Research Critique 2: The third space

With the completion of the Micro-project 3, the third space to me is  a manifestation of spaces when fused together, enabling people around the world to connect and collaborate beyond the time and physical constraints.

With the current technological advances, the limits of the physical boundaries can easily be overcome with online presence and live projections.

Maria Chatzichristodoulou studied such projects that utilizes these aforementioned features of technology, from Multi User Dungeons (MUDs) to telematic performances.

Through studies of MUDs, she showed the possibilities of enhanced real-time social interactions through virtual reality stimulations which enables users to interact with other users alike from all around the world, which allows for a new experience of intimacy.

The MUDs also encourage users to showcase their creative sides, by giving them the freedom to create their own online personalities in immersive ways, such as the abilities to customise their own characters and choose their own narrative amid other possible narratives.

Studies on Telematic performances also showcased the availability of a wide array of resources users can easily access to without having to spend any money, showing how anyone with an internet connection can participate in projects of their own.

Not only that, works like The Electronic Disturbance (1996) prove that collaborations in fields such as art and dance, are made especially easy, regardless of where you live.

Although on a small scale, through our micro project, I believe that we are able to explore these features of the third space. Namely, we explored to a certain extent, continuity of perspectives, movements and spaces in order. In a sense, we were able to create a facade of a newly formed continued third space, where movements and perspectives are aligned without having to be in the same space.

In my opinion, this immersive virtual engagement with both yourself and others all around the world creates a unique intimacy without having to be physically present in the same space, allowing internationalism to be a much deeper and personal experience no longer detained by physical barriers.

There are more opportunities to explore our pre-existing relationships with others and the space we live in,at the same time, explore new ways of interaction through new spaces with fresh persepctives.

To collate all these features of the third space, I would like to summarise this research with Randall Packer’s apt description of the third space as ” a space of invention and possibility, like lucid dreaming, where participants might assume their avatar identities, engage in post-human, cyborgian manifestations, or perhaps reinvent the world in the image of their own making.”

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