover dollies (second hand) placed in agar plate.
Image in the positive

A Biological Aspect: The petri dish is the canvas

Biology plays a rather important part in my life. I studied it for many years and it is something I enjoy. I do like all the sciences but I had the most affinity with biology if I may phrase it that way. Since this assignment is supposed to be about me, it would be apt to use biology as a start point or base. Instead of using paper, all works could be done on the petri dishes. With different attributes, bacteria can be obtained from the relevant objects associated with the attributes and cultured. The entire work would be three-dimensional. To tackle this problem, photographs of the work can be taken and as advised, edited (change of colour, etc.) to create a set of works (see Andy Warhol’s Campbell’s soup cans).

Typographic Portrait- Research

Research on TYpography

What makes for effective typography? It certainly is not just the font that make for good typography. There are many other elements that go into a design such as the font, spacing and font size.[1]

With that being said, the nature of the text also makes a difference. It would not make much sense to use a typeace rendered with feathers and animal fur used for the phrase say ‘Save water’. There are definitely much better ways to illustrate water. There is relation between animals and water no doubt but it would be harder for viewers to comprehen since the relationship is not direct as it could be. This may then result in a misinterpretation from what was originally intended.

In this post, I will be exploring the typographic work of several artists and hopefully find out what makes for a good piece of typographic work, but first, an overview of the anatomy of typography. I recently found out how important it was to know the names and the parts of each letter while I was doing the previous project names “Hello”. I decided to use a minimalistic approach with regard to the letters and knowing what makes up a particular letter made the process much easier. Each letter of the alphabet has its own special features that allow one to identify them, keep those portions and strokes in and removing the rest would thus still allow one to identify the letters even if it is not drawn in completion. The image below is a guide to the anatomy of typography.

Website: https://thelogocompany.net/blog/typography-2/typography-font-deconstruction/

Anatomy of Typography

Artist References

Marc Böttler

His works include a set of photographs of carefully positioned wooden blocks to form letters of the alphabet. This is not exactly an example of typography but rather one of a typeface and indeed the reason for choosing this work is of the typeface. The focus of this piece not so much on the font type or size but rather the issue of perspective. A play on perspective, letters only visible when viewed from the correct angle and position. In this case however, Böttler has already fixed the angle for the viewer through the photographs. It would be interesting to apply the same concept but with the actual objects so that the viewer has to change his/her perspective and challenge how they view things. Such a typeface, which plays on perspective, could and would make for an interesting element in typography.

Marc Böttler: http://cargocollective.com/marcboettler/Klotz-Type-Experiment

While we are on the subject of perspectives, let us talk about anamorphosis. Anamorphic art relies heavily on the concept of perspectives and can be considered a form of optical illusion. This form of art comes in various forms such as mirror anamorphosis, sculptures (e.g. Jonty Hurwitz) and typography just to name a few. An example of anamorphic typography can be seen in the work of designer Thomas Quinn. The text is painted in a skewed manner onto several areas of a wall and as a result, it looks like a distorted group of letters. However, by changing the position one is standing at, one will be able to finally see the undistorted text in full. It is thus an interactive piece of work, it is only with interacting with the work that one will get to see the intended text.

It would be challenge to try out anamorphic typography but I would like to try it out regardless. I do feel it makes quite an impact. It gets people involved in the art thus hopefully bringing across the message (whatever it may be) much more easily.

Thomas Quinn: http://www.tqvinn.com/post/24799863149/face-reality-as-it-is

José Ernesto Rodriguez

Rodriguez created the “Handschrift” typeface where letters of the alphabet were created by photocopying and scanning his own hands to create organic letters. This typeface involves the use of the body and it almost becomes a piece of performance art. The special aspect of using body parts is that one can create forms that one probably could not create otherwise (not easily anyway) and yet there are limitations as to how much one can bend and contort to form the letters.

José Ernesto Rodriguez: https://www.behance.net/gallery/Handschrift/1271211

http://jerhandschrift.tumblr.com/

Anna Garforth

This is a 9m long installation made from masking tape stuck onto a wire fence spelling out the phrase ‘wild at heart’. Masking tape is taped in a diagonal manner from top left to bottom right. The left to right direction similar to how words are read in the English language, eye is thus also drawn and directed from left to right which in a way facilitates the reading process and urges the viewer to read the full phrase.

There seems to be a system and some sort of order with regard to the way the tape is stuck. The fence ensures the strips of tape are equally spaced apart and are parallel to each other (angle of each tape is consistent throughout).

This is one of the few typography examples that I would consider to be really interesting simply because it is a 3-dimensional piece and it requires the use of the surrounding environment. It proves that typography does not have to be limited to just the traditional pen and paper or digital means but can be so much bigger. But of course aesthetically pleasing typography really serves little purpose unless the words and design are related and complement each other. The overall design should place emphasis and support the text as best possible. In Garforth’s case, the environment complements the phrase ‘wild at heart’. The text is placed outdoors, amongst (‘at the heart’ of) the flora and fauna thus giving meaning to the word ‘wild’.

Anna Garforth: http://www.annagarforth.co.uk/about.html

Other references

Another example of text and design going hand-in hand would be one where the words are arranged and manipulated to form the shape of whatever it represents. For example in animal typography by Dan Fleming, the word ‘rabbit’ is shaped into the form of a rabbit. They are direct and simple.

Dan Fleming: https://www.behance.net/gallery/6769383/Word-Animals

Food typography has also recently become quite popular. Using food, ingredients to spell out words, for example, using flour to spell out the word flour. The examples that I have seen online are indeed beautiful and straightforward. They also prove that there are few boundaries when it comes to use of medium. There is no reason why anyone should limit themselves to just pen and paper. But of course food typography is also done using digital means.

See Fast Food typography by Thomas Cheng: http://thomascheng.com/academic-work

I have taken a particular interest in typography made using interesting and non-conventional items. I might not use the same items to create my typography but they give me ample reason to break boundaries and not limit myself in terms of medium. An example would be bubblewrap typography by Lo Siento. Coloured water is injected using a syringe into each bubble. One can create their own typeface but one can also choose to find these typefaces in everyday life. To put it simply, finding ‘hidden’ letters in the environment. For example, finding alphabets in the wings of butterflies, ‘Butterfly Alphabet’ by Kjell Bloch Sandved.

Lo Siento: http://www.losiento.net/entry/wired-magazine-lettering

http://www.losiento.net/

[1] “typography.” The Concise Oxford Dictionary of Art Terms. Oxford Art Online. Oxford University Press, accessed January 20, 2016,http://www.oxfordartonline.com.ezlibproxy1.ntu.edu.sg/subscriber/article/opr/t4/e1720.

Hello My Name is…

“Hello My Name is Kaysie”

Typography

Medium: Pen (0.5, Black)

I approached this first name tag with the aim of representing my introverted nature. As with any other introvert, I find myself most comfortable when I’m alone, with that being said, on the occasions where I do have to interact with people, what I share about myself is limited. With that in mind, I decided to take the minimalistic route.

Minimalistic typography in a way embodies how I would represent myself and how little people actually know about me. I decided to omit certain details of the letters and kept only the essential portions and lines therefore allowing one to still make out the letters. For example, with the letter ‘A’, if the crossbar is removed, one would still be able to identify it as an ‘A’ since no other letter resembles an inverted ‘V’. If I were to instead remove the diagonal stroke of the ‘A’, the result would be a little more ambiguous, it could be an incomplete italicized ‘F’ or an ‘A’. Only the necessary and basic information are given in this typography work much like how I would only share basic information about myself to others.

Abstract Solution

Medium: Pen (0.1-0.7, Black)

The abstract solution for this exercise was the easiest for me to think of and draw out. The design that I created has always been my form of doodling, some people draw flowers, animals and imaginary creatures when they are bored or daydreaming, I draw this instead. It is admittedly quite difficult for me to talk about how I came up with the design itself because it is almost second nature to me and find that I do not think about the process like where to place the next line. It is almost as though the conscious part of my mind shuts down and another part takes over. However, I can say that I usually start with the general shape of a leaf and then start to break down and divide the shape, adding lines where I feel is appropriate in order to create consistent density throughout in this case (equal amounts of negative space).

I usually prefer to use a pen with a finer nib because I like to add in as much detail as I can. I would like to think that I have a keen eye for detail and details matter to me and I feel this work best represents that. At a glance, this piece is significantly different from the minimalistic typography piece. One is void of extra details while the other is filled to the brim with details.

Conceptual

Medium: Digital

This tag represents my sarcastic nature. I decided to keep the design fairly simple; I would admit that this piece is stronger at bringing across a message rather than being an aesthetic piece. Comic Sans, the most controversial font there is. I do not ever recall using it for anything but I decided to use it this time round. I wanted to ‘embrace’ the font and put it in the spotlight. I do have to say that I actually do not hate the font. The fact is I just never found the use for it and found it too informal for my needs (it is not my go-to font). Needless to say, it certainly is not the font I would use for something such as a nametag where it is one of the first few things that people see on one. A first impression made by this font would probably lead to people not taking you seriously, in my opinion anyway. Hence with all these thoughts about Comic Sans, I decided to use it.