Micro-Project: Glitched Aberrations

Choose the image that I am gonna glitch. I hate to glitch it because I like the original picture very much.

EGON SCHIELE, Self-Portrait with Chinese Lantern Plant, 1912, oil and gouache on wood, 11 3/4 x 15 3/4 inches (32.2 x 39.8 cm), Leopold Museum, Vienna
EGON SCHIELE, Self-Portrait with Chinese Lantern Plant, 1912, oil and gouache on wood, 11 3/4 x 15 3/4 inches (32.2 x 39.8 cm), Leopold Museum, Vienna

Making copies.

Self-portrait with the Chinese lantern plantSelf-portrait with the Chinese lantern plantSelf-portrait with the Chinese lantern plantSelf-portrait with the Chinese lantern plantSelf-portrait with the Chinese lantern plantSelf-portrait with the Chinese lantern plantSelf-portrait with the Chinese lantern plantSelf-portrait with the Chinese lantern plant

Open the image in text file and manipulate it by adding to, deleting and substituting its code.

Glitch 1

Self-portrait with the Chinese lantern plant 6

Glitch 2

Self-portrait with the Chinese lantern plant 3

Glitch 3

Self-portrait with the Chinese lantern plant 5

Glitch 4

Self-portrait with the Chinese lantern plant 4

 

2 thoughts on “Micro-Project: Glitched Aberrations”

  1. Statement of meaning:

    I think it is interesting that you chose a European artist who chose an Eastern subject for the painting.

    Yuhao, you write:

    “I hate to glitch it because I like the original picture very much.”

    What is the relationship between your process as a glitch art maker and the final product? How do you think your feelings (in this case, your feelings about loss of the original image) affect your process of making your art? When do you choose to let those feelings guide you in your glitch art making and when do you choose to let those go?

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