GAIETY

‘Light-hearted, pure spirited. A little festive, feeling jovial like carnival balloons.’

  • Soapy, bubbly inked water printing on newsprint.


ASTONISHMENT

A sense of neutrality and a sudden, abrupt spark of shock.’

  • Black painted base with block printing ink, added puffs of fragrant white powder.


DISGUST

‘ Unpleasant, repulsive, something sickening to the guts. Emotional, negative feelings amalgamating and spilling into a mess. ‘

  • Black painted base with block printing ink, erratic spurts of UHU glue and residual mess from dirtied tissues.


 HURT

‘Intangible emotional suffering, damaged but despite endurance, the pain bursts from its seams’

  • Black paper ripped in the middle, crumpled, used dirty tissues underneath, a part escaping through the bigger tear of the top layer.


AROUSAL

‘Primitive, erratic, instinctual desire that’s unconscious. Gross, sticky, unwanted.’

  • Mixed lip balm with block printing ink, spread over newsprint with paper. Messy splashes of white glue to enhance the grossness.


UNEASINESS

‘A constant, stable state, but something’s amiss. Something’s wrong. Uncertain, strained.’

  • A strip of cartridge paper, black threads covering the length. A gap in the midst with a single, individual loose, out of control thread.


 

WK 2 In-Class Experimentation
We got our hands dirty, tables messy but we got to get cracking on our mark making! Playing around and experimenting with black inks was honestly really entertaining, especially when you’re just trying out something and the results end up surprising you in all the good ways. 4 hours spent, 4 hours of productivity!

End results:

Tadaa! All of that was created with block printing ink, Chinese calligraphy ink and various different random objects found in daily life! Pretty cool that with just some black ink and random things you can make so many diverse prints, am I right?

I’ll talk about some more interesting techniques and marks I managed to accidentally discover while literally just fooling around with simple ideas.


Rubber band: dragging

Rubber band: snapping

RUBBER BANDS
Something as plain as a rubber band can be utilised in more than just 1 way.

It’s flexible and stretchy, making it easier to manipulate it to create different shapes and thus, different marks. I tried simply dragging the rubber band around and it created this tumble-y, merged chaos of ink. Whilst when I chose to snap it against the newsprint, it created another effect: sharp, aggressive lines that made tiny splashes at the end, along with a solid circular marks as it lands and retains its original shape.

 


Palette Knife: creating strokes

PALETTE KNIFE
Who decided that palette knives were only for mixing paints?

Palette knives make decent inking tools I realised, with their sharp tip and diamond-shaped surface. It can create both thin, precise marks and also thicker, smudgier marks.

 

 


Lip balm: Mixing

LIP BALM
I wanted to try something that had a stronger slightly 3D-esque texture, something
that isn’t basically just ink on paper. So I mixed ink with another substance, which is an unwanted lip balm here.

Okay, it does look slightly gross but hey you end up with a nice, creamy texture! It definitely draws more intrigue, being a mark that isn’t just black ink.

Though, using this pinkish lip balm meant that some colouration stuck; it’d be better to add more black ink to ensure it’s just grayscale.

Lip balm texture


Applying the Clear Nail Polish

NAIL POLISH
Most techniques include ‘addition‘ of ink to create marks. What about ways to create a mark that’s the negative of the ink, if that makes sense.

The clear nail polish clearly (pun intended) refrained the ink from being absorbed by the newsprint, leaving a whitish, clear mark of whatever mark it made before applying the black ink! By patting it with a tissue before it dries removes excess ink and the mark becomes more obvious.

 

Clear Nail Polish: 🙂


Bubble: Printing

BUBBLES
This part was the most fun for me, I can’t remember the last time I played with bubbles! I mixed soapy water with the black inks, but I had to continuously balance it out by adding more soap as more ink made it less bubbly. Took a while to achieve a satisfactory monochrome tone!

First I tested out by blowing bubbles into a small container and pressed the newsprint on top of them, resulting in a clean-cut, circular print with many overlapping spheres of various opacities and sizes in it.

Bubble Print

Bubbles: Blowing directly onto newsprint

Another thing I did was blowing bubbles straight onto the newsprint with a straw. There’s slightly more control this way as you can choose where to place the bubble. However the size and opacity of the bubble is kind of random, but it still makes nice circular pops of ink.

 

 

Bubble: Picking up with finger

Scooping the inky bubbles was just for fun at first, but hey idea! Next thing I did was to just gently place it down, making sure the bubbles pop properly and not end up as just 1 big splotch of ink. Turns out, it makes this interesting cluster of irregular round shapes? It looks like something organic, something that belongs under the microscope, cells and tissues.

 


WK 3 In-Class & Own time Experimentation
Okay more experimenting!

In-Class End Results:


FOOT

Foot painting + toes printing

Am I a real artist now that I’ve used my foot and toes for the sake of art? I’m kidding, but not the foot part. I picked up a brush and just let my foot do its thing. It was definitely sporadic and hard to control, if you thought using your non-master hand was hard, well there’s this.

Foot: Painting

Foot: Toe printing

 

There’s no rooted pattern or rhythm as you can see from the finished piece. Fun though, will recommend, will try again.

 

 


POWDER
So far I’ve tried mostly markmaking on a white background with darker mediums. Fragrant powder is a white powdery medium, which made it suitable for trying something different with a darker base.

Powder: Puffing from bottle

First, I painted the strip entirely black, using the still wet ink as a sticky base so that the powder can somewhat stay on and not simply get blown away, bye bye.
Then, I gently squeezed the bottle to puff out powder little by little, angling it to show movement and direction.

What you get is this slightly explosive texture that goes everywhere, but kind of with purpose, maybe.

Powder: Attempt 1

Above is the 1st attempt, but it didn’t convey its supposed emotion as much as I liked, which was ‘Astonishment‘. Here’s attempt 2, which turned out more effective woo.

Powder: Attempt 2


UHU Glue: Applying onto strip

UHU GLUE
Glue’s sticky and man, it can get so messy.

Which makes it perfect to just play around with while trying out weird textures.

UHU Glue: Messing it up with tissue

UHU Glue isn’t too tough to control but at the ends, it always has this extra unwanted drip that’ll leak out and cause extra splotches. For this case, it’s a good thing, making things more organic and untidy.

As it slowly dries and loses it’s adhesiveness, I quickly dabbed it with dirty inked up tissue and pulled it around, leaving bubbles and residue in the glue, gross. It further enhances the messy feeling.

 

UHU Glue: Attempt 1

I actually tried this twice, initially on white paper. It didn’t end up usable as the glue stains were barely visible. On a black base though, the transparent glue along with the ‘whitish’ bubbles and residue, made it pop out just enough.

UHU Glue: Attempt 2


Thread: Applying glue

THREAD
This was so tedious, I spent so much time placing every individual thread I watched like 3 episodes of a show while doing so. But at least it ended up just as I wanted, phew.

After putting strips of glue, I had to cut the thread to approximate lengths and place them down one by one. Repeat this cycle like at least a hundred times. why did i do this to myself

Thread: Look at this mess

When the entire thing is covered in just thread, trimming and clean up was done. Those stray ends were everywhere.

Thread: Making the gap

After cleanup, I pulled apart an area of the threading and glued them down, ensuring the white negative gap staying in position.

A loose, lonely, curly thread was added last over the gap. 

Overall it creates this controlled mood, but with a minor fault, a tiny piece of uncertainty?

Thread: Finished finally


Torn Paper: Tearing up

TORN PAPER

I ripped tissues and papers accidentally and thought oh, I could use this for something.

So I tore a hole and a smaller, receding shred on a black piece of paper, creating this effect of something tearing it open.

Torn Paper: Crumpled dirty tissues

 

 

Stuffing the empty space with crumpled, inked up tissues I used to clean up messes prior to this, it made a nice filling for the void. Pulling out some parts of the tissues, it looks like it’s ‘bursting’ out.

The dirtiness of it emphasises it even more.

Torn Paper: Finished


All of these were the more interesting techniques I tried and fooled around with while experimenting for this assignment! Now for the finalisation and making of the selected 6 emotions! 🙂

Mark Making. What exactly is Mark Making? It’s basically the creation of any sort of marks made by any medium on some sort of canvas. These gestural marks purposefully create texture, lines and patterns. With such ‘simple’ marks, they do not fail to evoke emotions and thoughts from the viewer.

  • A single mark creates a dot.
  • An extended mark becomes a line.
  • A cluster of marks become a shape.
  • A series of repetitive marks become a pattern.
    Quoted: https://www.thoughtco.com/how-does-mark-making-affect-your-paintings-2577630

I enjoy the fact that Mark Making can be done with literally any medium, from just a simple pen or even smoke, which isn’t exactly the norm when it comes to art. It makes the process, well in a way, liberating and free as there aren’t any ‘rules’ set in stone and you can just experiment away!


Techniques
Although Mark Making does not have a set way to do it, there are some intriguing techniques that artists have used for it. I did some digging around and found a few various techniques that I personally found interesting!

FUMAGE
Creating art with smoke! The art pieces feel so intangible, just like the medium used. Steven Spazuk is a prominent fumage artist, one of his more impressionable works to me is shown below. It’s something slightly abstract in nature, but you can still feel the emotions resonating in the piece.

http://1aike31wshtt3k0e9u2nxtwz.wpengine.netdna-cdn.com/wp-content/uploads/2012/01/steven-spazuk-8.jpg

ABSTRACT EXPRESSIONISM
Putting it simply, it’s abstract art that focuses mainly on an expressive and spontaneous act, a.k.a Action Art. This includes actions like paint splashing, an iconic technique done frequently by significant abstract artist Jason Pollock. Emphasised gestures and actions that express ideologies and emotions.

https://rocksmag.com/blog/artist-profile-jackson-pollock/

BUBBLE POPPING ART
This isn’t a revolutionary art technique, instead it’s considered kiddy and simple! That’s fine but Mark Making means any medium is considered a-okay right? So why not a childish medium? This idea popped (pun not intended) in my head while I was washing dishes and remembered that I used to blow soap bubbles as a kid. Every time they popped, they create a tiny explosion that splashes. This threw me into research of how I could use it for mark making.

It’s also an inexpensive way to create nice spherical textures, which suits my broke needs. (Art student life is the poor life)

https://s-media-cache-ak0.pinimg.com/236x/e5/36/b8/e536b8f9990272f57dc3319ac252c3e9–d-street-art-charlotte.jpg


With research done, I’m excited to try out Mark Making hands on in class! I’ve noted the things I’ve decided to bring and the ways I could play around with below for personal reference. Hopefully I’ll be able to achieve the expressions I’m aiming for while discovering new things.


try to make them not just 2D, 3D: touch, perspective

STAPLES: bend, stack, align, twist. use staples to draw/paint
HAIR WAX: swirly, dab it, cementy? hair spray might harden it
HAIR SPRAY: setter/hardener, create a lil texture?
NAIL POLISH: create shine (transp), sleek, smooth
TOOTHBRUSH: sprinkle, drip, dab, scratchy
CHAPSTICK: smudge, lips? spread, crush
SOAP?: bubbles pop, put bubbles on paper, add paint wait dry, then pop bubbles to hopefully create a boomboom effect
              or at most just create some swirly texture
CLING: transparent but can create fine textures
             can wrap, layered on top of smth to create a barriered effect
SUCC SPROUTS: organic, swipe it, print it, cut to smaller pieces?
TOOTHPICKS: stack, align, chip or make them thinner, their splints can be used? 
WHITE GLUE: create patterns, texture, modify appearances of objects ( add shape etc )
STRING?: add many messy layers, but of a gradient effect? getting darker etc
PAPER/TAPE: paste and tear, create violent effect or smth, ripped
FINGERPRINTS: identity, control opacity, smudgey? u have 5 diff fingers to test