It was quite time consuming to do four different styles on different mediums, but the experimentation process was fun and worth it 🙂

 

The first row I worked on was Birb Eatsme as a small bird having difficulty eating “small sized” meals.

 

 

I used watercolours for this one, not really to add meaning to the piece, but more because I liked the look of this style and wanted to try it out.

 

 

What I found interesting and really aesthetically pleasing about watercolours is that when it dries, you can see rim of the marks made. The colour can also be very soft, depending on how diluted the paint is, which kinda helps portray that soft, dull colour I wanted for the feathers (because I see myself as a little dull, wardrobe-wise, so I guess the watercolour does add meaning after all).

 

 

I chose the colours red to yellow because they are colours that stimulate hunger, which is fitting for the topic of food. I was trying really hard to find triadic and split complimentary palettes that had both green and red in them, because I really wanted the burger to have lettuce in it. Alas, I couldn’t find that combination of colours in those palettes and had to forgo the green.

 

 

The second row was Plastic Gucci; me as plastic bag, looking at a fashion magazine and trying hard to look like those fashionable people, or bags, in this case.

 

 

For this row, I used a method which I could only identify as scrapbooking, because I used various materials such as cloth for the couch, patterned paper for the background, magazine clippings for the magazine, and plastic for, well, plastic bag me.

 

 

This style requires quite a bit of trail and error, mostly for the mini plastic bag. It took me about four to five attempts to create two good plastic bags, mainly because I didn’t have a template and had to figure out the right dimensions for them. The couch was relatively easy, because I’ve done stitching before, and this was a simple design.

 

 

And as for the Gucci bag in the magazine, it took awhile, but I managed to get the two G cut outs right on the third attempt.

 

 

The magazine took a bit of trail and error too, because the magazine is a little slanted, so they aren’t just rectangular clippings. I also had to look through several magazines to find pages that were pink-ish to fit the colour scheme.

The reason for using pink-ish colours was to symbolise beauty, and some purple for a little bit of vanity. This helps to emphasise on plastic bag me trying to look beautiful. However, the plastic bag itself is white, to show my pure, plain, and probably non-existent fashion sense.

 

 

The third row, one of my favourites, is Peanut on Fire; me as a peanut, placed under pressure and heat that everyone else seems to be handling just fine, while I alone catch fire instead.

 

 

I used simple vectors for this because it’s clean, and rounded off the edges to make it look calm and friendly, which contrasts nicely to the chaos that goes on in the panel above. I also chose colours from orange to yellow to show that energy when the others (represented by delicious popcorn) succeed, despite the heat they are under, rocketing off the pan as they pop. Yellow is also a colour that represents anxiety and nervousness, both of which I relate to when under pressure and in the midst of a lot of people.

 

 

 

 

 

 

 

To further emphasise on the stress faced by peanut me, I used a crumpled paper background for all three frames. Comparing the paper textures from left to right, the paper gets more crinkled, showing the increasing level of stress.

 

 

Overall, this row was easier to do, probably because it was digital and didn’t need a lot of materials and paints to create like the other rows. Thank goodness for Photoshop and it’s pen tool.

 

 

Lastly, we have Procrastinating Panda; me as a panda, procrastinating as always, and slaving away at the last minute, trying to finish all my assignments on time.

 

 

This was done in colour pencils, because I can make controlled marks with it, and the lines get thicker and and grainier as you apply more pressure. I also tried combining what I learned about mark making in this row, playing with lines and their meanings. For this one in particular, I used loops and scribbles.

 

 

The first panel is coloured in with small loops to show how calm and happy panda me feels, sleeping the day away. The colour I used is mainly blue, a relaxing colour. But we shift to the last panel, the blue colour changes to represent fear and depression; fear of not being able to finish my assignments on time, and depression as a general “there’s no hope for me anymore” feeling what washes over me when this happens.

 

 

The lines change from smooth loops to sharp scribbles. This represents the shift to a more stressed feeling as I work on my assignments.

 

 

The last panel is the most chaotic, as well as the darkest panel of the three, the scribbles dense and reflecting all my fears and anxiety.

 

For this 2D assignment, we are supposed to think of items and/or animals that represent us, put them in a specific scenario, and show their outcomes.

Each row can be done in different styles, and I wanted to try and explore different mediums for all of them.

So, here are the four styles and colour schemes I chose 🙂

 

Styles

1. Watercolours

 

 

 

 

 

 

2. Scrapbooking

 

 

 

 

 

 

3. Simple Vectors

 

 

 

 

 

 

4. Loops and Scribbles

 

 

 

 

 

Colours

1. Red to Yellow (Analogous)

 

 

 

2. Red to Purple (Analogous)

 

 

 

3. Orange to Yellow (Analogous)

 

 

 

4. Blue (Monochrome)

 

 

The final tote bag print was successful!

 

Here are the four designs of the selected quotes:

“I solemnly swear that I am up to no good” – Harry Potter and the Prisoner of Azkaban

 

“It’s only when we wake up that we realise that something was actually strange.” – Inception

 

“There are a lot of things to be happy about.” – Inside Out

 

“I never look back, darling. It distracts from the now.” – The Incredibles

Out of the four designs for the quotes, I chose the one from Harry Potter as the final one for the silkscreen printing. (“I solemnly swear that I am up to no good.”)

Here’s how it all went:

 

Quote Design

When coming up with a design for this quote, I tried finding keywords that could help me with finding relevant images to use. The words were, “swear”, “up”, “no”, “good”.

And so I started finding pictures that could best represent these words.

That’s where I made a mistake.

I was so focused on making sure that the design would convey the exact meaning of the quote that it turned out very, very, literal.

 

So literal.

But there’s only going up from here, so I got to designing a second one. This time, I tried focusing on what the words meant to me, rather than what they literally mean.

I kept the swearing-illuminati-hand part, but everything else was scraped.

To me, the intentions of the quote shows mischief, kinda like saying “anything that can go wrong will go wrong, because I’m going to make sure it happens.”

Also, “solemnly” means to be sincere about it. In this case, however, “sincere” isn’t exactly meant in a positive way. So, to show that, a halo is added around the swear hand, half black, half white. This shows how it’s meaning is a little “two-faced”.

As for the “up to no good” part, I saw it as making sure everything goes wrong, no exceptions. So on the bottom left corner, there are a bunch of icons that symbolise luck and fortune to show the positive things that happen in life. The icons then form lines leading to the middle, where the swear hand and halo are. This is where, through the mischievous promise made, everything is funnelled in and converted to bad things.

 

So now that it’s less literal, another thing I had to work on was the composition. Right then, it’s not exactly symmetrical, but it seems so because of how all the lines intersect in the middle of the design. This makes the composition a little boring. Also, the lucky icons, unlucky icons, swear hand, and halo are all about the same size compared to one another. This makes it hard to figure out which of them is the main focus.

To improve on the composition, the swear hand was scaled up, and immediately, we have a clear focus point. The lower black background was also scaled up to take up more of the composition. This created a stronger asymmetrical look. I also posterised the black portion to give it some texture.

And there we have it; the final design!

So, next up, transferring the design onto the silkscreen.

 

Silkscreen Process

This was really exciting because I’d only ever seen videos of silkscreen printing, and it was really interesting learning how to make one myself.

So first up, we had to apply a layer of this blue substance (I forgot what it’s called, so lets call it smurf-stance for now till I find out what it is).

 

Once the smurf-stance has dried, we moved on to transferring out designs onto the silkscreen. The transparencies with our designs were taped to the frame, and then placed into a machine that exposes it to light.

 

Once it’s out, the excess smurf-stance is washed off–

 

– revealing the design!

 

Time for the text print~

 

Aaand it was too wet. I think I was worried that there wasn’t going to be enough ink, so I put a little too much on there. The parts that weren’t soaking wet also bled a little. The outline of the swear line was also too thin, so it didn’t show up well.

 

But the bottom icons were quite clean, so I had that going for me.

 

After editing my design, like thickening the outline of the swear hand and what not, I went through the entire silkscreen process again. I did so more than once, unfortunately, because when I was washing off the excess smurf-stance, the parts that were supposed to stay in place got washed off. I’m guessing the water pressure was too high.

The line at the wrist got washed out of place 🙁

 

No matter, the process was fun anyways (though time consuming), so I just redid it again, and this time, made sure to stand a little further away when washing it.

And here’s the final design transferred.

 

It took a few tries, but after awhile, I got used to the speed and pressure needed to do the printing part. (But results were a little inconsistent.)

 

Printing

I previously messed up my first tote bag; it had the same problem of bleeding too much into the fabric like it did the newsprint.

But on the first try of the following week’s lesson, I managed to get it right!

 

Strangely enough, subsequent prints were worse than the first.

Nonetheless, the final print turned out well 🙂

Watch movies for an assignment? Yes, please!

For this next assignment, we have to pick four movie quotes and create a design for each one.

Here are the four quote I’ve chosen and the movies they’re from

 

“I solemnly swear that I am up to no good.” – Harry Potter and the Prisoner of Azkaban, 2004

 

“It’s only when we wake up that we realise that something was actually strange.” – Inception, 2009

 

“There are a lot of things to be happy about.” – Inside Out, 2015

 

“I never look back, darling. It distracts from the now.” – The Incredibles, 2004

 

Six Emotions

The final six marks have been completed! REJOICE! We’ve all spent a great deal of time on these babies, so I hope the emotions conveyed using the array of marks can be felt and understood by their viewers.

 

 

 

 

 

Infatuation

Think of affection. Now, merge that with obsession. There you have it, an addictive kind of love that comes as quickly as it goes; infatuation. This feeling admiration mixed with addiction is why I chose to use dots of varying sizes, conveying the repetition of the strong feeling of love. The dots are clustered together to form a thick, curvy line with loops, representing the feeling of affection and high energy that drives the passion, which soon thins out to a string of dots, showing how short-lived the feeling really is.

 

 

 

 

Zeal

Enthusiasm that spurs you on to achieve something. That, to me, is what zeal means; that energy and excitement to go forth and get what you want. It has a positive note to it, thus the rounded shapes, which are arranged to look like they’re rising up, showing that movement towards a goal. Diagonal lines are also present to emphasise high energy action, and they are accompanied by dots that give those sharp lines a softer, more positive feel.

 

 

 

 

Amazement

When you step into astonishingly beautiful place, there’s this feeling of wonder that washes over you, and you can’t help but to feel surprised and excited altogether. Of course, there are so many things to look at, and you can’t decide on what to focus on first. So, out of marvel and excitement, you rush up to anything and everything, taking quick glimpses of every little thing, finding surprises in every corner, spinning around, finding something new, and repeating that whole process. That sense of wonder and amazement is captured in this mark using glitter, representing that element or surprise and wonder upon seeing all that is fascinating to you. The lines created are sharp to show energy of excitement, and quick, curved strokes convey the movement of turning around eagerly to see something new.

 

 

 

 

Loathing

Anger can be quite an easy emotion to express in a mark; tearing, crumpling, stabbing, and scratching are some of the many methods that express the brute force of unrestrained rage. Loathing. however, is more like a feeling of anger and disgust that is kept within, so outright sharp, tense lines won’t do. Therefore, the marks show rounded shapes with fuzzy, scratchy outlines; a mask that fails to hide the negative aura radiating from the cavity within, which is filled with sharp spikes. Those sharp marks symbolise the feeling of loathe bottled up inside.

 

 

 

 

Hurt

Be it physically or emotionally, we all get hurt, and the pain that ensues can range anywhere from the light throbbing of a boo-boo to crippling agony. In this mark, I made vertical scratchy lines, some thin and some thick, just like the scrapes you get when you fall down, with some bigger, gaping wounds. Short wires were twisted together to create barbwire, which extends throughout the length of the paper, sparing no inch. the barbs pierce the surface easily, showing how fragile we can be. Once caught in barbwire, escaping won’t be easy; it takes time to rid yourself of it, and even then, the scars left behind serve as a grim reminder of the pain and suffering you went through.

 

 

 

 

Panic

Anxiety can be a nasty little thing, until it gets bigger. And bigger. And bigger. Until it finally consumes and controls your entire being. It strikes fear into your heart, causing you act unthinkingly, resorting to making wild and hasty decisions; anything to escape that terrifying, nerve wrecking situation. In this mark, anxiety is embodied in a small and dark dot in the center. The curved, crooked lines surrounding it show its gradual growth, right up till it can grow no more, and that’s when all hell breaks loose. Ink was dotted along the outer ring of lines, and with quick breaths, I blew sharply through a straw at them, the ink creating sharp streaks that split up at random, much like our unpredictable actions asserted in a panic-stricken state.

 

 

 

 

And that marks the last of my six emo lines. The whole make making journey that led up to this was quite eye-opening. Admittedly, abstract art wasn’t really my thing, mainly because I didn’t understand it and thought it was just something only super artsy-fartsy people would get. But after much researching and analysing, learning about the different marks and what they mean, as well as the different methods of mark making, I managed to grasp a little how mark making works as a way of expressing our feelings. 10/10 peaked my interest in abstract art 🙂

Mark Making

It may seem some fancy art term, but mark making is exactly what it sounds like. It’s literally the process of making various marks on a surface.

https://i.pinimg.com/originals/3e/73/f9/3e73f9b4ee1ff507498c80af05153eb4.jpg

A mark can be made using just about anything on any surface; from using charcoal to drawing lines on paper, to straight up charring the surface with fire.

http://www.mrhandyman.com/images/blog/hole-in-wall.jpg

 

Even the crack in the wall you made that one time when you accidentally opened the door too forcefully is a form of mark making (that’s right, you know what you did).

 

 

Mark making can vary from dots, lines, shapes, and patterns. They can be loose and expressive, or controlled and mechanical, conveying and evoking different emotions, as well as depicting movement, texture, and space in a piece.

https://i.pinimg.com/originals/1b/ba/e0/1bbae0012819fc465c45d3a6d64724f9.jpg

There are several mark making methods; hatching, cross-hatching, and stippling (creating a pattern using dots) to name a few.

http://3.bp.blogspot.com/-YUJLipnnB3w/UFsf3rsbQrI/AAAAAAAAARM/4G6DfE38jTo/s1600/Untitled.png

Mark Making Artist

Peter Deligdisch, or Peter Draws, is quite an inspirational artists. On his YouTube channel, you can watch videos of him make incredibly detailed and beautiful drawings, and one series of videos is called “Overcoming Artist’s Block”, which aims to help other artists with exactly that.

https://www.pinterest.co.kr/pin/436567757607162846/

https://www.youtube.com/watch?v=kNDVI-c1wgs

 

In regards to mark making, Peter shows us that you don’t need the best tools or equipment to create works of art. Case in point, drawing with a banana.

 

 

https://www.youtube.com/watch?v=kNDVI-c1wgs

 

He basically doodled with an ink-dipped banana, and when the banana gets used up, he’d dip the banana peel into the ink and splat it on the canvas, creating a different marking.

 

 

Peter has also experimented with different marking tools, such as a spatula, a stick, and even instant noodles.

https://www.youtube.com/watch?v=hsatgXbr5Y4&t=64s

http://artonthefridge.byethost31.com/wp-content/uploads/2016/10/BestPensForDrawing.jpg?i=1

https://www.youtube.com/watch?v=ZxPQ4CbBtoI

Week 2: Experimenting

Mark Making Tools

So, I went hunting around my house and found a few random but potentially interesting mark making tools to use.

I used everything except the red capsule. Don’t know why I even included that in the picture, silly me.

 

 

 

Bone

Chicken is delicious, and nothing should go to waste. Therefore, the chicken bone. Started off by dotting with the tips, swiping on an axis, and just pressing it flat against the paper. The marks look rather scratchy and panicked, in a sense; quite fitting for a tool derived from a slaughtered chicken.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Crochet

There’s usually a touch of love when something is handmade, but can the love be transferred onto paper? I used a circular crochet scrap to create various marks by dabbing, swiping, rolling, and brushing it on paper. Some of the marks are thick, conveying a bit of that love, but the few frayed lines may show some sort of struggle or disconnection.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Chocker

A string with beads that snapped off the actual chocker, because why not. I tried zigzagging and lashing, as well as tangling it into a ball of sorts, varying the compactness to create different density in the marks. To me, the marks gave off a mixture of frightened, anxious, and lost feeling.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Peg

An everyday object that I found. It has different carvings on each side, so I thought it made for an interesting mark making tool. I also tool it apart to make marks with the inner side of the peg, as well as the wire that holds it together. There’s a systematic look to it, perhaps due to the parallel markings.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Fern

Picked this up on the way to class. A common fern, but it has a nice structure, so why not discover what marks it can make. Other than pressing it, I also tried scratching the paper with the side of the fern, brushing with its base, and drawing fanned out lines with the tip.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Week 3: Emotions to Markings

Emotional Lines

Last week’s experimentation showcased different tools and what kind of marks can be made with them. This week, attempts will be made to create lines that convey certain emotions. So abstract, so new, so lets get right into it 😉

 

Love

Smooth, soft, and shallow curves tend to give us the feeling of comfort, relaxation, and love. However, instead of drawing those curves with one stroke, I used dots of different sizes to form them. Dots are round and have a positive look and feel to them; bubbly in both sense of the word.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Joy

Happy-pappy emotions. Happiness, enthusiasm, positivity; lots of round edges but also diagonals to show that energy that comes with that happy little dance we do despite trying to contain our excitement. I drew thick swirly shapes that seem to be ascending, the elements eager to go forth and do something with all that energy.

 

 

 

 

 

 

 

 

 

 

 

 

Surprise

Another emotion that leans more towards more positivity for me, just with a little more energy to it. I used sharp, zig-zag lines to convey the high energy, but too many sharp lines made it look a little harsh and tense. So, I added some dots and curves to highlight the general happy mood that I feel comes with a good surprise.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Anger

Here comes the emotion with lots of harsh, sharp lines. Marks that show anger tend to be made with quick, forceful strokes, some even tearing through the paper. But what about anger that is kept bottled up? I tried showing this hidden anger by keeping the exterior relatively soft, with a bit of scratchy lines surrounding the shape, while leaving space in the middle to create spikes on the inside.

 

 

 

 

 

 

 

 

 

 

 

 

Sadness

When I think of sadness, blurry, dull marks come to mind first. But I noticed that in the list of words under sadness, there was hurt, and pain isn’t something I’d picture as entire fuzzy. So, I created a background with a mixture of faded and sharp vertical lines, almost like scratch marks, and made barbwire to further emphasise the element of pain in the feeling of hurt.

 

 

 

 

 

 

 

 

 

 

 

 

 

Fear

When we’re scared, we get jumpy at the slightest sound or movement. Fear can cause us to behave differently; our actions erratic, desperate to do anything and everything to escape the horror. I thought of ways to record this unpredictability on paper, and found that dropping water into paper and then blowing it at an angle captures just that. The lines are sharp and split up at random, conveying fast, panicked movement.