Books that I’ve read:
Johann Wolfgang von Goethe: Theory of Colours, Published by J. Murray, 1840
Wassily Kandinsky: Concerning the Spiritual in Art, Published by Dover Publications, 1977
- Characteristics and spirituality of colours and it’s opposing
- Shades of colours
Johannes Itten: The Elements of Colour, 1st Edition, Published by John Wiley&Sons, 1970
- Covers the details (more towards the objective) of colour principles
- Colour in Physics
- 12 Colours in the Wheel
- 7 Types of Colour Contrast
- Colour Sphere/Star
- Colour Harmony (Based on the Colour Wheel)
- Form and Colour
- Colour Expression (Based on individual colours meaning and its combinations)
- Colour Composition (Placement of colour at the Top/Side/Bottom make differences)
Josef Albers: Interaction of Colours, 50th Anniversary Edition, Published by Yale University Press, 2013
Reading in progress..
James Turrell: The Art of Light and Space by Craig Adcock, Published by University of California Press, 1990
An American artist that creates works which revolves around the idea of wordless thoughts through light and space. His aim is to make the audience to be aware of their own perceptions and “become conscious of their own consciousness” (Page 226). In his case, comprehension is not his primary concern as he does not deal with “science or demonstrations of scientific principles” (Page 225) instead, focus on how people see and perceive. Therefore it is fine for viewers “to remain mystified” (Page 226).
Some of his works that was mentioned:
Projection Pieces: Pullen (White), 1967
Wedgeworks: Milk Run II, 1997
Veils: Virga, 1974
Through these images, it can be seen that he deals with the “relationships between veridical and illusionary perception” (Page 223).
James Turrell, Robert Irwin and Douglas Wheeler were associated with one another during the late 1960s as they were most involved with the use of light. Both Turrell and Irwin took perceptual approaches in their works but Irwin leans towards traditional paintings. To him, “paintings were not simply objects, but rather elements in an interactive perceptual experience” (Page 54). As time passes, he gradually went on with light works and installations.
Bridget Riley: The Curve Paintings 1961 – 2014 by Kudielka and Robert, Published by London:Ridinghouse, 2015
An artist known for Op Art with the use of geometric abstractions. Here interest in form and colour led to exploration of perception. Her works started with black & white and gradually added colours to her works.
Arioso (Blue), 2013
An artist that is interested in “perception, movement, embodied experience and feelings of self” (olafureliasson.net/biography).