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Research Critique | Kidnap (1998) and it's impact.

Adrian Tan

Tuesday, Mar 20, 2018 - 03:41:39 pm

@ Adrian Tan

NETWORK CULTURE

Since the mid 1990s, the group followed the trajectory of the development of the media, with their acute and in-depth psychological analyses. I would call them the most contemporary media-poet of this age.

Soh Yeong Roh, Head of the Selection Committee for the 2016 Nam June Paik Art Center Award

Blast Theory is a pioneering and Read more →

Categories: Research
Excellent Adrain. You have very accurately assessed how Blast Theory has situated the viewer as a central player in the work in order to have an experience that blurs the boundary between theater and real life. As you point out, this essentially gives the viewer a more visceral relationship to the socio-cultural and political implications of the critique on what I refer to as the "participatory giving up of control," as a way to better understand the motivations behind this phenomena. Although Kidnap does not make as extensive use of media as other projects, albeit the surveillance component of the Webcam, it nevertheless plays out in a very powerful way issues of control that are timely and pertinent to our mediated society today.

Research Critique: Jon Cates and BOLD3RRR

“???” was my initial impression when I first watched BOLD3RRR as I did not understand the concept that Jon Cates was trying to portray. After reading Randall Packer’s interview with him, I finally realized this glitch artist and had a new aspect of “dirty new media”.

BOLD3RRR consisted of a frontal view of him in full screen but slightly fuzzy and Read more →

Categories: Research
Very good work Poshun. I know this is a challenging piece, and just about every student who looks at it doesn't understand it until they read the interview. Of course I always enjoy students when they are able to grasp an art form that was previously impossible to understand. So you are exactly right, Cates is demonstrating how the imperfections can form the aesthetics of a work if we are open to embracing them that way. And I really like your statement:
The more you destroy it, the more beautiful it gets. 
That is exactly what Cates is communicating through this performance work. Another aspect of Bold3RRR is process. He is showing how something is made and reflected upon in real-time. As he calls it: real-time reflections and renderings. So we are seeing the artist at work on their desktop in the moment without any filtering, except of course the mediation of the screen. What you are witnessing essentially is a direct conduit to the artistic process. We will discuss further this evening. Great job!
 

Research Critique: Annie Abrahams, The Big Kiss (2008)

Vanessa

Tuesday, Mar 20, 2018 - 01:38:10 pm

@ When art meets technology!

Since its invention, the Internet was seen as a technological marvel that truly transforms our world into a McLuhanesque global village, where information gets from one end to the other in a blink. Moreover social media made it feel like we know the things that are going on in our friends’ and families’ life effortlessly. Yet people often talks about Read more →

Categories: Research
This is excellent!! You have made such a strong case for questioning the utopic ideals as expressed by Marshall McLuhan in the 1960s. What we thought might be a highly connected global village, has turned out to be something very different, albeit connected, but fraught with errors, breakdowns, separation, loneliness, and alienation. As you point out, Annie Abrahams directly addresses these issues with works such as the Big Kiss. You mention it is big because of the number of participants who might engage, I wonder if she means because the kiss is telematically transmitted over large distances? I don't really know for sure, it's a great question!! Anyway, this is a superb research critique that gets right to the point.

The Big Kiss, Annie Abrahams, 2008

JP

Tuesday, Mar 20, 2018 - 01:20:23 pm

@ JP's ADM journey

Annie Abrahams (born 1954) is a Dutch performance artist specializing in video installations and internet-based performances, often deriving from collective writings and collective interaction.

The Big Kiss(2018) was a Live Internet Broadcast Performance by Annie Abraham. The two performers attempt to kiss through the network in this work. Despite physical separation, there is a sense of intimacy and even sexuality in the Read more →

Categories: Research
Fascinating the your compared the intimacy of the virtual kiss to other forms we see commonly in social media such as the emoji heart or the fly kiss. These are all representations of the real, but through their commonality, as memes you could say, they take heightened meaning that carries with it a feeling of intimacy and motion. I thought that was an excellent observation. It might have been interesting to try and explain why Abrahams thought the Big Kiss was better than the real one from a woman's perspective, though I am not sure I can even answer that myself. I can only imagine that perhaps there is a certain degree of concentration involved that she may very well find stimulating, as it is enacted in the performance. So you are very right about the variation of the kiss or any act of intimacy as it is performed in the third space. These variations or what I call representations are crucial to human communication, probably since the very beginning! You have brought up some very interesting points.

Research Critique: Kidnap(1998) & Blast Theory

Chloe

Tuesday, Mar 20, 2018 - 11:38:26 am

@ I see Technology in Art

An interactive media art, Kidnap, was represented in 1998 led by Matt Adams in Blast Theory. It explored the social and cultural phenomenon through the application of innovative technology, live performance, media, dramaturgical structure and game in the fluid environment, combining real, virtual and fictional experience. In the official introduction of Read more →

Categories: Research
Excellent Chloe, you made some very good points. First, I was particularly impressed with this statement:
politics is not just control over a physical government, it also could dominate other people’s minds or behaviors, just what kidnap presented
This is a great explanation for why this work, Kidnap, can be viewed as political, since it examines control and surveillance techniques and how people might willingly submit to these systems. I found it interesting that you hadn't thought of the game form as relevant to new media art, but in fact, Blast Theory has pioneered the relationship between interactive new media art, performance, and game theory/structure. I really liked your comment about how the game environment creates a quality of immersion so that people can "swim" between the real and the virtual. That's an outstanding comment!

The Big Kiss, Annie Abrahams, 2008

SEUNG

Tuesday, Mar 20, 2018 - 11:29:04 am

@ Seung hyun Kim

Annie Abrahams was born  in the Netherlands in 1954 and has lived in France since 1985. She gained a Doctorate in biology and a graduate in fine arts. She is a performance artist based on internet, networked platform. She explores the possibilities of communication and relationships mediated by machine. She creates the networked performances collaborating and communicating with other artists at Read more →

Categories: Research
I thought the following statement you made was quite interesting:
she suggests a different form of intimacy that is in between loneliness and togetherness just like what human behave behind the on-off machine.
This connection you have made between intimacy and distance, alone and togetherness, has much to do with mediated nature of communicating through machines. However, I wonder exactly what you mean by on-off, are you talking about digital technology? That could use some explanation. While your biographical description and overall commentary on Annie Abrahams was well informed, I would have liked to have seen a stronger concluding paragraph about The Big Kiss. You raised many questions through your references, but perhaps you might have attempted to answer or at least challenge those questions in the concluding paragraph as a summary statement. When you say communication in the Big Kiss is through the eyes, how does that alter the experience of the kiss? Does it make it less intimate? Does it change the relationship between the two participants? Or perhaps it create a different kind of bond between two people? These are some questions you might consider providing answers to in a concluding paragraph to provide closure to your essay.

Agency in the Age of Social Media

Kapi

Tuesday, Mar 20, 2018 - 01:59:42 am

@ Kapilan Naidu

For much of human history, people have understood to varying degrees that in order to live more comfortable lives, we as individuals had to give up certain personal liberties. Our prehistoric ancestors knew this when they started gathering into tribes to increase their chances of survival. As human dwelling groups got larger, individuals gave up some of their own Read more →

Categories: Research
0 comments.

Paul Sermon and his work "Telematic Dreaming"(1992)

Chloe

Tuesday, Mar 13, 2018 - 01:06:12 pm

@ I see Technology in Art

Paul Sermon is dedicated in pushing the boundary of interactive telematic installations which emphasizes the sense of users’ experience. I think that the core idea of Paul’s works inherits the concept of the “composite-image space,” discussed in “Welcome to ‘Electronic Cafe International ‘ ” written by Kit Galloway and Sherrie Rabinowitz, and originated from Read more →

Categories: Research
Very good! I like the way you wove the idea of the ambassador through your research critique. The ambassador I understand from your essay is a representation in the virtual space, since the two physical bodies never meet. You are right, the ambassador functions an avatar, however not the kind we are typically familiar with in digital form, but here an actual body in a physical space that is connected to another physical space within the telematic environment. You are right then at the end by saying there is a blurring of the real and the virtual as this combination of local and remote spaces merge into what I refer to as the third space. Was there anything from the essay by Roy Ascott, "Is There Love in the Telematic Embrace," that might have supported your thoughts on intimacy in virtual spaces? This is definitely something we will discuss further tonight when we have Paul Sermon as our guest speaker.

Telematic Dreaming, Paul Sermon, 1992

SEUNG

Tuesday, Mar 13, 2018 - 01:04:32 pm

@ Seung hyun Kim

Telematic dreaming is interactive installation by Paul Sermon. In this work, people can communicate with the projected  image of other people who are in separate place. Audiences and performers make collaborative movement through the video screen and projector. They pay a lot of attention to synchronize their movement and to communicate correctly like they could touch each other. It is Read more →

Categories: Research
I am intrigued by your analysis of Telematic Dreaming, in which you point out the construction of something real out of an interaction that takes place within the virtual. I actually see some interesting connections with Richard Wagner, who in his stage productions of opera constructs a spectacle that becomes "real" in front of the viewers' eyes through the techniques of stagecraft and theater. This sense of the "real" we have discussed as the "suspension of disbelief," in which we know something is not real, but we allow ourselves to "fill in the image" as you say to believe it is real. This is an excellent observation you have made and we'll definitely want to discuss it further in class tonight when we have Paul Sermon as our guest speaker.

Research Critique: Telematic Dreaming (1992)

JP

Tuesday, Mar 13, 2018 - 01:02:16 pm

@ JP's ADM journey

“Telematic Dreaming is an installation that exists within the ISDN (Integrated Services Digital Network) digital telephone network. Two separate interfaces are located in separate locations, these interfaces in themselves are dynamic installations that function as customized video-conferencing systems. A double bed is located within both locations, one in a blacked out space and the other in an illuminated space. The Read more →

Categories: Research
You have made some interesting observations about our experience in virtual spaces: how we engage across the real and the virtual in what Kit Galloway and Sherrie Rabinowitz refer to as image as "place." I call this the third space, which is the convergence of the local and remote into a networked third space. Now isn't this something we experience often, such as in Skype or throughout phones? I think your comments on the rules of etiquette in virtual spaces brings up the ethics of how we act and interact in these environments. However, I think that what Kit Galloway and Sherrie Rabinowitz are trying to say is that we lose our inhibitions and we are free to act out things we might not ordinarily feel comfortable doing in real spaces. But you are right, there are certainly limits to these actions. One suggestion: your quotes are a bit long and they should be more closely tied and supportive of your own writing. Sometimes that's the case, but providing a full description of the technical scope of Telematic Dreaming is not really ideal, it is better for you to describe it in your own language, perhaps quoting just a sentence or two that supports your comments.