Final Artist Response: Feral

Background: Feral Cats in Australia

Feral cats are cats that can survive without human contact, they have evolved to live, hunt and breed in the wild. They have evolved to have capabilities to stalk and hunt prey allowing them to adapt to Australia’s harsh climate invading 99.8% of Australia. Data on feral cat numbers are difficult to collect, but total population estimates for Australia range from two million to six million. They are found in all sorts of environments including the deserts, forests, woodlands and grasslands.

Feral cats are an extreme problem in Australia threatening the native wildlife, it is the single biggest threat to native species. As Australia is home to endemic rodents and marsupials and lacks the large placental carnivores found on other large continents, feral cats are taking over the ecosystem. They are carnivores they need a large amount of meat to survive and prefer live prey and they can kill animals their same size, however, mainly eat small native and exotic mammals, birds, lizards and insects. Around 80 endangered and threatened species are at risk from feral cat predation in Australia. Each feral cats kill up to 1000 native animals a year, that’s 3-20 animals each week that are killed. Threatening 81 vulnerable and endangered native animals – 35 bird species; 36 mammal species; 7 reptile species; and 3 amphibian species.

They were introduced in the 17th century, when settlers came to Australia they brought in cats as pets. But by the 1800’s they intentionally introduced them to hunt rabbits and rodents around farmlands, by the 1850’s feral cats had made colonies in the wild.

Connection to Aboriginals

Feral cats have no connection with aboriginals or their land and therefore are not important in Australia as they are destroying the natural ecosystem. They need to be completely eradicated from Australia in order to restore the natural system and to stop the Aboriginal culture from being affected in the future.

Native animals are culturally important to aboriginals as they have a connection to people and to the land, They want native species to maintain so cultural knowledge can be passed on to younger generations. Native animals are totems of some tribes and so are important to protect. The older generations say it is important for the younger generations to see and know these creatures.

Some aboriginal tribes have been trying to combat the feral cat issue, such as the Pintupi people of the Gibson Desert, who have been hunting feral cats for food since the alien species arrived 100 years ago and to protect their land which is now UNESCO heritage site.

Artist Response: Feral

Laura Young, Feral, Water Colour on Paper, 2017

Feral is an artwork depicting the story of feral cats and the impact they have on Australia’s native animals and on the indigenous Australians. A range of Aboriginal painting styles from different regions of Australia is used as feral cats impact all parts of Australia. The figure of a feral cat is portrayed as a ‘god’, the almighty figure dominating and ruling the ecosystem inspired by the Aboriginal Wondjinas. Surrounded lay the bodies of endemic Australian animals hunted by feral cats. The aboriginal symbol for meeting place contains the cat and the animals symbolising the connection of the commonplace for death with native animals and the mutual problem all aboriginal tribes have with the land. The symbol for short journey is leading into the cats depicting the feral cat cutting the animals lives short driving them to extinction. The background image of Feral is a depiction of Australia back in the 17th century during European settlement where the ships arrived and introduced the cats resulting in feral cats.

Aboriginal Art

Meeting place – The meeting place of native animals and feral casts leads to a short journey

Short journey – cats cutting the animal life short

The cat is inspired by the Wondjina – they created every living creature and is a play on how the feral cats are doing the opposite


Endemic Animals

5 species under threat :
– Numbat – there are less than 1000 left
– Central rock rat – also the same with 1000 remaining
– Night parrot – thought to be extinct but was rediscovered
– Mountain pygmy possum – less than 2000 left
– Eastern barred bandicoot – only found in 3 predator-free areas


National Library of Australia, Convicts building road over the Blue Mountains, 1833

A painting of the ships harbouring Australia in the 17th century when cats were brought over from Europe and were released to control rodent and rabbits but instead became feral cats.
Integrating two cultures into the image reflects on how not only is it a problem for the Aboriginals but also other Australians as it threatens native Australian animals

Kindred Artist 

Not many artists responding to feral cats, however, I found a couple of images online on illustrators trying to create an impact. I took most of my inspiration from Kaye Kessing’s posters, different styles of Aboriginal art and 18th-century landscape paintings.


Work Cited:
Brandon L. Parsons, “WONDJINA”, MrPsMythopedia, TES, 2017, web, Nov 2017.
Central Art Aboriginal Art Store, “Meeting Place”, Aboriginal Art Store, AAS, 2017, web, Nov 2017.
Northern Australia Hub, “Feral Cat Management On Indigenous Lands”, Northern Australia Environmental Research Portal, Charles Darwin University, 2015, web, Nov 2017
Australian Government, “The Feral Cat (Felis Catus)”,, Commonwealth of Australia, 2011, web, Nov 2017.
Eric Nyquist, “Illustrations”, Eric Nyquist, Jigisha Bouverat Collective, web, Nov 2017.
“Michael Byers | Wins 2nd Place For Excellence In Illustration For Hawaii Publishers Association Awards”, Levy Creative Management. Web, Nov 2017.
Kaye Kessing, “Kaye Kessing’s Posters”, Kaye Kessing, 2017, web, Nov 2017.
Geoff Vivian, “Desert cat hunters cut wildlife protection costs”, Science X network, 2013, Web, Nov 2017.
John Woinarski, Brett Murphy, Leigh-Ann Woolley, Sarah Legge, Stephen Garnett and Tim Doherty, “Cats kill more than 1 million birds in Australia every day, new estimates show”, abc News, 2017, web, Nov 2017.

Future World:  Where Art Meets Science Reflection

I visited the Art Science Museum exhibit – Future World:  Where Art Meets Science. It featured many amazing interactive exhibits exploring four sections: nature, town, park and space. ‘Crows are Chased and the Chasing Crows are destined to be Chased as well, Transcending Space’ was the first immersive interactive art piece I had been in and the visuals made it feel like I was moving along with the crows and the sound heightened the senses even more. My favourite piece of the Nature section was ‘Black Waves’, the flowing movement representing water and the tranquil sound evoked a relaxed and as well as a touching response.

The next exhibits were the town and the park. These two areas of interactive artworks made me feel like a child again playing without worries and made me curious on what every single interaction would do. I was looking around even adults were colouring in and playing hopscotch.

The Space exhibit was also beautiful with the many synchronised lights creating a canvas for users to select planets and constellations to display on the light tunnel.

After experiencing and interacting with interactive art, I have taken note to how groups of people interact with these pieces and the environment and how they could be applied to our iLight assignment. What I enjoyed most about interacting with the installation was how all of them evoked emotions and a sense of curiosity with the use of sound and touch. I would like to incorporate sound into our project to enhance the emotional response. The first thing I noticed about people interacting with the pieces was how the majority would stop and take multiple photos in interacting with the sculpture (e.g. projecting the art onto their body and sitting/holding a part of the piece), so the artwork must look visually appealing and interesting.


Eco Film Festival – Ocean

Chasing Coral (2017) –Jeff Orlowski

Coral can live as long as the environment allows them to, however, their environment is becoming unlivable due to global warming and causing the phenomenon called coral bleaching. Much of the world is oblivious to this rare event in nature and do not realise that an unhealthy ocean means an unhealthy planet, as the ocean controls everything. 93% of the heat from greenhouse gasses and carbon emissions is absorbed by the ocean if it was not earth surface temperature would rise to 50 degrees Celsius. Within the last 30 years, 50% of the worlds coral have already disappeared and threatens to kill entire classes of coral if our actions are not reversed. The eradication of coral will also cause 1/4 of the planet’s creatures to diminish.

“If we can’t save this ecosystem, will we have the courage to save the next ecosystem down the line?” – Chasing Coral, 2017

People see what they want to see…

My image depicts how bleaching is clearly evident and rapidly happening right in front of us but we, man kind are not acting fast enough to prevent even more coral from dying due to rising temperature from global warming.

Frontier Borneo: Shark Project

Borneo is home to the richest and most diverse marine area in the world and mankind have been poaching these creatures. In order to save sharks from being mass finned, shark expert, David McGuire buys unfinned and live sharks before they are sent to the markets. He travels across Borneo risking the sharks’ survival, to release them into a protected reef. Not only are sharks being poached but also turtles eggs. Activist, Alex Yee patrols the beach and collects freshly hatched turtle eggs to take to a hatchery where they are safe from the black market.

My image many dead finned sharks that are lifeless and grey that are sold at the markets. Even though shark expert, McGuire only protected 7 sharks from meeting the same fate as many other of the sharks out of the thousands he had seen at the markets, it is still a positive impact that they are alive (hence the red showing they are alive).

Off the Grid

4 hours off the grid, 2 hours inside, 2 hours outside and an image every hour.

The first hour (inside):

I felt confined and bored stuck in my small dorm room. I decided to pass the time by doing some work, I was unable to use any electricity and internet so I had to hit the books and use the less efficient way of researching. I always prefered to handwrite then to use my laptop so it wasn’t too different for me, although, I found it difficult to efficiently research. It was strange to reflect and think back when I was in junior school, I had primarily used books to research and I always spent my time flicking through the books at the school library.


The second hour (inside):

I continued to do some work, reading and cleaning of my room for the time I was inside. I found it difficult to entertain myself for the two hours I was stuck inside. It was crazy to think I spend hours inside every day when I had access to electricity and internet. I also suffered from the heat with no fan. In the final minutes of my inside time, I left to go outdoors for the next two hours. I had to walk down the fire escape from the top floor (13th floor).

The third hour (outside):

I walked around and observed nature and how beautiful and green the NTU campus is. I walked to ADM after 30 mins and sat down on the grass roof and wrote in my journal and read my book. It was very peaceful and I much prefer being outside with no technology and electricity. It helped me pay attention to my environment and I also people and bird watched while I was outside.

The fourth hour (outside):

As I was strolling around a bit after sitting on the ADM roof, it started to sprinkle then pour down. I ran to the closest bus stop and enjoyed the sound, smell of the rain and how it made the air cooler and less humid. It was perfect to sit and reflect on this exercise.