Category Archives: My Work

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▀▄▀▄▀▄ Original ouvere of overall OBS object ▄▀▄▀▄▀

My experiences eloquently expressed are already alienating average audiences online. As I systematically started streaming solemn stuff sardonically, I pondered upon partaking in petty  pandering practices, particularly in putting pretty pictures that are politically pleasant, whilst putting potato pieces in patiently.

  Thus, came the floating feline from afar, freeing fears of Facebook feverishly foraging familiar forgeries to fraudulently forfeit.

  Lately, LAN latency lagged like a Londoner lamenting logging. Leaving little to like as always, also, enacting ornaments as an aspect of overall oeuvres ain’t entirely enticing as existing editing aspects of images aren’t easy.

Maybe Minecaft might mitigate many migraine-making measures measurably.

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  “uh… been keeping with the current trend towards making boring video tapes. Bart and I would like would like to make our contribution… we’re not gonna do anything (laughs) at all and we expect that you’ll watch us.
We hope to be in the running for one of the most boring seasons.”

-Nancy Cain

  Before I go on to share my thoughts, I’d like to preface this by stating that I don’t really buy into the counter culture movement. I believe that direction, objectivity and conviction take precedence over “feeling good”, and the fact that the sheer aimlessness of the movement was what led to its eventual downfall and ridicule. Henceforth, this article would be filled with some of my own inherent biases. I would also like to disclose a certain set of biases on my part, due to my recent exposure to some interesting behavioral observations, specifically about certain political views that were also featured in this film.

  Firstly, I would go as far as to say that the concept of pirate television created a revolutionary new platform in which a new marketplace of ideas could grow and be distributed. This was to become the precursor to the online vlogs, and even Youtube, in my opinion. It was a space where everyone could say whatever they wanted, and be cataloged for future references. On a psychological level, there was an inherent level of authenticity, due to the fact that all recording was done straight up without a script.

  Fortunately for someone as curmudgeonly cynical as I am, I would say that at the very least, the footage depicting the black panther movement, the feminist movement and the anti-Vietnam war organizers gave a very interesting insight to the level of hypocrisy, naivete and sanctimoniousness that people were still capable of achieving. We’re talking about egocentric narcissists referring to themselves as revolutionaries! Talk about pomposity.

  Looking back at the things Fred Hampton said, about arming the populace to form a revolution and about retaliation being the only way out, I was reminded of the time members of the black lives matter movement in Baton Rouge Louisiana chanted for dead cops , and  another incident in St. Paul Minnesota. In both cases, cellphones played a role in documenting them without any form of interference.

   As if the director of the movie was somehow aware of my existence, and my sheer ‘love’ of social justice, they decided to top it off in a segment featuring the feminist movement, and what better way to start things off by having them chant about destroying the oppressive capitalist system? Oh yeah. The very system that staved off human misery and brought about one of the most affluent and equitable societies in history is somehow the quintessential oppressive enemy. It’s not as if communist policies and other forms of collectivization have resulted in the deaths of millions. As the clinical psychologist Jordan B Peterson once put it, people exhibiting high disgust sensitivity tend to have a low definition view of politics and human nature.

  I would’ve initially accepted the presupposition that second wave feminists in the sixties were more reasonable,( and I still do to a certain extent, with regards to reproductive rights and official legal inequalities) but alas, the wonderful apparatus of open source broadcasting had indeed shown to be self evident the well-kept tradition of autistic screeching, aka “join us or get off the street!” That sure doesn’t sound authoritarian to me at all.

  Last but not least, we have some wonderful people telling us how bad war is, as if the rest of the world was still holding a “should we not kill people” conference. The only thing missing there was twenty foot tall straw figure in the shape of a being, preferably a man. I would recommend these activists to remove the proverbial rod out of their rectal cavity and do some reading on the effects of the dekulakisation and the great leap forward, particularly in the death toll category.

  Yet, I am grateful that the legacy of open broadcasting exists in the form of Vlogs and live podcasts, if only for the fact that it’s making the world a slightly more interesting place. I’m forever greatful that there are people like Jordan B. Peterson (on psychology), Christopher Hitchens (on religion), Thomas Sowell and Larry Elder (on race relations), Paul Joseph Watson (on postmodernist nihilism), Karen Straughan and christina Hoff Sommers (on true equity feminism) Brigitte Gabriel (on the truth of Islam), and last but not least, Michael C. Ruppert (On energy and peak oil)

  In the past few years, we’ve witnessed the death of most mainstream media, with companies like CNN being exposed by whistle blowers from Project Veritas, and MSNBC being proven factually biased by internet archivists. Hopefully, the internet and net neutrality survives, so I get to see more meaningful content whilst staring in bafflement at other weird shit.

  I told you I had some bias.

 

 

Interactive II Final submission (18th Apr)

This is the final result of week’s worth of work. We’ve titled this work Psychedelia.

Notes:  Users interact by moving colors in front of the camera. As you can see in the setup. The color affects the type of music that is played, and the music
affects the live camera footage. All the audio you’re hearing in the documentation video is captured live.

 

 

Additional links:

21st Mar   28th Mar   31st Mar   4th Apr   11th Apr 14th Apr

Interactive II Progress (14th Apr)

Position and scale

 

rotation

secondary webcam add on

we improved on the previous visuals by introducing rotation and scaling to the images. We’ve also added a secondary camera so the user would see how they are affecting the camera. We also edited the audio in Premiere so that the loops are shorter but seamless at the same time.  The following clips are the final audio.

Additional links:

21st Mar   28th Mar   31st Mar   4th Apr   11th Apr 14th Apr

Final submission

Interactive II Progress (11th Apr)

RGB values based on position and area

RGB separation results

Amt of red changes pitch shift

Amt of green will change saw and cycle notes

amt of blue changes types of drum loops being played

After getting some feedback about our work, we’ve decided to change a few things. First of all, we’ve decided to use the amount of color on the screen, rather than the user’s face to change the ambient music. The reason for this was due to the fact that Jit.faces works intermittently, and required the user to maintain full frontal eye contact. Instead, we decided to use cv.jit.blob.centroids.

We’ve also decided to change the individual length of the music tracks and make them distinct so they are aware that they’re affecting the installation.

The amount of green would change the saw (low pitch ambient sound) and the higher pitched cycle notes, the amount of red would change the pitch and its lateral position will play a different soundtrack. Finally, the lateral position of the blue region would change the type of drum loops that will be played.

 

This was the result of the following patch.

Additional links:

21st Mar   28th Mar   31st Mar   4th Apr   11th Apr 14th Apr

Final submission

Interactive II Progress (4th Apr)

Overall patch at work

position patch

 

face proximity

We’ve decided to add cv.jit.faces into the patch to detect the user’s face position and scale in relation to the screen to affect the type of music that will be played. We’ve improved the patch up so that the overall contrast and saturation of the displayed image will be increased depending on how close the person Is to the screen, rather than a randomiser.

Also, the lateral position of the user’s face will change the type of music will be played. I took some slightly altered SYNTHI 100 music and edited the clip so that it plays on the loop seamlessly.

 

 

qr code playlist

We also tried displaying a set of highly contrasting qr codes as they appeared in grids, and mash well with the grid rendering. The high contrast colors also meant that the shapes were highly responsive to distortions.

Additional links:

21st Mar   28th Mar   31st Mar   4th Apr   11th Apr 14th Apr

Final submission

 

Interactive II Progress (31st Mar)

We found this youtube tutorial on how to make images into a mesh and affect it with audio input. This takes the brightest points and extrude outward to the viewer. see here

mesh

We altered this by taking image from the webcam instead of using images as in the youtube tutorial. For the webcam image, we got it to randomise brightness, contrast and saturation every 5 seconds.

We also had to deal with positioning and orientation of the webcam input because we wanted it to mirror the viewer. So had to make the mesh orientate in the same way as the matrix we get from webcam. Matrix can be re-orientated with DimMap object, but for the mesh we had to play around with the values of its position in the Jit.World objects.

We also got it to display lines and grids based on the peak amplitude and pitch of the sounds being generated.

Randomizer for saturation, brightness and contrast

mesh affected by music

Additional links:

21st Mar   28th Mar   31st Mar   4th Apr   11th Apr 14th Apr

Final submission