Hokkaido Cheese Tart: III

Love, rain, and company.

More test shots before the actual shoot –


Love

I had a difficult time trying to visually depict the idea of love. Which is more efficient – literal physical contact and intimacy? Using symbolic objects of a sexual nature? I was worried that because “sex sells”, that this portion would then become the central part of the film and the whole meaning will be misinterpreted if it wasn’t done correctly. But I will try, here goes.

Combining both literal physical intimacy (hands interacting intimately with one another) with an abstract representation of the fuzzy dizziness of

Test shots –

 

The first two were way too explicit I feel – too outwardly erogenous. I decided to change the background colour to white to tone it down (plus to fit in with the aesthetics of the whole film). Plus also made it more out of focus to push it into the more abstract realm.

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Beautiful ghetto set up
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Lup sup all day errday

Rain (safety and shelter)

Since not all of the rain shots made it into the final cut, I will put them here because I feel like they are worth watching.


Company (Love/belonging)

This, I shot but did not end up putting into the film because aesthetics did not work with me. Also, I felt that it was too abstract to make any real sense to the viewer.

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It is supposed to be about belonging and relationships. I wanted her to interact with the rocks as if they were friends and confidants, and surround herself with the rocks as if they were a support system. Maybe I would have put it in the film if I didn’t film it on the grass. Only maybe.

Hokkaido Cheese Tart: II

I went to do further (proper) research on Maslow’s pyramid to properly structure the scenes and to figure out what I really needed to shoot. Also I needed to figure out how to visually depict a concept that is, thus far, mostly abstract and psychological.


Maslow’s Hierarchy of Needs:

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The pyramid does not actually follow the hierarchical pyramidal structure, and the size of each section does not represent the importance/quantity of it’s relevance in the human being. But rather, based on what I have read, Maslow’s pyramid should really be sequence instead:

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The sequence is more important than the importance of each, and the hierarchy really only exists between the top layer vs the bottom 4 layer –

Deficiency needs

Denotes the first 4 layers of the pyramid
If the deficiency needs are not met, the human will feel anxious and tense
The most basic level of needs must be met before the human desire the secondary level of needs

Physiological needs

Physical requirements for human survival e.g. air, water, food, clothing, shelter
• Food
• Sleep

Safety needs

Physical safety – the absence of which due to war, natural disaster, family violence, childhood abuse, people might experience post traumatic stress disorder/transgenerational trauma Financial safety – preference for job security, savings accounts, insurance policies etc. Health and well-being
Safety net against accidents/illness
• Rain
• Checking that the door is locked

Love and belonging

Sense of belonging and acceptance among social groups e.g. clubs, co-workers, religious groups, family members, intimate partners, mentors, colleagues, confidants.
People may be susceptible to loneliness, social anxiety and clinical depression
• Intimate relationship
• Pluck the grass and put in circle around her

Esteem

Self-esteem, self-respect. Human desire to be accepted and valued by others. People often engage in a profession or hobby to gain recognition.
“Lower” esteem: need for respect from others e.g. status, recognition, fame, prestige, attention “Higher” esteem: self-respect e.g. strength, competence, mastery, self-confidence, independence, freedom
• Lipstick

Self-Actualisation
• Turn the light on and off

And then, to plan the shoot itself. I feel like this is not too important but I am really proud of this table so I put just put it here on OSS for the world to see.

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And in case you haven’t had enough of it, here is the link to the PDF of the whole thing. Bam.

Hokkaido Cheese Tart: I

What is it about human existence that keeps us going every day? As proposed by Maslow’s hierarchy of needs, human motivation can be pared down to 5 categories of human needs: physiological, safety, love/belonging, esteem, and self-actualisation. But what is unique about each and everyone’s existence and motivation for life can’t really be pigeonholed into basic categories. There is a sparkle that is unique to the way we as individuals chose to carry out our lives.

In my film, I wish to explore the idea of a shared human existence; a common denominator amongst the way we all go through the motions of daily living and the effects of living only through this basic common denominator.

I imagine, life would be very jelat if we did that.


Test shots for cheese tart –

I wanted to use the element of a jelat food as a second running narrative throughout the film to control the pace. In total, the eating of 5 cheese tarts will be narrated, with the first tart being eaten quickly, slopily to show haste, and the last eaten with small bites, left unfinished to evoke the idea of the subject being full – jelat.

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It is important that the tart is shot with a clean, white background, in an almost documentative way. As if the cheese tart is being scrutinised in a scientific, clinical manner.
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Probably unhygienic to shoot here but the sun was going down and indoors was too dark. Chasing the sunlight before torrential downpour ensued.

Test shots for physiological needs (rest, sustenance) –

Sustenance –

 

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Camera set up with chair near the camera to create a foreground element

Test shots for safety needs (shelter, security) – 

It might not rain on the actual day that I will be shooting. Gotta think of a more realistic way to simulate rain.


Rough cut for part 1/5 of the test shots: