Final Presentation II Fiona x Shanelle
Here’s a link to the PDF for our final presentation:
15 | To create is to make.
Final Presentation II Fiona x Shanelle
Here’s a link to the PDF for our final presentation:
Form exploration II
Fiona x Shanelle
Feedback gathered last week:
So this week we are looking at:
The hierarchical arrangement (2d)
“The complex, hierarchical structure of Pangolin’s scale makes it hard for cracks to propagate after an impact.”
Rendering with environment
Form exploration II
Fiona x Shanelle
This week we are expanding on a few factors from previously:
(1) Module design and Attachment development1(b) Module Details (Orthographic Drawing):
(2) Form Exploration
We explored on a few variations with focus on the transition from the head to tail.
We identified that structure development form (4) transition feels less like an abrupt transition than the rest and the transition spreads out evenly to the diminishing point. Hence, below is how we envisioned the structure (without the modules yet) to be placed in our proposed space:
2(b) Frame Structure Details (Orthographic Drawing):
We are still working out on the module arrangement of the modules. Working with paneling tool command in 3D rhino software to work out the arrangement of the modules such that it flow consistently along our frame structure.
To be updated!
Form exploration II
Fiona x Shanelle
This week we are exploring forms that:
We looked into different ways of creating a wrapping swirl effect yet not distorting the essence of a pangolin – (1)The descending surface area from body to pointy tail and (2) the triangular head,
As initially suggested here, we have decided to place this at residential hall 7 in the central of the residential ground to commemorate the presence of wildlife in this area, additionally serving as a landmark for the location.
Here are some feedback we received from this week’s consultation to work on:
For the frame structure, we looked into stainless steel tubing for its durability and strength. The above reference, known as the circular bench comes in two parts that allows you to slot them together around a tree, then secure it with a supplied Allen key. Additionally, it was handmade from tubular steel, needing for no maintenance. We are currently working on how we can possibly adopt similar techniques for our frame to stabilize the sculpture.
Here’s the 3 ideas I have in mind:
(1) Stories of your neighborhood
Ever wonder what each neighborhood that you visited used to encompasses?
The idea was triggered when I was in little India, exploring Tekka market and other outskirts of Tekka. I came across beautiful wall murals that depicts the essence of the place and I love how beautifully history and traditions of the place was captured onto a wall, an ordinary wall that people used to not take another look at but simply passes by. Just like how wall murals were thoughtfully placed in the train (MRT) platforms to further enhance customers’ experiences every morning, while you transit from line to line.
Even though I do love the idea of these wall murals, I thought we could make them more interactive and less static to get people to touch them, feel them and interact with them. I was inspired by this project piece I witnessed during my internship, when the organisation I was working with were working on a project that involves changing perceptions and getting people to get in touch with the mental health community. A senior of mine, incorporates Augmented reality (AR) into pieces of artwork (the images depicts the different types of mental health illness and their encounters which allows an immersive experience for the public) which transformed these once lifeless and static images into moving images which grabs the audience soul and meanwhile allows them to get in touch and feel more for the mental health community.
Through fusing technology into static images to encourage more interactivity in public spaces.
How? – Artwork/murals to be translated into digital form as well. I’m imaging a space along the train platforms or even out around the alley or districts of the city with wall murals and as people scan the images of different segment of the walls, the story comes alive in their mobile phones which offers for a more immersive experience.
To further develop – How can the public contribute?
(2) Words of mouth
Ever wonder what’re some good food places or even what’s happening nearby this station?
And sometimes none of your friends stays nearby or are nowhere nearby, how can I get my response instantly? Whenever I’m new to a place, this thought instantly pops up in my mind and usually I will end up queuing up behind a whole lot of people for a bowl of prawn mee that tastes just decent. So I thought of having a mobile platform whereas one will be automatically logon to whenever they are at a particular station (MRT), where they could see what other commuters have recommend or posted onto the platforms regarding some interesting events within the zone would be quite interesting for people who are unfamiliar or new to certain stops and stations.
Ideation (2): Creating an online platform to create more active interactions among commuters.
How? – An application which comes with a ranges of platform where user will be automatically logon to whenever they are at that particular station, commuters are free to post their queries or share any updates regarding that particular location on a online billboard for other commuters to pick up. To further support the application, an interactive billboard will be placed along the walkway of the platform so as commuters scroll their way through the platform, they are aware of the updates/questions which will further prompt them to come online to respond to any of the commuters.
To further develop – How can the public contribute?
(3) Let your books speak
Have you ever wish you could somehow interact with characters in your book?
Through fusing technology into daily life to further enhance readers experience in the library.
How? – Having a corner of a library fabricated for virtual reality experiences for readers to experience and get involved in the story and so to feel more involved in the story as they get to interact with the story surrounding which triggers the character’s behavior and actions.
To further develop – How to better incorporate this into the library?
Among the 5 designers, I find myself best identify or perhaps one of the industrial designer that I looked up to is Yves Béhar. I admired him for going beyond design as design itself, believing that design can be simply be beyond just for commercial aspect but also incite social change. By taking on socially minded design projects, at the same time taking human behaviors, usability and social connectedness as considerations into his design projects. As an industrial designer he also goes into details of branding and creating a identity where people could identify with apart from the design itself which is definitely something admirable.
“The work of a designer is really at the intersection of commerce and culture”. – Yves Béhar
Something that I firmly believes that design definitely has the potential to goes beyond, bridging gaps in our daily lives or perhaps even a tool used to communicate. I, myself enjoy working on lifestyle/social projects as well as it enables me to connect with people emotionally and at the same time learn more about them during the process which definitely builds on to my learning journey as a designer and I definitely would love to work on more of such projects in future. Hence, finding myself best identify with Yves Béhar.
Chapter 5 – Jan Chipchase, Hidden In Plain Sight: How To Create Extraordinary Products For Tomorrow’s Customers. (2013)
Jan Chipchase’s reading on calibrating your cultural compass drives me back to realizing the hidden beauty in simple infrastructure I see in my daily lives, which reflects more than what I thought they meant to be. His readings definitely make me want to start questioning all these daily ordinary norms that I once classified as norms and view them in a new light.
How daily infrastructure were designed a particular way to influence the behaviors and lifestyle of people instead of catering just to their needs and these infrastructure carries subtle hints of the culture as well as how people within that region lives. Which clearly reflects how culture and design works simultaneously as a whole. Designs of public services are often than not contextualized based on cultural backgrounds and values which makes cross-cultural an important aspect to consider when designing. One example where he goes on marveling as of how a vast of signage each specifying different activities were displayed on subways in Tokyo, attributing it to the significance placed in the culture on courtesy act.
His readings challenged designers to consider designing to create social change. Which raises questions such as: (1) How could designers do it in such a way that it seems oblivious and not forcefully pushing people towards a particular lifestyle that makes people resist to them yet motivates a behavior? How is it possible for designers to design in such a way to ensure usability and user experience across cultural boundaries despite cultural differences?
Apart from these, Jan breakdown some interesting techniques where he includes cross-cultural aspect in his research gathering process which was something that sort of reflects how universal a certain service and design is made for. (2): However how can an anthropologist ensure that a certain behavior observed isn’t prior to one’s previous experience since past experiences do subconsciously influence our behavioral patterns? (As of, sometimes the individual themselves do not know how to articulate their problems and they might not have realized it.)
Overall, this chapter touches on cultural calibration techniques which further directs me to new research possibilities in creating a more universal design experience. I have previously touched on social trend studies, technology and market studies as an industrial design student but have never really come across to considering the cultural aspect (in a much-more in-depth format) which definitely unfolds me to another level of research studies.
Hi, here to update on the last project! Really thankful for this fun-filled and enriching 2D journey this semester which will be greatly missed! Okay, shall leave the rest of the message to the last, now back to point!
Have you ever wonder about them? – who?
Majority of the migrant workers came here to work in hoping they could possibly send back money to their family/love ones back at their hometown every month so that they could have a proper education or living. Living abroad away from their hometown and their love ones, makes everyday just like any other day. Their daily life is usually routine based every week, with little time set aside for some recreation activities.
Based on this ‘走一步，看一步’ (counting off days) living theory, where every end of the month is what they’re looking forward to each month as this is the day when their pay comes in and they could finally send them over to their love ones to ease some worries and lighten the burden, I came out with..
‘Don’t Pangseh (In other words, this means don’t abandon), count me in’ is a calendar designed in hoping to invite users to count the days as the days goes by, simply by peeling off the tabs with the date printed on as the day flies by. It’s the moment when you finally peeled off every possible tabs on the following month that gives you a sense of fulfillment at the end of each month. This also encourage users as well as help them to keep track of their schedule on a timely-basis.
Style 1 is designed to provide a two way usage therefore on the outside, it looks like a book, whereby one could simply bring it along like your daily planner. It comes with a incorporated fold-in stand to allow users to switch between the two mode. For this style, I used tracing paper for all the content. (Forget to get a photo of the calendar in standing mode.)
Style 2 is inspired by the old-school Chinese calendars which is usually hooked onto the wall. The pages of the calendar with a particular date is usually being teared off as the day goes by. I used a mixed of paper (Tracing paper & another paper that is opaque) for the content inside. (To be further elaborated under WIP post.)
This calendar also aims to highlight some issues faced in Singapore through graphic illustrations. As most of you know, migrant workers are often being labelled/stereotyped by the locals (not all locals but some). I wish to highlight these issues with a contrasting scenario to provoke thoughts as well as to set one thinking, in hoping that one would reconsider their actions and thoughts towards migrant workers.
According to research, migrant workers are often being disregarded/outcast by some locals and this is often considered as ‘xenophobia‘ (Dislike of or prejudice against people from other countries). As such, I designed my cover with a illustration of a typical migrant worker that was deliberately designed to faceless. A group of locals was placed at the background and behind of the illustration of the iconic migrant worker to emphasize on how migrant workers are often being outcast. The locals was designed with only one eye as well as a hand held up to the eye to convey the act of judging/stereotyping (which was inspired by “one-eyed dragons” – a Taiwanese idiom which means that you only see what you want to see. – adapted from here.)
Scenario 1 depicts a local covering his nose as he stood behind the immigrant who raised his arm to hold on to a handle on the train. In response to how migrant workers are often considered as smelly by some (I’ve witnessed scenarios on the train which I will be elaborating in my WIP post). I have illustrated a contrast showing the locals after their basketball game, having stains, sweat, traces of mud and dirt on their clothes yet the migrant workers did not utter any negative remarks or behavior. – So why are we doing this to them?
Scenario 2 depicts an migrant worker holding on to a typical danger signboard with a mugshot background (that is commonly found in Singapore construction site to warn citizens of the possible danger around the district) to showcase how the migrant workers are also often being labelled as dangerous criminals by some locals. In response to how migrant workers are often considered as the cause of the increase of crime rates in Singapore as some labelled them as being dangerous to go near to (will be elaborating in my WIP post). I have illustrated a contrast showing the migrant workers working their way up to a building to clean the buildings, isn’t this much more dangerous than what was often being told to stay away from? -Just because they are foreign to you this doesn’t mean they are dangerous. Have one ever consider where their forefathers etc. used to come from? – So does this makes them dangerous as well?
Scenario 3 depicts a pair of male migrant workers holding their hands in the public and being judged by the locals where they begin snapping image of them. (In fact, holding hands was known to be a way of showing affection, bonding, and camaraderie that all men, women and children do in other parts of Asia where some of the migrant workers come from. Thus, it’s nothing to do with one sexuality!) In response to how migrant workers are often considered as the cause of the PDA (Public dislay of affection) in Singapore. I have illustrated a contrast showing a pair of local girls holding their hands yet wasn’t being judged (Which is really common back in the primary/secondary school days). – So why are one so quick to make judgement?
Scenario 4 depicts a group of migrant workers seated randomly out of nowhere while they enjoys casual conversations and drinks with their friends which is often being stereotyped as dirty and the cause of litters lying all over. I have illustrated a behind the scenes of these migrant workers’ job under ‘semi corp’ whereby they cleaned up litters and dirt. So doesn’t this makes them one of Singapore most important contributors for its clean & clean title? – So why do one tend to only point out the bad point and not try to view things from another perspective to discover the good in these migrant workers?
Scenario 5 depicts a a group of migrant workers causing congestion on public transport by standing by the doorway and blocking the accessibility of one. I have illustrated a contrast showing the actual underlying issues whereby the locals (kiasu spirit of some) all squeezed in front of the train door so that they can be the first to enter the train to filled up the empty vacancies which in turn caused the migrant workers to be jammed and held up by the entrance of the train. – So isn’t it unfair to push all the blame to the migrant workers? (It takes two hands to clap, thus the migrant workers shouldn’t be solely blamed for congestion of public transport.)
Scenario 6 depicts a pie chart which depicts how the local generally thinks of the migrant workers of taking up more than a quarter of the jobs in Singapore. n response to how migrant workers are often considered as job snatchers, I illustrated a zoom-in version of the pie chart focusing on the zoom-in portion which depicts the local seated high up to reflects the local intention and high standards when it comes to finding jobs. Generally, the migrant workers did not snatch the local’s job, instead they picked up jobs that most local abandon to seek out for a higher paid/higher-ranked job. – So how is it that they snatched our jobs?
Here’s a video attached which kind of summed up this project. (Will be re-recording the video after I get back my zine as the phone quality isn’t very clear and it’s a little messy. In the meantime, pardon the ‘sixties theme effect filter that I’ve attached in to highlight my topic!)
In conclusion, zine was definitely a fun project to work on! Faced many challenges in terms of printing and execution.
Overall, I trulyyyyy enjoyed Foundation 2D especially this semester’s class! While conceptualizing concepts for my projects, I find myself growing in terms of my thoughts which will definitely assist me in future projects. On the other hand, I’m happy as during my executions for my projects, I’ve uncover functions and techniques on illustrator that I never knew (A recent one would be the stroke technique that actually helps to add flavor to each of your line work! It’s really useful! :)) Aside from this, I’m happy to be introduced to binding as well, which is a reallyreallllly handy technique which can be applied in other aspect! I really have fun experimenting the different binding techniques as well which really makes me consider remaking my hard-copy portfolio (by making my own binding which probably I will )!! Lastly, am really thankful for all the kind feed backs!
Possible area to work on,
Last but not least, a BIG thankyou/谢谢 to Professor Joy once again for her generosity as well as the meticulous care she placed in everyone! Wishing you the best & seeya around!
Hi, this post will be covering on the walk-through of my process for Zine.
During the first consultation on week #11, I wasn’t exactly sure what I would like to have in my zine as content. Was telling professor Joy that perhaps it will be a mix on my project 1 – Workkery and project 2 – Long neck series (LNS) which is both having to do with social related issues however, professor Joy pointed out that they are each very different actually (which I didn’t thought of initially). – Workkery is about the play of chance whereas LNS on the other hand, is more whimsical. That night, I came across this comic by Toby Morris (The pencilsword series).
Which set me thinking of what exactly is my point for this project?
(1) What message am I trying to relay here?
(2) How can I better convey these thoughts and ideas in my head?
I drew up a mind map (in my journal) to sort out my thoughts. Eventually I come to a conclusion to work on something along the line of my first project. I started researching on some blue collar jobs issues which eventually leads me to my final subject, the migrant workers. I came across many interesting articles and stories which I would encourage one to spend some time to look through.
Here’s some interesting ones that I have looked at:
Some video documentaries/reports:
(For this 2 URL links below, you have to click on it to be directed to it.)
Personally, I love to work on social/lifestyle related issues. I always enjoy designing lifestyle related products as it’s always satisfying/happy to witness your target users using/testing your products (moreover, it isn’t just any product but one that improves on their needs). Through those test-outs, you can better improve your designs to cater to their needs. Perhaps, this is why I always enjoy designing things in relation to social related issues in hoping to make improvements (if possible).
After reading up on articles and browsing through video documentaries, I’ve decided to work on a social commentary, however this time round, I won’t be dealing with jobs but some common typical stereotypes that was created for the migrant workers who came over Singapore to work. (was also inspired by Bernice Wong’s work , she usually deals with social issues by interviewing and understanding her subjects before she capture their daily lives. One of my favorite work of hers would be, in Limbo. It highlighted issues that was usually not seen behind the life of these workers, which leaves one with lots of thoughts (感触) after browsing through the collection. ) – However, to do something like this will required a longer time to get to know these migrant workers before documenting their life journey etc. Thus, I decided to work on something manageable within the time frame given.
Common typical stereotypes that I’ve identified during my research :
(3) Job Snatcher
(4) Cause of congestion (In public spaces/transport)
(5) Cause of more crimes
(6) Dangerous (up to no good)
(7) Foreign (does not belong here)
(9) The PDA (Public Display of Affection)
Decided to group some of the stereotypes as one since they’re quite similar. In the meantime, I scraped off some too as I will only be illustrating 6 points with a contrast each (making it 12 to suit the format of a calendar which usually consists of 12-months).
(3) Job Snatcher
(4) Cause of congestion (In public spaces/transport)
(5) Cause of more crimes | (6) Dangerous | (7) Foreign
(9) The PDA
(I have also identified some possible contrast that could be highlighted to counter in response to the common typical stereotypes given to these migrant workers. They are all listed below.) I am doing this to highlight on things and issues that we often missed out when we focus too much on the small details/perception that was being instill in our mind. In this case, generally too much on the negatives hence, why not take a look at the positive instead? (The FD professor always told us to look at the bigger picture to have a clearer image/view. Which does makes a lot of sense.)
Regarding this common typical stereotype, I’ve witnessed this many times on the MRT (Mass Rapid Transit). Scene (1) – where a commuter changed her seat to a seat away from the migrant worker as the migrant worker sat down beside her. Scene (2) – where a commuter actually pinched her nose and glared at the migrant worker when he moved beside her.
Contrast: Everyone smells after a strenuous day at work/school so before making any negative remarks, ask yourself, is there a day whereby you felt that you smell really bad yet you wasn’t being discriminated? – So how would you feel if it happens to you?
Scene (1) – There was this one time when I was at a hawker and I overheard a conversation between a mother and a child.
The conversation goes like this:
Girl: I think I will eat ‘u-mian’ (A kind of noodle).
Mother: Don’t want la, the store looks unhygienic! You see the tender is PRC (People’s Republic of China). Eat other things la.
It’s not very nice to discriminate one based on their nationality. At times, people would instill a certain perception they have seen in part of that particular country and assume everything that belongs there is similar as well. I realized that it doesn’t necessary apply to all areas of that country even though they may be living at the same country, it’s not necessary that the culture within that segment is the same as the others. (Learnt about the some of the differences from my friend who isn’t local, and it really just isn’t what it seemed to be at times.)
According to my research, I have come by videos whereby some locals make a commentary that these migrant workers actually dirty the place and leaves litter behind from places to places as well.
Contrast: Who’s the one who cleared your trash from your HDB (Housing and Development Board) ‘s rubbish chute? The one who sweep the corridors of your HDB flats?
(3) Job snatcher
Migrant workers are often being identified as job snatchers (not by all locals only some of them) and the culprits that leave a number of locals jobless.
Contrast: Before labeling the migrant workers as job snatcher, consider the jobs this migrant workers work as and ask yourself if you would take up this job at the first place? If no, how does it make sense if one were to identified them as job snatcher?
(4) The cause of congestion
The cause of congestion in public transportation was also placed onto migrant workers.
Contrast: There’s this sayings that says : it takes two hands to clap. – have one ever consider that congestion only happens when commuters don’t cooperate? So if the blame was placed onto the migrant workers, this makes all of us at fault as well.
Some locals identified them as being dangerous. – often see some local parents telling their child not to go near to the migrant workers as the parents associate the migrant workers as being foreign thus, dangerous due to the fear of unknown.
Contrast: If migrant workers are considered as dangerous as they are foreigners (which some claimed that they don’t belong to our city), have one ever consider – What about your forefathers who actually came from other parts of Asia?
(6) The PDA
Migrant workers are sometimes seen holding their hands. When this happens, they often either get glared/judged by people and some even judged and questioned about their sexuality. (In fact, there’s a culture of holding hands back in their hometown which wasn’t known as many locals in Singapore. It is known to be a way of showing affection, bonding, and camaraderie that all men, women and children do in other parts of Asia where some of the migrant workers come from. Thus, it’s nothing to do with one sexuality!)
Contrast: If this is wrong, what about girls holding hands? – Why isn’t it wrong?
Of Concept of ‘走一步，看一步’ :
I remember something one of my lecturer once told me about. This lecturer of mine is here at Singapore to make a living to support his family while they are living overseas at UK for his daughter’s education. He was telling me how everyday (Weekends are usually being cater for your family yet to him every Saturdays and Sundays feels like any weekdays since they aren’t here.) to him makes no difference at all, it’s just the same everyday. Which I find it very relevant to the migrant workers’ life over at Singapore as well. (This reminds me of a Chinese saying – ‘走一步，看一步’ – This saying basically means to lived as it goes.)
Why a calendar? :
With this, the idea of doing a calendar strikes me as it reminds me of the above concept through counting days as it goes. It also sparked off our ideas such as every last day of the month is the welcome of a new month, on the other hand, it could also means pay-day! I was wondering perhaps, this would be the day one will be looking forward to every month, which makes me derived to..
3 initial ideas (Didn’t managed to snap a photo, all of them are in my journal). For this initial try-outs for these 3 ideas, I tested it out on soap paper, newsprint paper and tracing paper. (Also noticed that they actually have a very different surface on each side of the paper, one side appeared to be rougher than the other.)
(1) Scratch off calendar
Scratching off the dates as the day goes by and slowly as it reaches the last day of the month, you will uncover the whole bigger graphic illustration at the background for that particular month. This was designed in hoping people would better managed keep track of their schedules and dates (by using the nature of one’s curiosity).
However, there’s many things to consider for this (If the dates were placed on the graphic illustration itself with a layer coated for scratching). Some points highlighted during consultation would be the possibility of inconsistency of the placements of the dates for each month because of the differences of each graphic illustrations.
(2) Side-by-side contrast
Showcasing the contrasting images side by side.
(3) Flipping contrast calendar
Using tracing paper to create the play with the ‘disappearance and appearance of objects to showcase the effects of the contrast.
Some suggestion from the group consultation:
(1) Maybe you can do it in the form of peeling off such as perforated tabs instead?
(2) Stick the second first and second last page to your cover page for best support when it’s being switched to standing mode. (tried out but it doesn’t work.)
Of creating the general identity,
I designed the migrant workers based on how they generally look, usually in plaid collar top and moustache (Having a moustache was part of their culture back at their hometown, as it is believed that it symbolizes masculinity etc.) I seek a more subtle approach (in case, it might be sensitive) for the skin tone by using a color set for the theme of my work, for the identity of the locals, I reversed the colors so that the illustrations will look consistent as a whole. Facial features weren’t added to highlight the fact of how these migrant workers are often disregarded by some (anonymous and invisible at times).
Initially wanted to design them with a mask on to convey the message of not being recognized but I realized that it could be interpreted wrongly as technically, masks are usually used to convey the message of ‘disguise’ etc. which wasn’t what I’m going for. I thought the third design was quite interesting however it can also be interpreted as being blended in.
I studied human postures/figurative images (through photos that contained the particular posture I’m looking for) to better illustrate a convincing and more accurate posture. (As the illustration composition was composed by me, I have to slowly seek references parts by parts in each composition (mostly on the posture). Lines and details (such as folds on clothing and vein lines on hands) was later added in when I am done with the bigger image, this is done to ensure that the illustrations appears more convincing and dynamic.
Wanted to create a calendar infused with local elements as well as a small mix of some foreign elements to highlight my concept also known as counting migrant workers into part of our culture. Which explains why reddish orange was used as the theme color. To add on this, I incorporated symbols from foreign countries into my design as well (In this case, I picked Bengali’s symbol as a general representation).
Of initial plans,
Initially, I wanted to have a fabric hard cover for my calendar. However I met several issues to get it printed. I carefully cut out this piece of fabric from an unwanted plain tote bag of mine and stick it onto an A4 sheet of paper. I tested it out by printing using my house (inkjet) printer which didn’t turn out well as traces/marks/stains was printed onto my fabric during this process. Thinking that it might be the ink leftover from the previous print, I decided to attempt on this again the next day, but it turned out the same (In fact, this time round, it’s even more messed up). Still wanting to go with this idea, I bring my material over to sunshine plaza in hoping to get it printed however I was turned down due to the fear of damaging the shop’s printers and hence, I scraped off this plan which I thought would best brings out the ‘warmth/homely’ (in relation to my topic) feel to my piece.
Tried out Japanese binding (It was really fun, hahaha I mean it!! ) It looks difficult initially but once you get the sequence, it actually quite enjoyable in terms of executing it. The only issue is that this bind does not allow one to open the book fully, which is why I decided to go with a saddle stitch eventually.
As mentioned in my final post, getting it printed in the right orientation was an issue for me which involves many try-outs. Getting it printed double sided on tracing papers was another issue as well (Mentioned in my final post). Additionally, I also tried printing on different gsm of tracing paper as well as some other papers (Such as Elefantahaut 110gsm, Muse Kaiser 105gsm and Cartacrea 220gsm), I feel that gsm between 105 – 150 would be best suited for my concept of a old school inspired calendar. The different gsm of the tracing paper actually produced a slightly different results, whereby the opacity is slightly lower for the lower gsm which makes overlaying the pieces more visible. Moreover, these tracing papers actually comes in different types as well (such as diamond, off white etc.), diamond has a higher opacity as compared to the usual. Thus, I decided to work with the usual!
Stitch binding was adopted as I wanted my calendar to be opened fully in order for it to work in standing mode (style 1). I did a double stitch binding, one for the pages itself and the other to stitch the covers together with the pages. This was adopted to better secure the pages. (To accomplish a more complete look of the calendar, I took off the metal hook support from my dad’s calendar to fit it on my work. hehehehe, no worries I replaced a rubber band on my dad’s calendar to fit it in place. >:D)
For the strings, I used fishing strings as they are generally stronger and more capable of withstanding wear and tear but more importantly, it matches with my concept and overall aesthetics of the old-school inspired calendar. As for functionality wise, it serves as a good support to hold the pages together. It also makes the tearing off the pages easier & clearer.
Lastly, do check out the final work over here!