The Lenormand Oracle

astrologisches-lenormand

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I was looking at different kinds of fortune telling decks after reading Italo Calvino’s The Castle of Crossed Destinies (in which characters tell their stories to each other using only tarot cards, and the audience hypothesizes what happened based on the meanings/imageries of each card and where it’s placed relative to other cards). I’m looking at Greek mythology again and thinking of making my own version of a fortune deck, inspired by the Fantod Pack. I’m not sure whether to turn it into a game as yet but I’m collecting card images and ideas that I like just in case it leads me somewhere. I’m still trying to find a concrete message to convey in my work.

I don’t quite understand the Lenormand deck the way I understand the traditional tarot (I have the Rider Waite deck at home). I love well-crafted card decks and anchoring my card images in mythology would save me from having to build a whole new universe of images. Greek mythology is full of grotesques (for example, all the women who were metamorphosed into monsters) so none of my previous work is wasted, exactly.

B suggested that my card deck could lead people into the grotesque, and in doing so reflect their own self-denial in a way that can be understood (drawing influence from my readings on Bakhtin and Kayser). I’m wondering if there’s a way to extrapolate meaning from Greek mythology in a way unique to me. I remember reading that Greek mythology makes up so much ground of the human psyche in Western thought – if you look at Freudian psychology, some of his theories are named after Greek myths (i.e. the Oedipus complex). I guess this is a better starting point.

Baroque

Baroque is a strange RPG video game that I was quite taken with when I was 16 (just in terms of art – I’m not that much of a gamer), so you can see how my interest in the strange and creepy world of surreal bizarre hybrids goes way back. I really don’t know where I’m going at the moment but I usually find that looking back on old influences tends to help me a lot.

One of my old ambitious ideas was to make my own tarot deck, which would be a great vehicle for drawing. The tarot led me back to Baroque, where the game universe is populated by Meta Beings that all correspond to the cards in the major arcana of the tarot.

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I love great character design and these all strike me as being uniquely expressive of each major arcana card that they’re meant to correspond to. If I want to reinterpret tarot cards, there has to be a purpose to them. Right now, I am lacking a purpose to what I’m doing. I’m going to write down everything we’ve discussed today and have another flip through the Codex Seraphinianus (really tempted to buy my own copy!).

[NSFW] Guro: The Erotic Horror Art of Japanese Rebellion

In the deranged world of ero guro nansensu, the stranger and grosser an illustration, the more prized it is.

Not to be confused with pornography or horror, pure ero guro nansensu is distinctive in that it focuses on dark erotic fantasies paired with really disgusting things.The name is taken from the English words “erotic grotesque nonsense,” and so blood and violent gore does not always necessarily feature in—a girl with ten eyeballs stuck in her genitals could be just as valid and incongruous. Back in the 1930s, these hand-drawn visuals were a response to the economic and political pressures that had begun to upbraid Japan’s party state. As the country turned increasingly militant, Japan’s already-long history and fascination with erotica thus became an intense exploration into the hedonistic, the sensationalist, the abnormal and taboo, reflecting not just newly-unearthed sensual desires but an eruption of extreme political change.

http://thecreatorsproject.vice.com/blog/nsfw-guro-the-erotic-horror-art-of-japanese-rebellion

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I think it’s important to recognize that the grotesque has its own beauty, and that’s very much a concern of mine in my art-making. I don’t personally feel that a fascination with the unsavoury and bizarre reflects on one’s mental stability. I’m writing that because (outside of ADM and my art-making communities of friends) I have been blatantly asked if I was mentally unstable due to the content of my art. I’m not, and I think that creating something that is bleak or disturbing can be a safety valve for the negative emotions that someone can experience in life, whether or not their experiences are regarded as objectively harrowing or merely a product of some self-induced angst.

Also, I haven’t even drawn anything verging on ero guro, which I would say is far more disturbing than my illustrations. However, since I am using body horror as a large trope in my project, I am going to be looking at more examples of ero guro. Not for the sake of merely being gross, though. (And I don’t find ero guro that gross either. I find the Saw franchise gross.) The reason why I am mining for disturbing imagery is because I want to find that line between the enchanting and disturbing – that is the line I want to play with. It would be unsophisticated to merely elicit disgust without accompanying fascination.