DALIWorking off my initial sketch model named MONDRIAN, this new and improved model features WEDGING. I kept the original dimensions of MONDRIAN as I was very satisfied with the overall visual balance. However, I shifted the D, SD, SO so that they mostly coincided with each other’s 1/3 and 1/2 marks.

I chose to wedge as it gives the overall model more structure and balance as they are more effectively stuck together. It is important that the different volumes are securely fixed together as it helps with the model’s ability to balance.

The Rose Meditative, 1958 by Salvador Dali via here

This new model is named DALI after Salvador Dali’s The Rose Mediative which features a large rose LEVITATING against the blue sky and desert plains. The sketch model reminded me of this painting as the SD is in the foreground, much like the rose, with the desert as an SO and the sky as the D.

MATERIALS AND PROCESS

For the materials, the most important aspect was to effectively balance the model on its small SO. Therefore, I chose a heavier material, CONCRETE.

Also, I wanted to differentiate the SD and D from each other by using textured pieces of paper with different weights and opacity, with the lightest material being utilised for the D. x

Above, I’ve included my process of mixing the concrete and pouring it into molds. As this was my first time working with this material, I was unsure of the ratios of water to powder so I made a variety of mixtures to see which one would hold up the best. In the end, most of the concrete pieces were either too dry or too wet, resulting in either cracking or crumbling. Thankfully, I still managed to get some of the pieces right!

FINAL MODEL

I was quite pleased with my final model and the materials I used as I think it efficiently highlighted the different volumes with varying textures at play. Additionally, I incorporated a light within the model to literally shine light on the different opacities of the papers.

However, one problem I faced was that given the sizes of the D and SD, the weight of the concrete was not enough to counterbalance it as my model could hardly stand. As a result, I used thinly cut ice cream sticks wrapped in reflective paper to support the weight of the SD and D.

APPLICATIONS

THE GALLERIA

Re-imagined as a exhibition space, my final model is scaled up into a building.

The Dominant rectilinear volume serves as an exhibition viewing gallery with ample room for a large crowd to wander

The Sub-dominant volume is a space for hosting painting workshops and meetings.

The Sub-ordinate volume is an accent detail that may be converted into a balcony if lengthened.

THE KOMPLEMENT

In contrast to the blown up size of the Galleria, the Komplement is a to-scale application of my final model. It is designed to match IKEA’s “Komplement” home organisation system as a jewellery stand.

Both Dominant and Sub-dominant volumes are used to house a variety of accessories, with the addition of hooks in the D to allow the hanging of items. The Sub-ordinate serves as a stand with a larger base.