Link to previous documentation (PROCESS) about making Morrie can be found here.

To be very honest if you find this documentation lacking that is because most of my documentation can be found on the previous post!

Without further ado, let us look at the final Morrie:

 

MORRIE

<Child’s Best Friend: MORRIE> is a handheld interactive substitute pet which aims to teach children how to treat their pets with proper care. It encourages children to learn how to care for them before getting a real pet.

With pet abandonment and neglect on the rise, along with the abundance of healthcare and time needed to care for a pet, people are becoming receptive to the idea of throwing all their responsibilities with a snap of their fingers- that is, to dump their pets away or simply to put in minimal effort to take care of them. Furthermore, the stressful climate in Singapore’s fast-paced and demanding society leads to pet abuse when their owners vent their frustration on their pets.

I believe that the mindset of taking care of our pets stems from the learning we gain when we are children. With this project, I hope to instill a sense of responsibility regarding pet ownership in children. Children interacting with MORRIE get to experience first-hand how it is like to take care of a pet’s emotional and physical well-being (not in terms of survival needs). This will hopefully pre-empt them about the commitment they have to put in for a real pet.

Interaction with Morrie can be found in the trailer below:

Morrie reacts in four ways:

When it is lonely, it whimpers sadly.

When someone scratches him under the chin, it will wag its tail and head. This is triggered by a stroke sensor using conductive thread!

When someone scratches its head, it will whine happily. This is triggered by the ultrasonic sensor embedded in its collar!

When someone presses it too hard, it will whimper in pain. This is triggered by a Force Sensitive Resistor at its back!

Morrie is placed in a carton box, because that is the stereotypical place where animals are abandoned in. This heightens the sense of “abandonment” Morrie represents, and the need for people interacting with Morrie to “un-abandon” it by giving love, attention and care. Morrie is just a puppy afterall!

 

MODIFICATIONS FROM PREVIOUS UPDATE POST:

So there were minimal changes since my last presentation about Morrie. The following are updates about what I have done with Morrie:

MP3 MODULE

It was time to get Morrie to bark! After trying my first MP3 Module which had no whatsoever guidance from the internet (they did not have any), Morrie still did not learn how to bark. I spent 3 weeks with this module before going to buy another module and trying it. This module was the DFPlayer Mini MP3 Module. At first, I was elated that it was working! But the current produced by the Arduino was intermittent, which resulted in a weird and loud buzzing noise from the speakers which I could not fix. Furthermore, coding with the module drove me insane because for some reason, it was constantly changing Morrie’s barking style each time I reuploaded the code despite the various barking tracks responding with their respective sensors. Oof.

At last, I went back to Sim Lim and they told me to get another of the same module I got in the first time! They personally tested the module for me and BAM, it turns out that the first module was actually FAULTY and that my code was correct. This was such a bloody waste of time but I am so glad Morrie was finally barking without any weird buzzing sounds…

ZIP!

I sewed a zip onto Morrie’s head, finally! As a result, he looks like an ill puppy (who had just finished having a big head surgery) who needs a lot more care and comfort compared to the average healthy pet. This came as a big surprise that was a happy surprise, because it supplemented my concept.

HAIR GROWTH

I decided to sew more threads that were similar to his fur colour onto Morrie’s head. I hope he gains more confidence from his balding issue.

COLLAR

After feedback from the last class, I decided to make an improved collar for Morrie! I sewed an extra leather pocket for the ultrasonic sensor Morrie has, and it could finally conceal the ultrasonic sensor fully except the black sensor region. It was pretty dope!

 

Overall it was actually my first time working with so many sensors at once but making an animal turn alive has been so exciting. I love animals, which made this project one of my favourite even though suddenly-malfunctioning codes and components did frustrate me a lot.

If time permitted, I would have made the LED lights work (it didn’t this time because its eyes were too thick to cut through and eliminating it completely was too weird…) but I had feedback that having it absent was better as it might make the dog too artificial looking.

One of my bigger surprises was how squishing all my components into Morrie made him heavier but more real; just like a real puppy! That made him the apple of many’s eyes during the showcase, which I am quite happy about.

In future, I will be certainly working with making more sensors work together and duplicating the same sensors to work in the same code. I will also like to experiment more with other sensors.

 

Thank you everyone who has guided me and taught me about turning Morrie alive! 😀

 

Good Night, Morrie!

 

FILMBOX: CAPTIVE

1m x 1m x 1m Installation 

Filmbox: Captive has been an adventure for me, filled with both surprises and failures. It required a lot of hardware work, and the outcome is probably one of the most polished work I have done on a project.

Review previous documentation here.

Project Description:

Taking the idea of a box which looks just like any other box from the outside, but contains a pandora box’s worth of experiences inside, <Filmbox: Captive> is an installation piece dedicated to telling a Hypophonic narrative. It absorbs the audience into an environmental storytelling scenario, mastered with barely any sight, and mainly with sounds and touch.

<Filmbox: Captive> is a project focusing on the topic of pressure, a follow up from <Amigara Box>, a tunnel where one must traverse while blindfolded and being tangled up with spikes. Through a participant’s own actions and decisions, they will trigger follow-up actions that might cause discomfort and deny one the autonomy of expectations and reversal. The denial of freedom to regain comfort easily is my representation of pressure, especially in our pressure cooker society today.

Disclaimer: If you are afraid of bright lights, loud sounds and have claustrophobia, do not attempt.

 

THE EXPERIENCE:

Filmbox was born from the idea of having numerous, identical looking cubes which produces a different narrative from each box, akin to a pandora’s box. In my project, which revolved around Pressure, I decided to do it based on “Captive”, where the participant will experience first hand the environment of someone who has been held captive and has no idea where they are.

Captive’s purpose is to trap the individual. They can barely see, and they cannot move their limbs. Any possible movements will set off a series of discomfort which they don’t know how to stop (intense flashing lights). The track also gets progressively disturbing, but they cannot remove it as well. This idea of taking away autonomy and possibilities is the pressure I am focusing on based on my prequel project, Amigara Box.

Inspirations:

HOW IT WORKS:

Captive is placed at a location resembling an alleyway. It takes its idea from murder victims being dumped in alleyways or dumpsters with no one to care about them until they start to rot and smell. It is a location where people will just walk past without thinking much about it.

Through the 9 minute long experience, they are free to try to escape or figure out the narrative that is being played.

Each participant is given a pair of bluetooth headphones (supposedly noise cancellation but my newly bought Xiaomi ones apparently cheated my feelings) and will be chained up and padlocked around the ankles and wrists.

The participant is first covered with the white bag, before they are chained up and padlocked. The process is made to be loud, so that the participant is already immersed. I chose to have metal walls utilizing steel sheets which are -oof- really heavy. To make the box, I drilled them into very hard cardboard structures.

The idea of using metal is because it is very cold and hard, which will make the participant feel that they are entrapped and cannot possibly crash out of the box even if they feel too uncomfortable. It adds on to the feeling of being trapped. I also used silver tape to secure the edges of the box to make it seem welded and hence adding onto the  feeling of impossibility of escaping.

A narrative track is then played, which is actually a holophonic environmental track which lures the participant into the environment it emulates. I mixed the track with consideration of timing, direction and distance, which creates a more immersive experience.

A white cloth bag is also dumped over their head, with LED lights attached to it. This is linked to an ultrasonic sensor, which will set off rapidly flashing lights right in the participant’s peripheral once the sensor detects movement from the participant. This is very disorienting, and being the supposed sadist I am, I decided to add this element into the experience.

My initial plan was to lace the box with LED lights instead which would make the experience more handsfree, but my wires screwed up hours before presentation. Hence, I decided to make a bag instead and do away with my initial idea of having a blindfold that is not very secure.

 

EXHIBITION DAY:

I was unable to man the space constantly during Showcase Day, so I went home the previous night and modified the code a bit. I removed the LED mask, and replaced it with an LED strip at the entrance of the cage door. I left the cage door slightly ajar, and the constantly blinking LED Strip would make it seem like there was activity in the box. (You can see this from the trailer).

I also added multiple chains around the cage to “lock it up”, and left my speaker inside the cage to play the narrative. In this way, anyone walking past will hear the morbid crying sounds etc and it creates a holophonic experience for passerby instead. It becomes a “what is going on in that box, who is in there? what is going on” kind of horror jumpscare preview instead of a “go in and scream the heck out of everything help I cannot escape” experience.

Apparently, I scared a few teachers whose offices were round the corner… They thought someone was inside crying about being unable to finish their finals….

The feedback for this project was about how the dragging of the chains I made when I locked the box up and how I locked the participant’s sensory perceptions up was good in scaring them a little. The cold metal touch and the heavy walls were also great. However, the soundtrack could have been less noisy (more intermittent silences) and could have utilized more environmental sounds rather than man-made sounds. Something like wind gushing and stuff… And also using an unknown language to converse in the soundtrack, kind of like Russian maybe? I have overall learnt a lot from this project, and would definitely take these into conceptualization in further projects.

 

Thank you to everyone who made this project possible 😀

p.s I swear I am not a sadist….