Class 2 Reading Assignment Vocabulary

cybernetics /sʌɪbəˈnɛtɪks/
 
noun. the science of communications and automatic control systems in both machines and living things.
 
Origin
1940s: from Greek kubernētēs ‘steersman’, from kubernan ‘to steer’.
 
Use over time for: cybernetics


automaton
/ɔːˈtɒmət(ə)n/
noun
plural noun: automata
 
– a moving mechanical device made in imitation of a human being.
“a collection of 19th century French automata: acrobats, clowns, and musicians”
 
– a machine which performs a range of functions according to a predetermined set of coded instructions.
“sophisticated automatons continue to run factory assembly lines”
 
– used in similes and comparisons to refer to a person who seems to act in a mechanical or unemotional way.
“like an automaton, she walked to the door”
 
Origin
 
early 17th century: via Latin from Greek, neuter of automatos ‘acting of itself’, from autos ‘self’.
 
 
Use over time for: automata

kinaesthetic

(US kinesthetic)

Pronunciation /ˌkʌɪnɪsˈθɛtɪk//ˌkɪnɪsˈθɛtɪk/

ADJECTIVE

Relating to a person’s awareness of the position and movement of the parts of the body by means of sensory organs (proprioceptors) in the muscles and joints.

‘kinaesthetic learning through a physical activity’
‘walking therapy can improve kinaesthetic awareness’

contingency
/kənˈtɪndʒ(ə)nsi/
noun
noun: contingency; plural noun: contingencies
 
– a future event or circumstance which is possible but cannot be predicted with certainty.
“a detailed contract which attempts to provide for all possible contingencies”
synonyms: eventuality, (chance)event, incidenthappeningoccurrencejuncturepossibilityaccidentchanceemergencyMore
 
– a provision for a possible event or circumstance.
“stores were kept as a contingency against a blockade”
– an incidental expense.
“allow an extra fifteen per cent on the budget for contingencies”
– the absence of certainty in events.
“the island’s public affairs can occasionally be seen to be invaded by contingency”
– PHILOSOPHY
the absence of necessity; the fact of being so without having to be so.
 
Origin
mid 16th century (in the philosophical sense): from late Latin contingentia (in its medieval Latin sense ‘circumstance’), from contingere ‘befall’ (see contingent).
 
Use over time for: contingency

behaviourism
bɪˈheɪvjərɪz(ə)m/

noun

PSYCHOLOGY
noun: behaviourism; noun: behaviorism
 
the theory that human and animal behaviour can be explained in terms of conditioning, without appeal to thoughts or feelings, and that psychological disorders are best treated by altering behaviour patterns.
 
treatment involving the practical application of the theory of behaviourism. 
 
Use over time for: behaviourism

homeostasis
ˌhɒmɪə(ʊ)ˈsteɪsɪs,ˌhəʊmɪə(ʊ)ˈsteɪsɪs/
noun
noun: homeostasis; plural noun: homeostases; noun: homoeostasis; plural noun: homoeostases
– the tendency towards a relatively stable equilibrium between interdependent elements, especially as maintained by physiological processes.
Origin
1920s: modern Latin, from Greek homoios ‘like’ + -stasis.
  
Use over time for: homeostasis
 

Research Critique: Nam June Paik, “Magnet TV”, 1964

Nam June Paik, MAGNET TV, 1965

An altered television set combined with a magnet sitting on top is unlike the majority of artworks back then. It is not an autarchy. This screen does not broadcast fixed programme but shows a crooked moving abstract image, that can be manipulated at will.

Norbert Wiener’s 1954 essay “Cybernetics in History” outlined the basic concepts of Cybernetics. I drew out my interpretation of it in the below diagram.

A complex action is one in which the data introduced, which we call the input, to obtain an effect on the outer world, which we call the output.

This control of a machine on the basis of its actual performance rather than its expected performance is known as feedback…

My interpretation of Wiener’s Cybernetics theory

Interpreting Magnet TV through Wiener’s Cybernetics lens’, the viewer’s action could be considered the input of the system, the output is the distorted image, and the feedback of the system is achieved by viewers‘ cognitive process, which then informs their next possible action. The work is established in this interactive process. To a certain extent, Paik has turned the passive spectators, to active participants, even the co-creators of the piece. A true piece of Modern Art, in the definition of Roy Ascott.

I came across the following video by a visitor to the Whitney Museum in NYC’s exhibition of this work last year.

I, then wondered, is this the work Magnet TV artist intend to create?

Wiener in “Cybernetics in History” said the following “A shift in the point of view of physics in which the world as it actually exists is replaced in some sense or other by the world as it happens to be observed.”

In considering Magnet TV with this perspective, if every situation is formed by the moment of observing, and “observing” means controlling the movement of the magnet in this context, the informed movement of the magnet controlled by a viewer made the work come into existence.

In another word, when interaction is removed, the work doesn’t exist anymore.