Cannot unsee

I was perplexed when I first encountered the concept of dominance within 3-dimensional objects. More specifically, I was skeptical that common day objects possessed elements that neatly fall under the categories of Dominant, Subdominant, and Subordinate.

The biggest question that hung in the air was “Why is this important?” and “Why am I even learning about this?” The answer only came to me several weeks later. As I became more comfortable with the idea of dominance, I began to see them more often in everyday objects. More importantly, I realized its visual impact on these objects. Those exhibiting clear D, SD, and SO stood out better and were more aesthetically appealing than those that did not. Everyday objects are designed by people after all, so it would help knowing and differentiating good design and (bad) design.

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A friend’s thermos cup caught my eye on my way into school today. Very clear D/SD/SO in this particular cup with the grey body being the dominant, the yellow cap being the subdominant and the grey circular button being the subordinate. (One could argue that the grey button is part of the body and is part of the dominant, and instead, the small circular hole could be the subordinate instead, which also works out).
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Another friend’s gorgeous bottle. Here, we see an even clearer D/SD/SO relationship with the black body being the dominant, the white cap as the SD and the white logo being the SO.

After understanding the concept more clearly, I realized that the ink bottle that I had brought to class on the first lesson is rather subpar if we were to judge its aesthetic value based only on the dominance of its elements.

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Right off the bat, we can tell that the dominant element is the cylindrical body of the ink bottle. In considering the subdominant element however, two elements are fighting for our attention – the bottle cap and the ink label on the body). What’s more, there does not appear to be a subordinate element in this bottle.

To make this more visually striking, perhaps the bottle cap could be altered such that it is of uniform texture – a uniform matte black of the rubber squeezer + matte black plastic for the screw cap (as opposed to the speckled, heavily textured plastic it is now). Disregarding marketing and consumer information purposes, we could reduce the label to just the Bombay logo, perhaps engraved into the glass body to add a third nuance of black into the whole piece.


Once you’ve seen it, you can’t unsee it.

Slave to the Foam: Model 3

Front view


Model 3 diagram-01

Side views


Model 3 diagram-02
Bottom view


Model 3 diagram-03

Tentatively final model


FINAL MODEL LABELZ-03

I am very pleased with this model and will work on this for my final piece. Overall, I really love the long elegant lines created along the 3 axes and the subtly hidden SO. There are a few spots that still need ironing out before the submission i.e.

  • D is a little too long, will shorten in due time.
  • SO is still too tiny, will enlarge in due time.

Very excited to work on incorporating other materials in this piece.

Slave to the Foam: Model 2

Front view


Model 2 diagram-01

Side view


Model 2 diagram-02 Model 2 diagram-03

Top view


Model 2 diagram-04

Improved 3D sketch model


FINAL MODEL LABELZ-02

So far, I am not quite pleased with this model mainly because of its simple silhouette. The only striking feature, perhaps, is the subtle SO. I really liked how the SO was treated in this piece, and so am exploring other ways of making it hidden yet seen (Model 3, post will be up tomorrow).

Slave to the Foam: Model 1

HD photos for HQ model ✮

Front view


Model 1 diagram-01Model 1 diagram-02Model 1 diagram-03

Top view


Model 1 diagram-04

Side view


Model 1 diagram-05

Improved 3D sketch model


MODEL LABELZ-01Generally, I find the overall composition to be quite beautifully asymmetrical and well-balanced. Consistency is true for 4/6 views (front/back and top/bottom) as B‘s length and implied volume (due to the creation of large voids) has a consistently prominent presence. When looking at the model from the sides, however, B‘s thinness works to its disadvantage. C remains a constant SO throughout all 6 views due to its comparatively small size.

Model 1: Complete

Mark Making I

I was very excited to try out the Guan Dao in this session after making it the previous night. For such a cheap and easy to make instrument, it was very versatile and produced some very beautiful marks.

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Cotton string & Guan Daos brought in preparation for the session.
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Guan Dao and chinese inks.
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The curved blade was versatile and could produce both thin and thick lines. I enjoyed that the stiffness of the aluminium created rough edges in the perimeter of the line (as opposed to smooth edges created with a pen or a brush)

It was easy to produce lines with the GD as it was very similar to using a normal brush or a pen.

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The angle and pressure of the GD greatly affect the line produced. There is increased friction when the pen is held this way, resulting in skipping along the paper and spraying whenever the pen is stopped (inertia of the ink causes it to spray forward when the motion of the pen itself has discontinued).
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I had made a well with some newsprint to avoid making a mess. It is interesting to see the motion of each droplet – some skipping across the surface of the paper, and some colliding with full impact against the wall of the well.

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Above are experimentations using the pen. Really loving the wide variety of lines it produced – droplets skipping along the paper to create short and dynamic strokes, the GD scratching against the paper to create a dry-brush texture, and the skipping + spraying effect.
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Changing the hold of the pen – increasing the distance of the grip to the fulcrum reduces the control I have on the pen, creating more numerous & spaced out skips on the paper.
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Quick typographic work. Loving the spray of the ink in each stroke.

After prolonged use however, the aluminium could not handle the stress so began to fold and tear.

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Damaged after use.

I switched to using the string that I had brought along. Before beginning, I made 3 sets of strings in order to test out the effect of varying the thickness of each bundle of string.

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A singular string best creates solid lines when dragged along the surface of the paper. The string made occasional skips along the paper as the ink ran dry.
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Swinging the string left and right across the surface of the paper (in a pendulum motion) creates sharp, thin lines that begins with a heavy dot.

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Swinging the string in a circular motion creates swift, chaotic strokes. I quite like how the lines are tumultuous yet delicate at the same time.
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Marks created with a thick bundle of string – recalls the texture of a dry brush.

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I also experimented with materials brought by my classmates. I particularly enjoyed the effects created with David’s bubblewrap –

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I decided to cut the sheet of bubblewrap into a circular shape (rather than leaving it as a rectangle) to reinforce the circular shape of the small bubbles.

 

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I had used a mixture of block printing ink and chinese ink to create this print. The above prints were created in chronological order as I found that the first pass contained too much ink for my liking. I much preferred to see the irregular textures created in each bubble as the ink began to run dry after several passes. My favourite is number 3.
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I began to wonder what kind of prints I could make if I had more control over where the bubble wrap touched the paper, and so had the idea of wrapping it around my hand.
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This was created by anchoring the bottom of my palm onto the sheet of paper, and spinning my hand + the paper in a circular motion. As I had stopped mid-way in my motion, part of the print shows a still capture of the bubble wrap.
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This was a recreation of the above print. I find it striking that the speed of which the circle was created affects the textures produced. In this case, I was much hastier in my execution, and did not pause for a long time halfway through the circle, resulting in a much more impatient and swift motion.
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More.
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I began wrapping other things around my hand, such as string.
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Prints created with tied up hand. I did not like this much. Though, I did find it interesting how the string created negative space between it and the flesh.

I then began to wrap other things around other bodyparts. Namely, clingwrap around feet.

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New age revolutionary slimming technique.
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It was rather fun to create these with my feet.
  1. Broad horizontal stroke: created by dragging foot backwards, then stopping the motion and doing a twist. The change in motion brought an interesting touch to the discontinuation of the line (as opposed to simply stopping the linear motion of the foot).
  2. U-shaped curve: created by dragging the foot by the toe in a circular motion around the body.
  3. Scattered dots: created by balancing on one foot, and throwing the body off equilibrium to see where the foot will land next – “unbalanced”.

I very much enjoyed number 3. Will stretch the capacity of this more in the next session.

On the whole, I am rather satisfied with some of the things I had created in this session. However, a large part of me feels that I had not managed to explore the capabilities of the medium + myself. I had also tried some monoprinting, but did not produce any good pieces from that. I feel that more could have been done if I had more knowledge of print making processes and had more exposure to mark making pieces created by other artists.

Next week I will:

  1. Play more with the usage of the body (the feet in particular) in creating prints.
  2. Bring more mark making materials.
  3. Explore the use of negative space and reduction processes.

I have included more photographs below of other prints I had created during this session, but did not find fit to put into the main post.

#throwbackthursday (Tentative)

Mummy, I want to be an artist when I grow up.

Young Kim c. 2003-2008

As I awkwardly stumble into adulthood, I find that I am no closer to figuring out what ‘growing up’ really means. One would think that the more you know about the world, the clearer everything becomes but in fact, the opposite is true. The shitty thing about growing up is being right back at square one – I find myself asking the same questions now as I did when I was younger, and still not having a proper answer to them.

I began this series when I was in a very dark place. It was accidental, really, the choice to pair words with images of my childhood. The images became almost haunting, each photograph of a younger self echoed the same troubling sentiments that plague my mind today. In this deeply personal series, I aim to find closure in the self, in family, and by the end of it, hope to find the bravery to forgive myself for the parts of me that are beyond reach.

I want to be happy when I grow up.

Making of the Folded Pen: “Guan Dao”

I chanced upon this instrument a few months back when I was introduced to it by a colleague who was conducting a mark making + urban sketching class. Though I didn’t try it out for myself, I fell in love with the images produced by the pen – beautiful landscapes with emotive, raw line work.

After a quick Google search, I found a site with some crude instructions on how to create said pen (here). Below are my own documentations of reproducing the instrument.

  1. The great thing is that this pen can be produced very inexpensively – just save your canned drink the next time you make a run to the vending machine.

2. Mark out a “Y” shape as follows with any permanent marker.

3. Punch two holes into the corners of the “Y” using a hole puncher. This is for structural purposes. As aluminium tears easily, cutting out sharp corners may lead to easy tearing when the instrument is being used.

4. Cut along the marked lines.

5. As I have a nib holder on hand, I will fit the pen nib onto the holder. It is possible to tape your nib onto any other object that can act as a holder (pencil, dowel, ice-cream stick etc.)

6. As the piece of aluminium is rather flat, it is difficult to fit it onto the nib holder. Here, I fold the piece of aluminium around the bottom end of the holder to create a curvature in the piece of metal.

7. Once fitted onto the nib holder, it should look like this.

8. The next step is to fold the piece of aluminium in half and trim it to the shape of the Guan Dao. For aesthetic reasons, it is possible to fold it with the silver side facing out. However, I like that the printed packaging defines the handmade nature of the pen.

9. Here is the completed pen in its majesty:

Click here to see it in action!

4D: Photo Scavenger

“The Earth Observatory of Singapore has, therefore, two purposes: acquiring scientific knowledge on some of the most complex natural phenomena, and passing this knowledge on to affected populations so they can use it effectively and in a timely fashion.”

No DOF with an iPhone – send help.

  1. Something that is not “NTU” at all (you would not expect it to be NTU)1
  2. Somebody not studying in NTU2
  3. Somebody studying in NTU3
  4. Useless image you see4
  5. Useful image you see5
  6. Nature6
  7. Urban Nature7
  8. Urban8
  9. Singapore9
  10. A place where art is shown10
  11. A place where art is made11
  12. A photograph with a faculty12
  13. A photograph that shows what the Earth Observatory of Singapore may be about13