This Coway Air Purifier caught my attention. It is one of the air purifiers on sale in Courts, but the rest all looked quite bulky/bulbous. This one caught my eye because it has very clean and sleek lines and can easily blend into the living space, which is what you want a air purifier to be.
the other thing that caught ( or court. get it? ahha) is this SodaStream. This again is another sleek appliance that is completely unnecessary in the house. The use of the white and silver allows the appliance to look clean and futuristic in some sense.
Iina Vuorivirta: my chosen designer.
She is based in Sweden (duh.) Her designs are not the conventional flatpack furniture you would usually associate with Ikea but she has added a handmade touch to its products.
one of which is this limited edition collection of vases in 2017. This is a modern approach to the old technique of glass blowing, and by having the coloured glass and its streaks, there is a strong dynamic feel to it.
this is another one of her prototypes (not sure whether it made to production), and I like how she played with the use of modular forms to allow stacking of the objects to allow users to have multiples uses for one product.
disgusting vs not so grossCreative response:
In Class Assignment 1:
i thought this would work very well as a decorative piece in a Singaporean Chinese family. This reminds me of the blue porcelain bowls that many homes have.
In Class Assignment 2:
This is Xiang Rei.
this is my A3 poster! inspired by dada, the cheapo culture (singlish slang for being cheapskate) is very prevalent in singapore.
Jenny Holzer is a neo conceptual artist who lives in New York. Many of her works are installation based, but uses a large variety of media to broadcast her works. While she is based in New York, her work has had global influence through her text based works that have political and feminist influences.
“Red Yellow Looming” was displayed in Whitney Museum of American Art, and is now at the Met Bruer, a museum dedicated to modern and contemporary art in New York, in an exhibition named “Everything is Connected”. The work consists of a series of 13 horizontal LED tickers running across a narrow space between 2 walls.
The work bathes the small restrictive space in a red glow on one side of the tickers, and on the other side of the tickers, yellow. As the viewers walk up to it, they are overwhelmed by this as it is the only light source in the space, and they are drawn in. The thirteen tickers are placed in ascending order, almost like a set of stairs that leads to nowhere.
While the work doesn’t actually interact with the viewer like many other works shared by the class, I believe Jenny Holzer’s works gives a very strong physical immersion experience for the viewers. Instead of giving the viewers an option to alter the words on the tickers (like for Truisms, where viewers choose a truism and change a word or phrase and post it in a list), she completely immerses the viewers in the red/yellow LED lights. While it is not like Virtual Reality (VR), the person is in a constricted space flooded with the strong lights and is confronted with the moving words on the tickers. The viewers might even struggle with concentrating on just one set of tickers because of the constant movement. It leaves the viewers feeling like they are not the ones in control as they have no idea what the tickers will show next. It almost instills a sense of expectancy and confusion in the viewers as they wait for the next line to appear on the ticker.
The content displayed on the tickers are actually excerpts from the United States government’s documents on Iraq. The red and yellow background only helps to emphasise on the urgency of the matter that Jenny Holzer wants us to focus on. In addition, the high speed at which the words travel across the ticker also makes the viewers focus solely on the content and not just on the bright surroundings.
The use of the thirteen digital tickers also have a significance. Tickers are usually associated with the stock tickers and stock market. By using the digital tickers, Holzer is trying to associate the importance of the Iraq War that has claimed many lives between 2003 and 2011, of which the United States was heavily involved in, to the stock market in United States. There is evidence in the direct correlation between the Stock Market dips and the country’s involvement in wars globally.
Despite Jenny Holzer’s lack of use of ‘high’ tech gear so to speak, she manages to pull off a very successful work where she brings her viewers to a holt to focus on the problem she has identified. Even without the physical interaction which creates a physical output immediately like a Dynabook, it brings you on a journey through her creative process.
As previously mentioned, the artist I chose is Jenny Holzer. A conceptual artist living in New York. She mostly uses text in her works to express her ideas which sometimes includes feminist ideas. She stresses social consciousness or the lack thereof in today’s society, and her single liners are meant to trigger conversations about the issue at hand.
The artwork I have chosen is “Red Yellow Looming”. This was displayed alongside many of her other works in a similar theme, in Jenny Holzer: Protect Protect, in Whitney Museum of American Art.
The artist I chose for my hyperessay is Jenny Holzer.