2D: Lines Process Journal (Transferred from Hard-copy)

(Transferred from Hard-copy)

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A rough plan of what the lines should typically look like, and went on to explore from there.

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Trying out on different types of paper with all sorts of tools. No limits!

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Drying the papers and allowing the more inky ones to flow a little .. .

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Work table

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Going organic

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Using a fork and a syringe

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Having experimented with multiple kinds of black inks/paints/dyes, i found that dried up chinese ink creates a shiny finish . . desirable.

2D Final Cuts (03): New Textured-Paper Pieces!

After a number of experiments (using new techniques) on many different types of paper (rice, calligraphy, newsprint, drawing, printing, glossy), I found the best techniques for each type of paper and made my “textured” pieces. The medium used was Chinese Ink. When dried, the ink becomes slightly glossy.

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Fine grain Drawing Paper, Bottle Caps & Fingerprints.

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Calligraphy Paper, Homemade miniature Paintball Gun.

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Rice Paper, Pinkies & Spray Bottle.

MUJI Newsprint, Flick the Paintbrush & Spray Bottle.

MUJI Newsprint, Flick the Paintbrush & Spray Bottle.

Regular Copier Paper, Paintbrush & Pen (hand-drawn).

Letter-writing Paper, Paintbrush & Pen (hand-drawn).

Newsprint, Dabbing with Toliet Paper

Newsprint, Dabbing with Toliet Paper.

 

 

 

2D Final Cuts (02): Emotional Inspiration for Lines Creation

Anxious: U.N Owen was Her

Embarrassed: Salut d’Amour Op.12, Edward Elgar

Bizarre: Turkish March (Music Box), Mozart

Exhausted: Warette, Rima

Fragile: I Love You, Woodkid

Systematic: Where Are Ü Now, Skrillrex and Diplo feat. Justin Bieber

Lyrical: Guilty, Al Bowlly

Turbulent: Carnivore, Giselle

Nonsensical: Luna, Bombay Bicycle Club

Psychotic: Waltz No. 2, Dmitri Shostakovich

Ambiguous: Chopin Style Arrangement – Howl’s Moving Castle OST

Distracted: Fantasie Impromptu Op. 66, Chopin

Sensual: Valse Sentimentale, Tchaikovsky

Sloven: Breezeblocks, Alt-J (∆)

Spontaneous: – (literally spontaneous) –

Aggressive: Smells like Teen Spirit, Nirvana

Awkward: Itsuka wa Romansu

Indecisive: Chou Wasabi, Julien Dore feat. Mickey Green

2D Final Cuts (01): Personal History in Line Creation

Although I never had an official arts education, I have always been passionately curious about exploring the realm of visual-to-mind stimulation. Some of my works (done solely on my phone with my finger since I’m a poorly-equipped artist for now) are shown below. These were made in my free time during the June – July period, and submitted as part of my portfolio to La Salle and ADM. I was granted admission to both schools.

 

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I like to make huge contrasts by playing with the size of the imprints, with a relatively smooth, gradual transition rather than erratically placed marks. Some are lighter and some, noticeably darker. I like my lines bold and expressive when creating darker moods, e.g. Bizarre, Anxious, Psychotics, Aggressive . . . Perhaps it reflects on how I express my darker emotions; Powerful, invasive & overwhelming.                                                                                    -01: Mad man in Red 

 

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01: Turbulent

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01: Systematic

 

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I may have used a black background and worked from there in this piece, but in traditional practice, it would be employing the reductive approach of creating the patterns I desire.  It creates a passive setting for a more distant emotion e.g. distracted, exhausted, lyrical.                                                                                                                                                             -02: Highway to the Unknown

 

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02: Distracted

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Packing lots of lines in different directions and textures (created by contrasting sizes in dots) in one frame may create a busy atmosphere, which is perfect for moods that veer towards moods that are more complicated with multiple implications e.g. indecisive, nonsensical, ambiguous.                                                                                                                                                                            -03: Childhood Lovers 

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03: Indecisive

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By varying the sizes of the imprints to give an illusion of one being in the foreground or background, we establish a multi-planar space. Some shapes are more obvious than others, and this helps create focus in an image. Thus, it is much like the feeling of making a spontaneous decision in spite of the many choices available to us.                                                                                                                                                                                                                                    -04: Illusion of the Give or Take 

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04: Spontaneous

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By drawing clear borders and directions, we create movement which are similar to moods that are more dynamic and easy to identify e.g. embarrassed, awkward, aggressive.                                                                                                                                                                                      -05: Lasso-ing Dreams 

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05: Embarrassed

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05: Awkward

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Layering one picture over another like a collage is almost like a build-up of emotions and experiences e.g. exhausted, psychotic. Sometimes it can be overwhelming and tiring to hold it within, leading to a lapse in control e.g. sloven.                                                       -06: The Castle of Dreams 

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06: Sloven

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06: Exhausted

 

2D: The Blue Ink Girl’s MonoPrints

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Swiper no swiping. Of brushes.

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Dusting the paper. Made it dirtier than cleaner. Irony.

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Press the Paintbrush for a free . . . style pattern.

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So this is what you’re doing to your car windows everytime you clean it with that bristly thing.

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First attempt @ Reductive method by making patterns on the inked sheet.

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Let’s be economical and make 3 in 1. Use of various materials from the basket.

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Swirl it like Van Gogh part 2.

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This looks like an amateur Mr James R.eads work. 

 

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Van Gogh try-hard part 1.

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I like them astronomical prints!

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Multiple bark strips.

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Too ambitious. Tried creating 5 patterns on 1 sheet.

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Minimalistic . . . But then! What’s that thing under the mat-

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Let’s keep it light to make it bright.

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Fluid floating shapes which captures so much movement ! Oddly it looks like a chinese painting.

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Why not vertical.

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Let’s try different amounts of ink, and different ways of rolling the ink on, under or above the paper.

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More experiments with the under/above paper method.

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Unacceptable blue ink over vines and fragrance beads and roots.

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Scratch the ink surface, put textures at different areas, roll ink on top with varying pressures.

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Pressure playing.

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Smack the ink on.

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Roll in many directions, overlapping is fine.

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Directional brush strokes.