Final Research Hyperessay: Key Work Selection

Team Up with Dancing Drones

This film uses drones, 3D capture and performative dance to create a sense of alternating between real and digital worlds.

The music video, “Cold Stares”, is a collaboration between Daito Manabe and Los Angeles beatmaker, Nosaj Thing featuring Chance The Rapper in Nov 2015.  The dance piece by two dancers was produced to express the message in the lyrics—their mental situation and conflict searching for reason of being and memories, wandering along the border between reality (the real world performed by people) and illusion(the delusional world of Computer Graphics Effect).

The resulting film is both jarring and seamless, with the dancers shifting between real and virtual realities so quickly that the line between the two worlds vanishes. “We are constantly experimenting and thinking of ways to create a new form of dance performance by utilizing technologies such as machine and deep learning,” says Daito Manabe. There are two kinds of drone movements, a motion produced by tracking a dancer’s movements and an artificial motion operated on the software. At first, dancers had to be trained to interact with the drones because they could not predict how they would move, but eventually they were able to dance with the drones as closely as 10cm away from them. As my aspect, this piece was not only a meditation on how we see each other and how machines see us, but also a double dance between human and machine.

Additionally, just like Jon Cates said:

They might be glitched and imperfect. But still they are functional or functioning in one way or another systematically.

Daito Manabe successfully combined minimal polygon and glitch art to demonstrate the virtual. Thus, audience could easily differentiate between the reality and illusion. By using drones, what was virtual can now exist as physical objects, this concept was that Manabe also wanted to deliver. In this 3 min performance, we just like wander along a virtual-to-reality chaotic space, sometimes being a touchable distance to the dancers, but sometimes living in the three-dimensional space. In Daito Manabe’s works, you hardly see any speech or words, he is convinced that music or number always express widely and precisely.

If I had wanted to express myself with words, I probably would have become a singer or a writer. The reason I chose music as the medium for expression was precisely because I didn’t want to use words. That is because I was attracted to the universality of things that aren’t words.

More information and details of it: The interview & Offical Website.

More Daito Manabe’s works with drones, dancers and lights:

Research Critique: Jon Cates and BOLD3RRR

“???” was my initial impression when I first watched BOLD3RRR as I did not understand the concept that Jon Cates was trying to portray. After reading Randall Packer’s interview with him, I finally realized this glitch artist and had a new aspect of “dirty new media”.

BOLD3RRR consisted of a frontal view of him in full screen but slightly fuzzy and blurry, a text overlaying programs on screen and a glitchy scape with the strong buzzing. The content seems to be cluttered and all over the place, but there was still some sort of flow. There seems to be a narrative but it is very much non-linear. This narrative way lets me recall “Montage”.  These sources seem fragmented, repeated and discordant, but they are connected to one another as assemblages or generated a new meaning. Like Jon Cates mentioned that, glitches are functional or functioning in one way or another systematically, Bold3RRR is a performance art with it as the main focus.

They might be glitched, and they might be imperfect and noisy, and that might be what attracts us or me to those systems. But still they are functional or functioning in one way or another systematically.

When I reviewed this piece again, I especially enjoyed the moment at 6:15-6:20. The screen showed that Jon Cates was using the software normally, but screen suddenly fasted forward with the flashing text in the following 5 seconds. The scene brought me a strong sense of disgusting that seems like someone hacks into your computer and you cannot able to control by your own. Glitch was happened when we have imperfections in the program and it produced results that were unexpected by programmer. While there are many people who would prevent glitch as much as possible, Jon Cates embraced the parts that these imperfections occurs and explored into these glitches which generated unpredictable artwork.

Besides, I found an interview with Jon Cates regarding glitch art and dirty new media. It questioned that glitch aesthetics of thinking could be applied to another aspect in real life that:

It should be extended to considerations about other aspects of our society beyond art, in which we ignore those who don’t fit into our social ideals of perfection and worthiness.

Personally, I think he provided a new reflection for people to encounter those glitches that we always wanted to get rid. Instead, we should enjoy these imperfections, errors and the aberrations. The more you destroy it, the more beautiful it gets. The one way to deal with this problem is embracing them, just like how Jon Cates took advantage of this opportunity to make art.

Actually, glitching can be easily found in variety of forms in real life, including the computer desktop which we use everyday. In Windows XP. As the lag screen render fail causes with the loads of error dialogs, user can drag the window around and it would duplicate itself over and over. Then, you will get a new glitch create space, like the below image.

The Glitch gives you a creative space when window crashed.