Hades map image dump

I’m going to start on my map of the five rivers of Hades when I can find a pencil (I forgot to bring one) but I’m collating image references in the meantime so I have something to refer to with reference to the look and feel I’m going for. I probably will restrict the maps to being parts of the book instead of parts of the gallery space. This is because my intention for the gallery space involves more illustration than ephemera.

This is just a post where I can dump all the map references I like.

oss01

oss03

Antique Maps of the World World Globe Joanne Hevel c 1696
Antique Maps of the World
World Globe
Joanne Hevel
c 1696
oss04
This is by Chris Riddell for the Edge Chronicles! A more dimensional way to map.

the-hareshk-fictional-rpg-world-gorgeous-detailed-map

Report WIP

I think I understand what Nanci means by how I might have too much research to work with. I’m in the midst of planning and writing my report now, and it’s proving quite challenging to talk about my research in a way that leads the report reader to where my project is now. This is just a post for me to brainstorm how to organize my report.

Previously, I wanted to organize it by different sets of literature reviews (i.e. On Mythology, On Postmodern Literature) but I think that might not have any personal voice to it if I work that way. It would sound like a collection of unrelated areas of research, and that’s not my intention.

Right now, I’m thinking of trying to look back on my process (how I began by looking at mythology, minus all of the offshoot projects I did) and organize it in that way so that the reader can understand how I got to the idea of looking at the biological/fantastical aspects of the Castor and Pollux story.

Screen Shot 2015-11-24 at 10.49.51 am

Screen Shot 2015-11-24 at 10.49.58 am

As for the project itself, I have two narrative ideas at the moment. The first one is set in the 1800s, surrounding a surgeon who becomes fascinated with the Castor and Pollux myth, and the second one is a retelling of Castor and Pollux. I’m not sure how I’m going to mix the two narratives together yet but I’m working on building them now. I’ve been experiencing a lot of ennui again because I just don’t have much motivation to continue after the critique. It’s as if I’ve been in a slump ever since. Hopefully I’ll find some new inspiration, and writing my report will help me consolidate my ideas.

FYP Crit Reflection + Trajectory Update

Takeaways from last Friday’s FYP crit:

  • Be aware of work sliding into overly introspective territory (i.e. try not to make it so obvious that you’re using the book as a vehicle to do what you want/draw what you want)
  • For presentations, trim the content/research a little bit more – I received feedback that suggested I had too much research

Honestly I didn’t receive much criticism about my theme, trajectory or illustration style (I’m genuinely surprised) or in fact any suggestions as to how I can improve my project. I’m going to take it as a sign that I should continue moving on and engaging in research and conceptual thought.

Moving forward, I will be writing more and drawing more and gearing up for production. I want to start settling the content of my book and experimenting with visuals (spreads, illustrations, etc). I might include unrelated conceptual drawings as part of my explorations on duality, but I’d like to get a second opinion. I’m quite inspired by the approach of Crucial Interventions to blending a vintage medical aesthetic with modern grids and type (pictures when the book arrives, I ordered it online for Christmas).

Screen Shot 2015-11-16 at 5.29.54 pm

I’m thinking of working more with geometry and anatomy in my illustrations for my FYP. This is contemporary and trending now among dotwork/blackwork artists and it’s recognizably current visual language (that I have been using as well). I think it’s all going well and I shall produce more variations on this theme. Another thing I’d like to try is collaging royalty-free medical images from the Wellcome image database. They could supplement my own illustrations within the book.

The Girl Who Was Plugged In/ Łódź Book

The Girl Who Was Plugged In is a work of sensory fiction designed by students at MIT. The book is accompanied by a vest that creates physical sensations (i.e. inflating to create a feeling of tightness in the chest to mirror unhappiness in the narrative’s protagonist) that mirror the emotions evoked in reading a work of fiction.

I was looking at different kinds of creative book design and stumbled across this one. I don’t think I want to do anything of a techie nature because I’m an analog girl, but I think this is an example of really effective book design in terms of achieving an emotional or thematic purpose.

lodz 1

lodz 2

lodz 3

lodz 4

I found this project on Behance. This is the final project of Joasia Fidler-Wieruszewska for her Masters degree, a book about her home city of Łódź. Łódź was historically inhabited by four different peoples, thus the form and language of the book follows its content. I love the insertion of different ephemera to express the history of the city. This is something I want to do as well in my own book, which will reflect the thematic concern of duality.

Chimerism + Twinship

Extremely interesting article I found in my Saved Links section on Facebook. Saved Links is easily my favourite Facebook feature because all the quality stuff is there. Here are some of the more inspiring/quirky bits:

“Indeed, if you are a twin, you are particularly likely to be carrying bits of your sibling within your body and brain. Stranger still, they may be influencing how you act.”

“During early development, cells can be passed between twins or triplets. Once considered a rare occurrence, we now know it is surprisingly common. Around 8% of non-identical twins and 21% of triplets, for example, have not one, but two blood groups: one produced by their own cells, and one produced by “alien” cells absorbed from their twin. They are, in other words, a chimera – a fusion of two bodies – and it may occur in many organs, including the brain.”

“Perhaps chimerism has upset the balance.”

“Even if you do not think you ever had a twin, there are many other ways you might be invaded by another human’s cells. It’s possible, for instance, that you started off as two foetuses in the womb, but the twins merged during early development. Since it occurs at such an early age of development, the cells can become incorporated into the tissue and seem to develop normally, yet they are carrying another person’s genetic blueprint. “You look like one person, but you have the cells of another person in you – effectively, you have always been two people,” says Kramer.”

This article is accompanied by Ariko Inaoka’s beautiful, dreamy photographs of a pair of Icelandic twins, Erna and Hrefna. I’ve picked out my favourites from her portfolio.

ariko4 ariko3 ariko2

ariko1

On her website, Ariko Inaoka has commentaries from the twins as well as her own personal thoughts on the project.

web_twins_textariko5

PTSD

…I’m kidding. I may be on edge all the time but I haven’t lost my sense of humour. I saw Min’s post about her points-to-note after her presentation, so here are mine.

Make it clear that all drawings (except references) are my own work, in case people aren’t aware.

Try to draw the typography if pushing for Vienna Secessionist/Will Bradley look; same look can be incorporated for the entire body of the slides as well as any accompanying handouts.

Bring readings into the presentation in a more obvious fashion – archetypes, culture and mythology, etc. and use them to differentiate my project from existing work.

Cite all images that are not mine.

Have a stronger personal voice underpinning the project.

Zombie Tarot Deck?!?!?!?!

I’m crying all this collaged imagery is so beautiful I wish I did this first! It shows that great, beautiful and wondrous projects can be encased in a small package. Sometimes I have these immense pangs of insecurity about how physically small my project is, but searching for references like these put my heart at ease. I don’t see how anyone could fail to be impressed by this deck – it’s incredibly well-designed and it fits so well together as a concept. Card design in itself is immensely rewarding, so I may want to research more on this and see what comes up.

http://www.thedieline.com/blog/2012/11/7/zombie-tarot-cards.html

11_06_12_zombie2 11_06_12_zombie7 11_06_12_zombie6 11_06_12_zombie3

 

Harry Clarke’s Illustrations

Harry-Clarke--Poe--Tales-of-Mystery-and-Imagination--16_900

Harry-Clarke--Poe--Tales-of-Mystery-and-Imagination--21_900

Harry-Clarke--Poe--Tales-of-Mystery-and-Imagination--1_900

Harry-Clarke--Poe--Tales-of-Mystery-and-Imagination--8_900

Harry Clarke did these majestic illustrations for Poe’s tales. I’ve seen them before but I forgot to post them up until recently. His work looks a lot like Beardsley’s and there’s no doubt that there was influence there! Find the rest here: http://50watts.com/Harry-Clarke-Illustrations-for-E-A-Poe

Crowley’s Thoth Deck + Janus Deck thoughts

Screen Shot 2015-09-22 at 2.17.47 pm Screen Shot 2015-09-22 at 2.18.06 pm

Astrid left a comment for me linking to Aleister Crowley’s Thoth deck as well as a 45-minute documentary on Crowley himself. I’m about to give that a watch, and I really love the insane symbolism going on in the Thoth deck (even though I don’t really understand most of it as yet). My favourite is still the Rider Waite and the dry wit of the Fantod Pack has so much lovely personality, but this complements my research quite well and might lead me to some new ideas about how to go about working out the mechanics of my own deck.

My ennui seems to be an ongoing thematic concern (I mean, I get flashes of terrible anxiety about FYP even in the minutes after waking up – this morning I was lying in bed and suddenly felt overcome with the urge to breathe into a bag and run around and scream in panic) so maybe this deck will clarify things for me. Making always calms me down.

Here’s my idea so far:

The Janus Deck
Janus is the Roman god of beginnings and doors. Everything begins with a beginning, and mythology finds its way into everything. Janus is said to be the god you invoke in order to invoke other deities, and it makes sense to me to anchor this deck with his image. The deck could work as a gateway to ideas, resolutions and narratives, and will use imagery from Greek mythology (it seems oddly disjunctive to anchor this subject with a Roman deity), which lets me draw grotesque monsters and allow me to put my own spin on existing rich content.

The Lenormand Oracle

astrologisches-lenormand

13896_6_lenormand_oracle_cards

I was looking at different kinds of fortune telling decks after reading Italo Calvino’s The Castle of Crossed Destinies (in which characters tell their stories to each other using only tarot cards, and the audience hypothesizes what happened based on the meanings/imageries of each card and where it’s placed relative to other cards). I’m looking at Greek mythology again and thinking of making my own version of a fortune deck, inspired by the Fantod Pack. I’m not sure whether to turn it into a game as yet but I’m collecting card images and ideas that I like just in case it leads me somewhere. I’m still trying to find a concrete message to convey in my work.

I don’t quite understand the Lenormand deck the way I understand the traditional tarot (I have the Rider Waite deck at home). I love well-crafted card decks and anchoring my card images in mythology would save me from having to build a whole new universe of images. Greek mythology is full of grotesques (for example, all the women who were metamorphosed into monsters) so none of my previous work is wasted, exactly.

B suggested that my card deck could lead people into the grotesque, and in doing so reflect their own self-denial in a way that can be understood (drawing influence from my readings on Bakhtin and Kayser). I’m wondering if there’s a way to extrapolate meaning from Greek mythology in a way unique to me. I remember reading that Greek mythology makes up so much ground of the human psyche in Western thought – if you look at Freudian psychology, some of his theories are named after Greek myths (i.e. the Oedipus complex). I guess this is a better starting point.