Forest Gump Alice in Wonderland: Sometimes I believe in as many as six impossible things before breakfast

I wanted to focus on the setting and the things that Alice counted during her battle with the Jabberwocky.

Design 1

For the first design, I focus on the setting where Alice had tea with the mad hatter and March Hare. I tried to emulate the bizarreness of the teapot by juxtaposing the march hare head onto a teapot. Inspired by the hatter’s love for eccentric hats, I gave him a hat made up of cupcake

for the second design, I was inspired by the things that Alice counted during her battle with the Jabberwocky. the three elements that I have incorporated is: a cake that makes you grow smaller, a drink that makes you bigger and cats can talk. For the Cheshire cat, I used a siamese cat because it look rather unusally from a common house cat. I separated his body into halg to illustarte his ability to appear and dissapera out of nowhere. However, i saw told that the elements do no gell well with each other.

Design 3

For this design, i went back to focusing on the scene where Alice was at the tea party. I decided to incorporate a more bizarre feeling into the design. I placed Alice and the March Hare together as they peer out of the pot. The design wasn’t executed really well, as the contrast was too high. Also, I was told to focus on the keywords such as “breakfast” more while bringing in more context of Alice in Wonderland where I brought in the actual character into my work.

Design 4

Heading the advice of Mi Mi where I had to incorporate more of the movie context and the keywords, I decided to focus on the word “breakfast”. I also decided to focus on the impossible. I tried to bring that aspect out by making it bizarre, weird or paradoxical. In this design, I decided to manipulate with the scale to make it bizarre. but I felt that I was playing too safe in this design. it is just not bizarre enough.

Design 5
Design 6

For design 5 and 6, I had this grand plan of having a top view of Alice swimming in cereal while she floats in a bathing suit with a flamingo float. so I had to substitute I do with a front shot of a cereal bowl with Alice sitting inside the cereal. I chose cereal as it is a very common breakfast food for many. but I felt that the elements were rather individual and aren’t gelling well with each other.

Design 7

So I settled for this design. where I split the paper into half. The first half of it is a distorted checkerboard. with Alice and an apple superimposed on it. I chose a chessboard as I felt that Alice in Wonderland concept was very much like a game. i also chose the apple as it is a convinent breakfast food for all. On the other side, i used a backdrop of panckaes and scones as a background. alice is given a crosant for a head as it is a very common bread in frnace.

Forrest Gump: My Chosen Quotes + Artist references

MY CHOSEN QUOTES

For my first quote, I will be using Tim Burtons Adaptation of Alice in Wonderland – ” Sometimes I think of as much as six impossible things before breakfast.” this line appeared in the movie three times. the first time, Alice was having a nightmare, and her father calms her down with this line before tucking her back into bed. The second time, Alice said this to the Mad hatter to give him courage and encouragement. the third time Alice said this, she was about to kill the Jabberwocky. The six things that Alice counted before she killed the Jabberwocky is: 
There’s a potion that can make you shrink.
And a cake that can make you grow.
Animals can talk.
Cats can disappear.
There is a place called Wonderland.
I can slay the Jabberwocky.

The meaning of this quote is to believe in the impossible and the impossible will happen. take faith and leap. ?

For my second quote, I will be using Disney animated adaptation of Alice in Wonderland – “I don’t know” Alice said. the cat replied:” then it doesn’t matter.” This was said by the Cheshire cat to Alice when she was lost in the forest and had no idea where to go.

For my third quote, I will be using Disney 1998 Mulan – ” when will my reflection who I am inside.” This famous line was sung by Mulan when she lamented how she was very different from the ideal feminine stereotype in China.

For my fourth quote, I will be still using Mulan – “if I wear a mask, I can fool the world, but I can’t fool my heart.” Similarly, this was taken from a verse in the song reflection sung by Mulan.

For my fifth quote, I will be using Mulan – ” the Flower that blooms from adversity is the rarest and beautiful of all” This was said by the emperor in Mulan when Mulan revealed that she was a female and disgraced the country. I really love the movie Mulan as it is very similar to me: neither a feminine girl nor a 100% tomboy. I also love how they portrayed the female power in this movie despite it being created in 1998.

ARTIST REFERENCE

The first artist that I referenced is Martin O’Neill a graphic illustrator based in the U.K.. I love how he tasteful cut up the face and join them back through implied lines created by the flowers.

The Second artist I’m referencing is Rohan Daniel. I love how he played with the negative space to imply the trees. I also love how he used texture to differentiate the ground along with the sky and the background.

The third artist that I’m going to reference is Ugo Gattoni. I love how he implied the horse by changing and wrapping the pattern of the building onto the horse.

The last artist I’m going to reference is the manga XXXHOLLIC. I love how the mandala designs her manga cover page and how she incorporates unique borders for each volume.

MEMORIES OF SOUND: Where I Grew up

Unlike my other kids who spent their childhood growing up in playgrounds, playing with their friends and of course the TV, I was a little different. I grew up in my maternal grandparent’s house as my mom was often busy at the farm that the family owned. Back then, we were going through some financial difficulties, and my parents could afford to hire a nanny. So my mom bought me to the farm every holiday, to look after me. So yes. I spent a good part of my childhood (from when I was 5 to 11) darting about in the office cubical, pretending that I was invisible. (The part where they house livestock were unknown to me due to hygiene and AVA rules)

However, due to the government re-urbanization of Chua Chu Kang area, the farm had to be shut down and moved to the Kranji countryside area in 2011. Today, the place remains desolated as it awaits a new project. So I decided to go back and base the project on my memories of growing up in the place.

Unfortunately, the area was on locked and under a 24-hour surveillance by a CCTV. So I could only view the perimeters of the farm. below are some of the pictures that I took:

This was the place where my mom grew up in. When my mom was about 19, the house was undergoing some renovation. Along with her siblings, they stayed in this house for about 10ish years. Apparently, when we were there my mom told me that this was the place where mum was married off to my father.

This is the office where my mum spent most of her youth working in. This was also my “playground” when I was primary 1. I would dart in and about the cubicles, disturbing my aunts and uncle as they worked.

This is the front gate where you can still slightly see the mars and impression left behind the signboard.

Today, only the office and the little house remains. I have absolutely no idea, why didn’t the government cleared the whole land. today it just lays abandon waiting for the next project.

While we were there, I bumped into the old neighbor, the boss of Kok Fah vegetables, the leading hydroponics crop grower in Singapore. There outside in the hot sun, they had a heated discussion on the future of agriculture in Singapore. To be honest, I believe that the agriculture is doomed in Singapore. Long story short, lack of government combined with the lack of successor has made agriculture a dying trade. Undeniably, agriculture is essential for Singapore, but it is unsustainable in our pragmatic society.

Haw Par Villa: memories of the 60

Planes To Points To Lines: Study models + Finals

The brief of this project tasked us to creates planes using thread on a piece of card paper. The first plane or shape that I thought of creating was the Mobius spiral (You take a strip of paper and twist it before looping it as shown in the picture bellow. Think of it as the infinity sign)

Mobius strip inspired stairs.

This did not work well as the loop couldnt be sewn tight together. In addition, the whole structure is very weak and thus could nt surport the weight and the tension of the threads.

I decided to simplify my plane by using a rectangle, to create a wave. This worked out to a great extend but there is still a definite front and back. Hence, I  extended the paper to create one more relief.

 

Okay attempt three, I hope this goes well… so I extended the paper and added more lines to create a greater diversity of planes. So far this worked out the best. By conciously taking care of where the thread ends, I have managed to eliminate the disntinct front and back problem.

I decieded to try the third study model out on the plastic sheet. this worked well to a certian extend. I faiiled to consider the other two sides, making the scupture having two distinct faces.

process…
sweat shop…

If I had more tine for this project, I would have tighten up a lot of the threads and create another study model to tackle the problem of having two distinct surfaces.

My Line Is Emo: Final

JOY

DAYDREAM

I find solace in the silence. Often, when I’m bored, I would picture myself as the main character if a story. This allows me to escape into a fictional world, away from all my stress and my problems.

I tried to create a portal of dimensions into my fantasy world.  Inspired by null gravity, where directions do not exist. I made use of different motif to create patterns that do not have to be seen from a specific direction This makes the work more interesting and dynamic, similar to my ” inner world”. I will be developing this piece for my final, by incorporating principles of designs.

ANXIETY

ANXIETY

I experienced a breakdown during my J2 in Nanyang Junior Colledge. I couldn’t balance my academic studies with the huge amount of time I spent in art.  Furthermore, I didn’t get along very well with my classmates. This made me feel very suffocated and isolated in my JC. For the feeling of fear, I will focus on the different aspects of anxiety I felt during my A-level period.

The scribbles of my pen represent my emotional state, where my mind is in a jumble. The dark harsh strokes done in black acrylic paint represents my mental state, where anxiety has hijack and taken over my body, rendering me useless. Finally, the hazy black part done by dabbing paint represents my physical state, where everything is in a haze, where I cannot think properly. Tracing paper is used to bring across the idea that anxiety is a complex multi-layered emotion.

SADNESS

SADNESS

I based this emotion of my sadness in the parting of my close friend to London. I met her seven years ago at tuition, where we bonded over cookies. ( I was ten years old then)  We then coincidentally went to the same secondary school and were classmates for 4 years. She has been a constant, a given in my life. However, on the 21 of September, she will be heading over to Goldsmith London to further her studies. To me, sadness hits the hardest when you take things for granted.

For this piece, I used is salting. After being with someone for a very long time, they own a tiny part of you. When they leave, you will feel empty. Similarly salt absorbs the water taking part of the ink away. Furthermore, salt is a by-product of tears, which is commonly shed during partings. In addition, the shape suggests the high and low of emotions. It peaks in the middle to show denial and then go back to a rest to show acceptance.

FRUSTRATION

FRUSTRATION

But I have different intensity of anger. I often choose to approach the situation calmly, using logic and reasoning. Often I would walk out of arguments if it gets too heated. I would speak to the other softly laying facts and the truth. However, when someone repeatedly does something after I told them to stop, I would become a volcano. I lose my rationality and shout at the person. As if there is a haze, blocking out my sensible thinking.

The white paper suggests my rationality. the black paint suggests anger blocking out my rationality. The white paint expresses the burst in my anger despite trying to keep them down.

SURPRISED

SURPRISED

I will be basing the emotion of surprise of my experience in fright night. I’m super easily scared. During fright night in ADMFO, I originally had no idea that it was fright night until I saw the ghost. At the beginning, I was very calm and repeated to myself in my head that there are no such things as ghosts. This is represented by the thick and sturdy line starting from the right across the paper. However, when the first jump scare appeared, I was so shocked that my legs turned to jelly and I fell. However, I just brushed it off laughing while I stood up again, to continue on the whole journey, despite being super scared. The jump scare is represented by the spattering of paint in the middle. the frayed line towards the end illustrates how I try to act as if I’m not scared but in actual fact, I really am.

LOVE

LOVE

To me, two halves do not make a perfect circle. I view love as a way of development and growth. It’s about the merger of two vastly different people, coming to terms and accepting each other’s differences and weakness.

I wanted to show the merger of two to become a better version of yourself. I used the technique of decalcomania for this piece. I place blobs of paint onto the paper before sandwiching them, allowing the paint to blend and mix with each other. The white and the black paint represents two people that are starkly different and opposite of each other. The gray shows their development and acceptance of each other. I like this result a lot as it shows the gentleness of the relationship through the soft blending of colors and the turmoil of the relationship through the jagged areas.

 

READING ASSIGNMENT: SOUND ART

What is sound?

Sound can include many things. some of which includes music kinetic sculpture instruments conceptual art sound effect and much more. Edgard Varese defines sound as all organize sounds. In a performance piece 443, he demonstrated that silence is also a sound. On the other hand, Paul DeMarinis argue that there are three parts to any sound recorded.The first sound is the sound that we try to record with a bit of distortion. The second sound refers to the sound of the environment. The third one refers to the whirring mechanics of the recording machine.

How has it been used in culture and society?

Sound art has been widely incorporated into the arts. by 1955 sound arts have almost become an art fad. It is widely adapted to music, kinetic sculptures, instruments played by the wind or the general public and more.  surface noise is often employed as the backdrop for continued attention and suspended belief. In the earlier times, the sound was used to create and emphasize on the silence.

What makes it an art?

Paul Dementist that that sound art has been loosely categories into the visual arts.  Similarly, as it lacks a purpose. I strongly believe that art has to have a purpose. Art is a reflection of reality. I feel that arts should offer a new perspective and probe the audience’s thoughts and feelings. Similarly, in traditional art, the meaning of the painting does not lie within the medium but on the subject matter of the work, unlike sound art where the medium of the meaning.


How does advancement in audio technology affect our sense?’

Advances in the audio technology allow us to normalise, compress and fill every moment with sounds. This results in us rejecting the silence, and the surface noise. This has resulted in many scholars opposing the classical and academical circles elevating silence to the highest pedestal in sound. This can be seen clearly in john cage 433, where he invited a musician to “play” a piano for 4 min and 33 seconds before leaving the stage. For John Cage, this is a composition of the varrying lenght of sielnce.

Pre seminar questions

https://www.youtube.com/watch?v=p16JxNV90SU

The first artwork that I chose is Electronic Superhighway by Nam Jun Paik. This is a 51 screen installation in the shape of the USA map.  Nam Jun Paik aims to explore the relation of mass media and how it affects humans. The 51 screen installation plays a different video on each screen. Paik speading up and slowing down the video, purposefully adding interruptions into the clip. This installation includes a jumble of sounds coming from the different video.

I do like this work a lot, and in fact, I think that the sound helps to further strengthen the message that Paik was trying to bring across. In this artwork, piak makes a statement about the huge amount of visual and auditory information we receive from the internet. the jarring jumble of sounds further confuses the viewers as they try to comprehend the imagery shown on the screens. Therefore I love how sound is incorporated into this piece. 

http://www.dailymotion.com/video/x31gw4

The second artwork that I have chosen is Mona Hatoum Measure Of Distance. Measures of Distance is a video work comprising several layered elements. Letters written by Hatoum’s mother in Beirut to her daughter in London appear as Arabic text moving over the screen and are read aloud in English by Hatoum. The background images are slides of Hatoum’s mother in the shower, taken by the artist during a visit to Lebanon. Taped conversations in Arabic between mother and daughter, in which her mother speaks openly about her feelings, her sexuality and her husband’s objections to Hatoum’s intimate observation of her mother’s naked body are intercut with Hatoum’s voice in English reading the letters.

Similarly, I feel that the element of sound further solidifies the artist view of an outsider. The intimate video of her mother bathing is partially hidden by the Arabic script, however, the conversation is translated into English and played in the background. The sense of the viewers as the outsider is thus furthur emphasized as we should not be able to understand this conversation, thus making them the outsiders.

My Line Is Emo: Conceptualization ( Anger, Surprised, Love)

ANGER 

For me, I have a short temper and I lose my temper easily. But I have two different intensity of anger. I often choose to approach the situation calmly, using logic and reasoning. Often I would walk out of arguments if it gets too heated. I would speak to the other softly laying facts and the truth. However, when someone repeatedly does something after I told them to stop, I would become a volcano. I lose my rationality and shout at the person. As if there is a haze, blocking out my sensible thinking. for the emotion of frustration, I will be focusing on the different stages and intense anger.

The first piece I tried to capture the essence of frustration. I blasted heavy rock metal music through my headphones and channeled all my anger onto the paper. I achieved this by rolling a sponge with acrylic paint over strips of paper.


The second piece is a different rendition aiming to capture the essence of anger too. but this time I applied blobs of acrylic paint to the paper before spreading them out with a broom. I really like the texture captured and created by the broom.

While I feel that these captured the essence of anger very well, this approach is very simplistic and common.

In the third piece, I explored with the billowing of my emotions before it becomes a full-blown shouting match. For this, I dipped half of my brush into black acrylic paint and the other half into the white acrylic paint. then I painted circular motif on the papers. During this in-between state, I often have an inner turmoil with myself, fighting the urge to scream at the other party. the sweeping strokes are inspired by a tornado, where the emotions are building and is becoming increasingly destructive.

Lastly, I tried to express the destructive and explosive part of my anger. in the first strip, I wanted to focus on the texture of the paint. The rough finish of the paint makes it look very rough and poses a form o raw energy. In the second piece, I tried to express the feeling of anger bursting out from under my skin. For this, I  splattered acrylic paint from a height using a paintbrush. for the last one, I wanted to focus on the destructive and explosive aspect of my anger. I dipped a string attached to a needle into Chinese ink, before dragging them across the paper. This gave it a raw finish which goes well with anger. However, these expressions are too common and I need to give the emotion more layers for it to be uniquely mine. In addition, I should have splattered the paint from a greater height with more strength as currently, the splatters look very energetic. I would be improving on this by adding a dry brush stroke as a base, before splattering the white paint on the top.

SURPRISED

For me, I’m super easily scared. I would not pay to be scared or be paid to be scared. During fright night in ADMFO, I originally had no idea that it was fright night until I saw the ghost. At the beginning, I was very calm and repeated to myself in my head that there are no such things as ghosts. However, when the first jump scare appeared, I was so shocked that my legs turned to jelly and I fell. However, I just brushed it off laughing while I stood up again, to continue on the whole journey, despite being super scared. I will be basing the emotion of surprise of my experience in fright night.

For the first piece, instead of focusing on my experience in fright night, I wanted to try to suggest surprise through the creation of an anomaly in my work. In both pieces, there is a harsh contrast between the lines, horizontal versus vertical, diagonal versus horizontal. I feel like this is a very superficial way of expressing the emotion of shock hence I decided to scrape it.

For the next series of work, I was inspired by a heart monitor measuring my heartbeat during a jump scare in ADMFO. First, I would be calm as I don’t know what is happening. This is represented by the flat lines on the left after the jumpscare happens and my heart beats super fast causing a sudden rise in my heartbeat. This results in the fraying of my emotional state as shown by the diagonal lines in the first and the splatter in the second. The first piece is done by dipping thread into the ink and bringing it around the paper. the seconf=d one is done with a dry brush dipped into acrylic paint. Among the two, I prefer the second one. The second one has a frayed line that continues on to the end of the paper. I like this connotes the fact that even though I try to act fine and brush the fact that I got scared, my mentality is still frayed and I’m super scared on the inside.

LOVE

For me, I don’t believe in love and neither have I experienced a romantic relationship. so I’m going to base love of my idealistic and perfect ideology. To me, two halves do not make a perfect circle. I view love as a way of development and growth. It’s about the merger of two vastly different people, coming to terms and accepting each other’s differences and weakness.

For this piece, I was inspired by the Chinese legend, the red string of fate: two lovers will be bounded by a red string tied onto the pinky. I tried drawing the idea of having your pinky bounded by doing blind counter drawing for both my left hand and my right hand. However, the end result did not turn out great as it is hard to distinguish what I drew much less tell the emotions.

For the last piece, I wanted to show the merger of two to become a better version of yourself. I used the technique of decalcomania for this piece. I place blobs of paint onto the paper before sandwiching them, allowing the paint to blend and mix with each other. The white and the black paint represents two people that are starkly different and opposite of each other. The gray shows their development and acceptance of each other. I like this result a lot as it shows the gentleness of the relationship through the soft blending of colours and the turmoil of the relationship through the jagged areas. I will most definitely be exploring this technique on a larger scale for my final.

My Line is Emo: Conceptualization ( Joy, Fear, Sadness)

JOY

I included a mindmap of what joy means to me above. But in a nutshell, I derive joy from being alone. I am an introvert, while I like spending time with others, after a while, I need to retreat to “recharge” myself in my dungeon (room). To some, they fear to be alone as it would result in loneliness.  But for me, I find solace in the silence. I’m highly entertained by my own thoughts and imagination. Often, when I’m bored, I would be picturing myself as the main character if a story. To me, this is my greatest joy. This allows me to escape into a fictional world, away from all my stress and my problems.

The first subcategory emotion that I explored with is pride. To me, acknowledgment is what I constantly seek for. raised in an Asian family, compliments are hard to come by. Hence when someone compliments me, I take pride that my work is recognized. Pride is a very dangerous feeling for me. I may be blinded by my arrogance and pride, that I may fall very badly from my high horse.

I tried to express the idea of getting over the head and falling through bubbles as similarly, bubbles will float upwards before bursting. In addition, I like the how bubbles connote the idea of being obvious to the surrounding one’s actions as the bubble isolates the person from the surroundings.

The second subcategory that I wanted to express was the feeling of at peace. To depict the silence and the monotony of peace, I used the palette knife to create a rhythmic texture. The repeated tessellation, suggest boredom.

I chose to use white paint instead as the paint is more translucent and more reflective and allows a greater focus on the texture. I won’t be using this idea for the final piece. while it suggests monotonous activity and boredom, silence does not result in boredom for me. On the contrary, it’s vibrant and interesting for me.

In the next piece, I tried to express my mental state: at peace away from all the stress and worries by using the ink + water flowing technique.

Among the three, I like the last one the most. I was tempted to recreate this for my final but there were 2 problems I faced. Firstly, I realized that my classmate is using part of this technique in their works.Secondly, this work has to be seen vertically instead of horizontally as stated in the project brief.

The last piece I explored and express the fantasy “world” inside my mind when I’m daydreaming. For this piece, I chose to use pens and markers instead of using acrylic or ink. This gives me a greater control over the medium, allowing me to add more details and into the work. I feel that this goes very well with my concept as my “world” is very complexed and confusing.

I tried to create what I call a portal of dimensions into my fantasy world. I made use of different motif to create patterns that do not have to be seen from a specific direction. This is inspired by null gravity, where directions do not exist. This makes the work more interesting and dynamic, similar to my ” inner world”. I will be developing this piece for my final, by incorporating principles of designs.

FEAR

For me, I experienced a breakdown during my J2 in Nanyang Junior Colledge. I took art as one of my subject for the A-levels. This took up most of my time in school, as I often had to stay back until 10 pm to work on my artwork. This resulted in me neglecting my academic studies. I was the bottom three percentile of my cohort in J1, and J2. in J1 I purposely skipped an exam to force the school to project my chemistry test score, so I could promote to J2. So I had many teachers haunting me for consultation and whatnot. Furthermore, I didn’t get along very well with my classmates. This made me feel very suffocated and isolated in my JC. For the feeling of fear, I will focus on the different aspects of anxiety I felt during my A-level period.

The first anxiety that I will be exploring is my fear of being around my classmates. I didn’t fit very well with my class, as I had a vastly different timetable from them. I would avoid the crowded area in my school, where there was a high possibility of chancing upon my classmates.

For this piece, I tried to highlight how anxiety looms over you. I also tried to depict the feeling of closing in, trapping and suffocating me.

I did another variation of the feeling of being trapped by using the technique of stippling. to me, each dot represents a human. Think of it as a very crowd from the top view. The empty circle in the middle represents me while I am being trapped by countless of people.

In the third piece, I explored by mental state. My mind was in a whirlwind, then. I had the tendency to overthink. I will think of all the possible ( and highly impossible) scenarios and go over them in my mind, mentally preparing myself for the worse. This worsens my anxiety which causes me to think even more, which results in a never-ending spiral. This causes my mind to be in a jumble, where I’m in an utter state of confusion.

For this piece, I was inspired by the topographical maps. the fluid multilayer contours disorientate you, thus suggesting the emotion of confusion. But the main reason why I chose to use the contours is that, despite being a geography student, I can’t read a map to save my life. Reading maps just gives me a huge headache and a whole lot of confusion.

In the last piece, I decided to express all three realms at the same time: my mental, physical and emotional state. I decided to use collage for this work. By cutting up and reorganizing the pieces, it breaks up the formal cohesion, bringing about more chaos in the work.

The scribbles of my pen represent my emotional state, where my mind is in a jumble. the dark harsh strokes done in black acrylic paint represents my mental state, where anxiety has hijack and taken over my body, rendering me useless. Finally, the hazy black part done by dabbing paint represents my physical state, where everything is in a haze, where I cannot think properly. I will be developing this concept to a greater extent while bearing in mind the empty spaces that I’m leaving behind. I will also be trying out tracing paper to bring across the idea that anxiety is a complex multi-layered emotion.

SADNESS

For me, what I fear the most is change. I met by one of my closet friends, seven years ago at tuition, where we bonded over cookies. ( I was ten years old)  We then coincidentally went to the same secondary school and were classmates for 4 years. She has been a constant, a given in my life. However, on the 21 of September, she will be heading over to Goldsmith London to further her studies. To me, sadness hits the hardest when you take things for granted. For this emotion, I will be focusing on the subcategory of sadness in parting.

For the first piece, i tried to express the grief spreading through one’s body, after having a close one part from you. First, I wet the entire paper before dripping ink onto the paper. the ink than diffuses out staining the paper black. This gives a very gloomy and empty feeling. However, I will not be using this technique for the final as it is too common.

The second technique that I used to explore this concept is bubbling. There is a Chinese there is a saying where you disappear into bubbles, leaving no trace behind. I wanted to capture that essence. in addition, bubbles do not last forever as they burst easily.

The last technique that I used is salting. I like the concept of salting. As you have been with someone for a very long time, they own a tiny part of you. By leaving it feels empty. Similarly salt absorbs the water taking part of the ink away. Furthur, salt is a by-product of tears, which is commonly shed during partings. From all three techniques, I prefer salting the most as it gave the most interesting texture. I will be developing this technique on a larger scale while playing with the shape and the concentration of salt that I add.

REIRAYRUI