Recent Posts
Research Critique | Kidnap (1998) and it's impact.
NETWORK CULTURE
Since the mid 1990s, the group followed the trajectory of the development of the media, with their acute and in-depth psychological analyses. I would call them the most contemporary media-poet of this age.
Soh Yeong Roh, Head of the Selection Committee for the 2016 Nam June Paik Art Center AwardBlast Theory is a pioneering and Read more →
Research Critique: Jon Cates and BOLD3RRR
“???” was my initial impression when I first watched BOLD3RRR as I did not understand the concept that Jon Cates was trying to portray. After reading Randall Packer’s interview with him, I finally realized this glitch artist and had a new aspect of “dirty new media”.
BOLD3RRR consisted of a frontal view of him in full screen but slightly fuzzy and Read more →
The more you destroy it, the more beautiful it gets.That is exactly what Cates is communicating through this performance work. Another aspect of Bold3RRR is process. He is showing how something is made and reflected upon in real-time. As he calls it: real-time reflections and renderings. So we are seeing the artist at work on their desktop in the moment without any filtering, except of course the mediation of the screen. What you are witnessing essentially is a direct conduit to the artistic process. We will discuss further this evening. Great job!
Research Critique: Annie Abrahams, The Big Kiss (2008)
Since its invention, the Internet was seen as a technological marvel that truly transforms our world into a McLuhanesque global village, where information gets from one end to the other in a blink. Moreover social media made it feel like we know the things that are going on in our friends’ and families’ life effortlessly. Yet people often talks about Read more →
The Big Kiss, Annie Abrahams, 2008
Annie Abrahams (born 1954) is a Dutch performance artist specializing in video installations and internet-based performances, often deriving from collective writings and collective interaction.
The Big Kiss(2018) was a Live Internet Broadcast Performance by Annie Abraham. The two performers attempt to kiss through the network in this work. Despite physical separation, there is a sense of intimacy and even sexuality in the Read more →
Research Critique: Kidnap(1998) & Blast Theory
An interactive media art, Kidnap, was represented in 1998 led by Matt Adams in Blast Theory. It explored the social and cultural phenomenon through the application of innovative technology, live performance, media, dramaturgical structure and game in the fluid environment, combining real, virtual and fictional experience. In the official introduction of Read more →
politics is not just control over a physical government, it also could dominate other people’s minds or behaviors, just what kidnap presentedThis is a great explanation for why this work, Kidnap, can be viewed as political, since it examines control and surveillance techniques and how people might willingly submit to these systems. I found it interesting that you hadn't thought of the game form as relevant to new media art, but in fact, Blast Theory has pioneered the relationship between interactive new media art, performance, and game theory/structure. I really liked your comment about how the game environment creates a quality of immersion so that people can "swim" between the real and the virtual. That's an outstanding comment!
The Big Kiss, Annie Abrahams, 2008
Annie Abrahams was born in the Netherlands in 1954 and has lived in France since 1985. She gained a Doctorate in biology and a graduate in fine arts. She is a performance artist based on internet, networked platform. She explores the possibilities of communication and relationships mediated by machine. She creates the networked performances collaborating and communicating with other artists at Read more →
she suggests a different form of intimacy that is in between loneliness and togetherness just like what human behave behind the on-off machine.This connection you have made between intimacy and distance, alone and togetherness, has much to do with mediated nature of communicating through machines. However, I wonder exactly what you mean by on-off, are you talking about digital technology? That could use some explanation. While your biographical description and overall commentary on Annie Abrahams was well informed, I would have liked to have seen a stronger concluding paragraph about The Big Kiss. You raised many questions through your references, but perhaps you might have attempted to answer or at least challenge those questions in the concluding paragraph as a summary statement. When you say communication in the Big Kiss is through the eyes, how does that alter the experience of the kiss? Does it make it less intimate? Does it change the relationship between the two participants? Or perhaps it create a different kind of bond between two people? These are some questions you might consider providing answers to in a concluding paragraph to provide closure to your essay.
Agency in the Age of Social Media
For much of human history, people have understood to varying degrees that in order to live more comfortable lives, we as individuals had to give up certain personal liberties. Our prehistoric ancestors knew this when they started gathering into tribes to increase their chances of survival. As human dwelling groups got larger, individuals gave up some of their own Read more →
Paul Sermon and his work "Telematic Dreaming"(1992)
Paul Sermon is dedicated in pushing the boundary of interactive telematic installations which emphasizes the sense of users’ experience. I think that the core idea of Paul’s works inherits the concept of the “composite-image space,” discussed in “Welcome to ‘Electronic Cafe International ‘ ” written by Kit Galloway and Sherrie Rabinowitz, and originated from Read more →
Telematic Dreaming, Paul Sermon, 1992
Telematic dreaming is interactive installation by Paul Sermon. In this work, people can communicate with the projected image of other people who are in separate place. Audiences and performers make collaborative movement through the video screen and projector. They pay a lot of attention to synchronize their movement and to communicate correctly like they could touch each other. It is Read more →
Research Critique: Telematic Dreaming (1992)
“Telematic Dreaming is an installation that exists within the ISDN (Integrated Services Digital Network) digital telephone network. Two separate interfaces are located in separate locations, these interfaces in themselves are dynamic installations that function as customized video-conferencing systems. A double bed is located within both locations, one in a blacked out space and the other in an illuminated space. The Read more →